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Red Riding: The Year of Our Lord 1980

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Red Riding: The Year of Our Lord 1980

After 6 years of brutal murders, the West Yorkshire Police fear that they may have already interviewed The Ripper and let him back into the world to continue his reign of terror upon the citizens of Yorkshire. Assistant Chief Constable of the Manchester Police, Peter Hunter, is called in to oversee the West Yorkshire Police's Ripper investigation and see what they could have missed.

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Release : 2009
Rating : 7.1
Studio : Revolution Films,  Screen Yorkshire,  Film4 Productions, 
Crew : Art Direction,  Production Design, 
Cast : Paddy Considine Warren Clarke Maxine Peake James Fox David Calder
Genre : Drama Thriller Crime Mystery

Cast List

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Reviews

Listonixio
2018/08/30

Fresh and Exciting

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Baseshment
2018/08/30

I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.

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Borserie
2018/08/30

it is finally so absorbing because it plays like a lyrical road odyssey that’s also a detective story.

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AutCuddly
2018/08/30

Great movie! If you want to be entertained and have a few good laughs, see this movie. The music is also very good,

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Dr Jacques COULARDEAU
2016/10/21

Vicious, disgusting, more than gory, just gross, and yet so true to "life" if this is life. It sure is Yorkshire, accent, desolation and misery (more than plain and simple poverty), cruelty, pollution, greed, vice, perversion, etc. spread all over. All evils in one pouch, one bag in West Yorkshire and the motto that "this is the north, where we do what we want," that's the great beauty of ugliness.It will take you three long episodes to reach the culprit and you won't be surprised at all when you finally come to him. In the meantime the police would have revealed itself the most odious, ferocious and mentally cannibalistic institution you can imagine. Asking a question for them is necessarily hurting, torturing and a few other things of the sort: breaking fingers, crushing burning cigarettes anywhere you can imagine, stripping the suspects naked, and the films do not show them naked (prudes!). There is not one single person in the police force that is able to do anything regular like find a culprit that is really guilty and bring that one to justice. One journalist is driven to craziness and some deadly justice enforcing spree, and yet you will know if he was right in his choice of targets at the end of the third film. Another young man, slightly spaced out will be convinced under duress by everyone, probably only in the police, that he killed the girl. And he will end his life in prison. With little chance to be retried since he signed a confession and pleaded guilty.And quite a few are questioned that way and yet the crimes are going on: kidnapped girls, then raped, and in many ways cut up and carved up and more or less endowed with wings and feathers. And all that in a society that is rotten to the core, that speculates on the death of as many people as possible with pollution and the exploitation of them as long as they live with projects that are as crazy as they are greedy of shopping malls with cinemas and all kinds of entertainments to empty the billfolds of the gullible submissive slaves of the public till they are empty and they can then commit suicide or die young of any kind of hazardous escaping tentative or industrial pollution. And for the girls and women prostitution and promiscuity are the main two udders of everyday suspended death. You can imagine what the other two are.And be sure that all the cadres of the police and the most respected people in this society, lay and clerical, are among the small circle of speculators and their only aim is to make money and thus to keep the surrounding society going because you cannot squeeze money out of marginal miserable derelict and impoverished proletariat. No matter what, they must have just a little bit more than their basic needs to be able to spend that little bit more in the traps of the entertaining plotters.Is it a great trilogy? I do not know but one thing is sure even if at the end the killer is finally put out of the way all the corrupted elite of this part of Yorkshire will not be in any way even questioned, not to speak of prosecuted. After all corruption is the basic human dimension: the survival instinct of the more corrupted declared the fitter, by all means, even selling their parents into slavery and feeding their own children to the industrial sharks of our certainly not post-modern society but definitely pre-modern jungle.Dr Jacques COULARDEAU

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SnoopyStyle
2016/05/21

A serial killer is on the loose and the West Yorkshire Police are helpless. Assistant chief Bill Molloy breaks down on TV and Peter Hunter (Paddy Considine) from Manchester is recruited to lead a second investigation. He takes Helen Marshall and John Nolan with him. Harold Angus assigns Bob Craven to be the liaison. Hunter had investigated the Karachi Club killings which Eddie Dunford was involved with at the end of the previous movie. As the investigation continues, Hunter faces accusations of an affair with Marshall.Paddy Considine is playing a very reserved character. Most of the story is not directly connected to the missing girls story. The serial killer story wraps up in the most unsatisfying way possible but the last ten minutes do reconnect back to the original story. This is a bit of a side trip with little nuggets of information for the bigger picture.

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Robert J. Maxwell
2015/03/05

It's not a typical serial murderer story with slick knives and bath tubs of gore. It's dark and moody. It rains a lot and much of the story takes place at night. Typical scene: the chief investigator and the colleague he once was hooked up with sit in his car. The car's headlights are on, illuminating a blank wall where one of the murders took place. It's drizzling and the windshield wipers arc back and forth. The two people speak quietly to one another and the conversation is elliptic. Only gradually is it revealed that the two have had an affair.I'm giving this six stars because I think it was intelligent, deliberate, and thoughtful. But I didn't make it to the end, and what I did hear was sometimes unintelligible. I don't know whether it was the sound on my system or the acting or the Yorkshire accents. I weren't at all sure.I was confused too because this is evidently part two of a miniseries and I hadn't seen part one. I don't know whether that made a difference or not.Good luck with it.

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not-gates
2011/11/24

Well shot and acted and all that, but if you think you're going to get a remotely satisfying ending with this trilogy, be forewarned. I signed up for IMDb just so I could vent at how much bulls#@!$ this final piece is. Not only does it plod along, it plods along to almost nowhere (there's a small amount of resolution), and then just kind of ends. All of the protagonists in this one are weak, and things descend into lubricious melodrama, that, on top of that, is completely implausible. Don't waste your time.Just because something is "gritty" and deals with extreme themes does not make it good. And just because a story has the "guts" to not allow for happy endings or catharsis, does not make the evil characters' actions logically plausible. The whole conspiracy in this series would be so difficult to pull off as to disallow suspension of disbelief. It's like the writer was like "we're edgy, we'll make it so that barely any justice ever happens to show that sometimes the good guys don't win. Damn, we are so raw!" But ignore how reality actually works.Damn, this mini-series (especially this installment) made me angry. I wish I could see it walking down the street so I could punch it in the face. Repeatedly.

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