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Luna
While touring in Italy, a recently-widowed American opera singer has an incestuous relationship with her 15-year-old son to help him overcome his heroin addiction.
Release : | 1979 |
Rating : | 6.4 |
Studio : | 20th Century Fox, Fiction Cinematografica, |
Crew : | Art Direction, Art Direction, |
Cast : | Jill Clayburgh Matthew Barry Veronica Lazăr Renato Salvatori Fred Gwynne |
Genre : | Drama |
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hyped garbage
True to its essence, the characters remain on the same line and manage to entertain the viewer, each highlighting their own distinctive qualities or touches.
This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.
By the time the dramatic fireworks start popping off, each one feels earned.
Oh, Goody. Yet another stunningly pretentious, loathsomely arty piece of Euro-dreck. What there is of a plot concerns Jill Clayburgh, ludicrously cast as a world famous opera singer, and Matthew Barry as her 14 year old heroin addict son and her attempts to get him off the smack by screwing his brains out. Undoubtedly, the most beautifully photographed soft-core incest porn you'll ever see....also the most deadly dull. You'll love the scene where Clayburgh rubs Barry's penis through his jeans, mmmmm....appetizing, no? Obviously an epic piece of whacking material for Bertolucci, but just because he wanted to screw his mother......did he have to make a movie about it? Spare me, Bernardo.
Stunning-very, adult,erotic, forbidden, the essence of Jill Clayburn in all her sexuality is truly STUNNINGForget the Puritans who are blinded by the depths of the human swirl of emotions that present themselves to the viewer. What a pleasant surprise to see this actress in a role that surely must tax the strongest level of artistic honesty (sorry about the cinema-babble but I am required to write ten lines).I found myself searching the guide to get another chance to sit through this film again and study it, as there are a number of human situations that complicate a casual viewing of this piece of Cinemasunaj
Bertolucci's strength lies in the camera work. This film is one of the most beautiful I have seen, definitely on the top 50 of beautiful films. It often looks like watching a painting, with great harmony of colors.Bertolucci, like in many of his other films, take parts both from heavy art house cinema and mainstream Hollywood cinema. The characters are very much Hollywood, especially in the horrible first 30 minutes. The beginning (except the scenes from the house at the sea) is simply awful. Again, like in other B. films, the beginning is too rapid, unrealistic and uninteresting, an, imho disturbing, element typical for the film noir during the 1930/40s, but it's even worse than that since the dialog as well is awful during that part.After that, the movie is very captivating and impressive. Also sexually provocative at times. Sometimes twisted but in a relaxed way. Definitely worth seeing.
like very much the musical score (Verdi, Mozart,Bee Gees)), and especially Jill Clayburgh . The drama is excellent and the relation with jo and his mother r very powerfull. one regret: does not exist yet in dvd.