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Parts Per Billion
The interwoven stories of three couples which are forced to make life-altering decisions in the face of a disastrous war. Inspired and sometimes blinded by their love, Len, Mia, Andy, Esther, Anna and Erik are as flawed and beautiful as any of the billions who are facing this human-made biological disaster.
Release : | 2014 |
Rating : | 4.3 |
Studio : | Benaroya Pictures, XYZ Films, PalmStar Media, |
Crew : | Art Direction, Production Design, |
Cast : | Josh Hartnett Teresa Palmer Alexis Bledel Rosario Dawson Penn Badgley |
Genre : | Science Fiction |
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Reviews
Brilliant and touching
best movie i've ever seen.
At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.
A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.
I kept watching thinking surely this movie would develop and do something other than bad mush. The bubble gum philosophy was mangled to the point it begged to be put out of it's misery. The acting was first rate but the script doesn't even move enough to be coherent or incoherent. It just lays there softly whimpering and perhaps whimpering is too strong a word. It would be impossible to write a spoiler for this movie since something would need to happen to spoil. What a waste of a great cast. Give me a week and I could write something considerably better than this. Even the romantic angle was bled out so painfully slow with so many pointless interruptions that it does not even rate up with a trashy romance novel. Save your eyes, mind and any other organs you wish to spare the agony of enduring this movie.
A film I couldn't wait to end it was so slow and non eventful. The script was minimal,there were no noticeable transitions to the flashbacks and most of the characters acted as if they had no idea what was happening.This was an example of good well known actors roped into what was supposed to be a modern day version of On the Beach, but without any of the tension, dialog and story. Rather than engaging in pointless flashbacks, more attention should have been paid to the worldwide disaster unfolding.Parts Per Billion illustrates why many low budget films never get shown widely...the script was lousy and production values mediocre.
"Parts Per Billion" is a film written and directed by Brian Horiuchi. It's very well made—with some really nice acting. However, it's also one of the most depressing films you could ever watch and I don't think most folks would want to see a film quite like this—especially since it seems very obvious where all this is headed.When the film begins, you learn that some sort of biological weapon was unleashed in the Middle East. Soon, folks in that part of the world start dropping dead and it seems like the weapon will spare no one in the immediate area. However, when the effects start spreading globally, it seems like perhaps no one will be left alive. However, this film is not so much about this directly but how a few individuals react to all this. Some fight desperately to survive, some ignore the inevitable and some can't stand to face life in this post-apocalyptic world and are ready to just give up. Naturally, these scenarios are depressing and the film keeps cutting back from one story to the next.The film stars a few famous folks—with some really nice performances by veteran actors Frank Langella and Gena Rowlands as well as Josh Hartnett and Rosario Dawson (among others). The direction is also good, though in a few scenes I was annoyed by a modern filming technique which I think is way overused—the unsteady cam (it can make you nauseous if you see too much of this on the big screen). But the combination of the music, writing, acting and director's touch is quite good.I am going to make this review rather short. Suffice to say if you like Robin Cook stories about pandemics, then you'll probably enjoy "Parts Per Billion" (well, enjoy might not be the right word for this). However, it's a lot more depressing than most of Cook's doom and gloom scenarios—much! Well made but so thoroughly unpleasant I am not sure who would really want to see this one. My advice is see it if you want, but if you are suffering from depression or are worried that this one might make it tough for you to sleep, I suggest you try something else. Well done but awful to watch at times.
Parts Per Billion follows the intertwined stories of three couples at different stages in their lives who are dealing with their relationships during a time of global crisis. Each couple is dealing with their own issues within the context of larger events. Those seeking scenes of mass hysteria and destruction will be disappointed. This is a relationship movie, through and through.It's no surprise that the cast is terrific, and do the best with what they have to work with. Whatever faults may exist, the writers and cast create believable and interesting characters. The non-linear nature of the story -- the scenes jump from couple to couple and from time to time -- can be a tad confusing at times, but it was probably necessary to provide a feeling that something is happening. This is important, because nothing actually is happening. To use a cliché, it's like the characters are rearranging the deck chairs on the Titanic without even acknowledging that its sinking. There is an unreal feel to how the looming external crisis is ignored by pretty much everyone until it is on top of them. For this reason, the film wastes the whole concept of impending doom and leaves us dealing with normal couples dealing with normal issues.Perhaps it was the director's intent to show how we get so swept up in our own personal affairs that we can't see the big picture, but it just seems to me to be a waste of a good premise. I can't help but compare Parts Per Billion to Another Earth. Both are small-budget films that deal with tragic relationships in the shadow of bigger events, but the later film was able to tie the two things together. This, too, could have been a poignant film, but it comes up short.