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The Worst Film Ever

Sorry, this movie sucks

It's fun, it's light, [but] it has a hard time when its tries to get heavy.

It's a movie as timely as it is provocative and amazingly, for much of its running time, it is weirdly funny.

Always one of the movies in my TOP 10 and after watching it for a third time which I never do for movies, it keeps moving Up the ranking.

This film is one of the best way to understand Italian culture and society, the passion, the crisis, the eternal political fight that Italy endures since forever... with the its peculiar contradictions that Dante Alighieri has described in the Commedia. La Meglio Gioventù helped me to perceive and analyze the peril my country ran during the period called "Anni di Piombo" (late 60s-late 70s), a bloody age where terrorist's acts and brutality of police force create a state of mind of continuing distress not only for protesters and officers, but for an entire society on the verge of a huge breakdown. It is a ray of light on a period of time I am to young to remember. It's an exploration of the truth, narrated by opposite and converging point of views. It's a big deal of value to a magnificent piece of art of filming, writing and acting. Hope this movie will be advised by teachers to students, by parents to sons and daughters, as they may be with a great piece of literature of all times.

I liked this so well that my first reaction after having watched it was to go back and watch it again. And that is what I did. As with most any good movie, a second viewing is more rewarding than the first, particularly if reading subtitles has been required.It has been a long time since the heydays of Fellini, Bertolucci, or Antonioni, so it's good to see a quality Italian film come out that has international appeal. The ambitious scope of this film, covering the lives of a family from 1966 to 2003, well justifies its six hour length. The story concentrates on two brothers, Nicola and Matteo, who take quite different paths, with Nicola becoming a psychiatrist and Matteo a cop. In addition to the brothers we get to know their parents, siblings (two female), lovers, friends, and children. The number of characters is balanced, not too many to be confusing but enough to make things interesting.Director Giordana definitely has the eye of an artist. The movie is masterfully filmed throughout, and some scenes are so beautifully shot that you can only respond with a sense of awe. Consider the scenes that have Nicola wandering through a natural history museum with his daughter. The editing is flawless and the tracking shot from a distance that interposes various animals as the two walk along is brilliant. Or take the scene where Nicola is at the photography exhibit with large photos mounted on stands throughout the hall. This is where having the luxury of a relaxed time constraint pays off. Nicola wanders among the photos for some time before finding the one he is looking for. The mood of that scene makes us as anxious to find the sought after photo as Nicola is.I thought all the actors were effective and was particularly impressed with Sonia Bergamasco who plays Nicola's significant other Giulia. Camilla Filippi, who plays Nicola's daughter Sara as an adult, is most appealing. And it doesn't hurt that all of the young actors are physically attractive.The story is told in a linear fashion and it moves along seamlessly, which is a testament to the editing. I am sure that inter-cutting the lives of the various characters while supplying a backdrop of historical events was not easy. I particularly appreciated this as a counterpoint to the disjointed time sequencing and jump cuts adopted by so many current movies. I learned a good deal of recent Italian history from this movie, but the emphasis was always on the characters. The point is well made as to how much our lives are shaped by the larger social events of the time. I never understood before how turbulent things were in Italy during the time frame of this movie.I liked how many of the characters remained enigmatic. What prompted Giulia to become a member of the revolutionary Red Brigades, at the sacrifice of her family? Matteo is so complex and conflicted that I never figured him out. He could be sensitive but also subject to fits of anger. The only consistency in Matteo was his love for his brother, even though they were sometimes at odds. Matteo was prone to self-inflicted wounds--on a visit to Rome he sees his parents as he drives by them, but he does not stop; he makes a date with a girl but shows up only to follow her secretly in his car as she finally walks away. For all of Nicola's skills as a psychiatrist, in the end it is seen that he did not quite understand his brother either. This movie does not dazzle you with technique but rather seduces you into becoming involved with its story and its characters. Who can argue with a technique that accomplishes that?

Let me say this right away: When I borrowed this from the library, I had four exams to study for and no idea that it was a mini-series. So I started watching it, and finished in less than two days, having dropped all my studying. That is how much I was deeply moved and touched by this masterpiece.Not many films can endure the kind of multi-generation story lines that books can. This film is one of the rare exceptions.The characters are well-developed and complex; fully human. I quickly became emotionally invested in the family. Their dreams were my dreams, their achievement also mine, their failures my fault.The beautiful scenery takes you all throughout Italy, and as the characters are involved in events that take place in the background, it places a nice historical touch to what would otherwise be just a Carati soap opera.Some parts are a bit on the melodramatic side but it's expected for TV these days, right? The only quibble I have with this is that it's made for TV, which means the cinematography is too. There were too many close-ups and I felt pretty uncomfortable with that.All in all, though, it's a lesson about all the people, places, and memories that haunt you throughout your life. And that's worth much more than failing four exams.