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Very very predictable, including the post credit scene !!!

Absolutely the worst movie.

The acting in this movie is really good.

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

Acceptable Frankenstein entry with colorful photography ,thrilling as well as chilling musical score by James Bernard and Peter Cushing , as ever , does a top notch performance in the role which made him a terror movie legend , it still stands as one of the great screen acting . Last of the Terence Fisher/Frankenstein films , this one deals with the Baron hiding out in a psychiatric institution and he , then , joins forces with another scientist who becomes his assistant . The latter is a young doctor who helped by a mortuary attendant and Bodysnatcher (Patrick Troughton ) took corpses from graveyards until being detained , accused of sorcery and condemned . In the insane asylum resides hidden the notorious Doctor Victor Frankenstein (Peter Cushing) who along with inmate Dr. Simon Helder (Shane Briant) , being attended by the dumb-mute Sarah (Madeline Smith , this character was first offered to Caroline Munro) carry out creepy experiments . Victor and Simon set about constructing a man using body parts they acquire for the purpose , including the brain of a prestigious scholar . Both of whom create a weird being and bring it to life . As his brain came from a genius and his body came from a killer and his soul came from hell . After successfully re-animating him , things go wrong . Frankenstein whose experimentation with creation of life becomes an obsession , but his creature behaves not as he intended . The classic actor of horror movies named Peter Cushing is terrific as Frankenstein , giving a portentous performance , as always . Atmospheric , slick terror film , creaky at times but it's still impressive . This exciting film packs thrills , chills , eerie events and lots of gore and guts . In fact , real human blood was used in this film , blood that could no longer be used for transfusions was sourced from the blood bank and used in the film, including in the notorious scene where Victor Frankenstein uses his teeth to clamp the artery of the monster . Intelligent and twisted screenplay has nice plot , including fine production design , enhancing its atmosphere thanks to its brilliant color by expert cameraman Brian Probyn . The script by Anthony Hinds or John Elder was revised several times to avoid repeating any elements from the Universal Frankenstein series , as part of this effort, new monster make-up had to be devised especially for this film . After the successful Universal Pictures as ¨House of Frankestein¨, ¨Bride of Frankestein¨ , ¨Son of Frankestein¨, ¨Frankestein meet the wolf man¨ and ¨ The Zingara and the monsters¨ , Frankestein personage was left until Hammer Productions took him and produced ¨The curse of Frankenstein¨ ; although Universal threatened a lawsuit if Hammer copied any elements from the classic version . Followed by six sequels as ¨Revenge of Frankestein¨ by Fisher , ¨Evil of Frankestein¨ by Freddie Francis , Frankestein created woman¨ by Fisher , ¨Frankestein must be destroyed¨ by Fisher , ¨The horror of Frankestein¨ by Jimmy Sangster and this ¨Frankestein and the monster from hell¨ by Fisher ; all of them starred by Peter Cushing and one by Ralph Bates , besides similar artistic and technician team as the cameraman Jack Asher , Production designer Bernad Robinson , musician James Bernard and make-up by Philip Leaky .This ¨Frankenstein and the Monster from Hell¨ results to be the last of Hammer's Frankenstein movies , being compellingly directed by Terence Fisher , though inferior to previous installments . This was the final film directed by Terence Fisher before his death on June 18, 1980 at the age of 76 . It was also the 29th and final Hammer film that he directed . The first was ¨The last page¨ (1952), he subsequently shot classic horror films as ¨Dracula¨, ¨Dracula , prince of darkness¨ , ¨The brides of Dracula¨ , ¨The mummy¨ , ¨Phantom of opera¨, ¨The Gorgon¨ , ¨The devil rides out¨ and many others . Rating : Passable terror film , 6/10 ; essential and indispensable watching for Peter Cushing fans .

This a sequel to Frankenstein must be destroyed It is very scary. Frankenstein is Doctor Frankenstein. The monster from hell is the Frankenstein monster. It is not the original Frankenstein monster. But it is the same race. It a monster Doctor Frankenstein creates out dead body parts. So the title is misleading. Because it is not a monster from hell. But still this movie as a great story line. It also has great acting. It also has great special effects. It is very intense. If this movie does not scary you then no movie will. This is the sixth part to the hammer Frankenstein movies. The first five Hammer Frankenstein movies are a little better.

This one is the last of the Hammer Frankenstein movies, released largely to indifference; it can now be seen to be a more traditional style Hammer Horror than the company had been churning out of late. Terence Fisher returned to the genre after an absence of four years to deliver an engaging, if occasionally pedestrian film, and this was to prove his final outing as a director.Peter Cushing, after having been ousted for a younger model in the form of Ralph Bates in The Horror Of Frankenstien (1970) a cheap-looking and badly scripted reboot, is back for one last turn as the Baron, looking considerably older and thinner. but giving his performance the same old gusto and attention to detail. Here Frankenstein is hiding away in an asylum, holding the institute's director in his power (due to a clever plot reveal towards the end) and free to continue his nefarious experiments.He's joined by a young doctor who's banged up on exactly the same charges as Frankenstein - sorcery for grave-robbing and corpse-stitching, and it isn't long before they are rummaging up a new creation. Shayne Briant's look is somewhat reminiscent of Percy Shelly, and he gives a good performance amidst a welter of stalwart British character actors. Madeline Smith is also a very engaging "Angel"; Dave Prowse, who'd played him in Horror, does much better as the monster here - shows you what a good director can do with actors - but it's Cushing's movie of course. Pity about monster's look - a cheapy hirsute approach that's almost as bad as Evil Of Frankenstein's monster.The blue-ray edition is surprisingly eye-popping (literally) in its gore quotient, the only previous DVD and video editions have been severely cut in the UK. I have seen this movie on television, video and DVD, and only the arterial vein in the mouth scene had made it past the censor - Cushing's idea, I believe. Here we have a more gruesome brain op sequence and the restored version of the monster being torn to pieces, as well as random shots of hanging victims, etc. But over all this drifts a spirit of subtle black humour, which is far more likable than the Carry On-style stuff in Horror Of Frankenstein.The last Frankenstein hurrah for Hammer then, and overall it's a decent effort. Personally I still prefer Curse, Revenge, Created Woman and Must Be Destroyed.

Warning the following contains plot spoilers'FatMfH' is probably my least favorite of the Hammer Frankenstein series. I believe it was also the last in the series. I'm not saying it's a bad film. In fact I did enjoy it. I just didn't enjoy it as much as some of the other Hammer Frankenstein films featuring Mr. Cushing. You really can't go wrong when you combine the acting of Peter Cushing with the direction of Terence Fisher. I believe this was the last feature film that Mr. Fisher directed and the last time that Peter Cushing played the Baron in the series. It had all the charm of a typical Hammer production with Mr. Fisher at the helm, wonderfully realistic characters, fine acting, and the sort of period colorful atmosphere Hammer excelled at. The film did drag slightly at times, fortunately Peter Cushing and the other lead Shane Briant more than made up for that. My major complaint about the film is the poor makeup on the monster. It looked very phony to me, sort of a cross between a costume store gorilla suit that was losing it's hair and a neanderthal man. The monsters bare chest and back looked too much like a Halloween costume and not realistic. To me it was only a few steps up from the look of the comical gorilla like aliens in 'Robot Monster'. In spite of that I still enjoyed the film. It was a scary enough looking creation not to ruin the fun. The story did manage to show just how cruel Mr. Cushing's Dr. Frankenstein really was beneath his gentleman like facade. For instance he stated he did not want to murder an insane genius in order to use the poor man's brain for his creature. Still he didn't mind setting up a situation where the disturbed man was bound to commit suicide. Frankenstein then took his brain with a clear, if sick, conscious. Also, Frankenstein was willing to sexually sacrifice his gentle female assistant, Angel, to the monster for the sake of his experiment. It was both chilling and sad to see the disturbed genius who had killed himself wake up with his consciousness inside the body of a hideous monster. The poor man was bemoaning his plight saying over and over 'why why why....'. He had wanted to die and instead was doomed to this life instead, thanks to the cruelness of Frankenstein. At one point he even dug up his old body and looked at it face-to-face. This reminded me of a similar and memorable scene from an earlier Hammer Frankenstein film.In conclusion this film is well worth seeing and was almost a fitting end to the Hammer Frankenstein series. Fans of Peter Cushing and Terence Fisher should not be disappointed.