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After playing with our expectations, this turns out to be a very different sort of film.

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

I went into watching the film with no expectations, and found that it actually wasn't that bad. The film is choppy and inconsistent, but there's lots of little clever touches and running gags. The actors veer in and out of character and the director seemingly couldn't decide if he was making a light-hearted espionage flick or a sharp black comedy, but it's still fun to notice and pick apart the subtle asides and sight gags. Not the greatest movie of all time, but an amusing way to spend an hour and a half.

The Cold War is over and two adversarial spies (Bill Pullman and Irene Jacob) fall in love and dream of living a normal life. There is trouble in paradise, however, since they find themselves on opposite sides of an attempt to pass satellite codes to the Russians encoded into a homemade porno film. This is a good premise for an international thriller, but the execution does a belly flop.This film was produced in Finland to very low filmmaking standards. Since I haven't seen many Finnish films, I can't say whether this is typical or atypical, but it was full of bad scene setups, plot inconsistencies and generally poor directing. The soundtrack was jazzy and nice, but it often didn't fit with the scenes to which it was applied.Director Ilkka Jarvi-Laturi was trying to present this as a lighthearted romantic comedy and international thriller, but it was marginal on the first count and a disaster on the second. Bill Pullman can carry off the lovable romantic hero role, but as a spy, he is a joke. Irene Jacob was better at handling the two aspects of the role, but the dialogue was so excruciating that her acting talent and beauty were not enough to save it.Jacob and Pullman had some chemistry in the romantic scenes, but both seemed flummoxed in the comedic espionage scenes. This was some incredibly bad writing and it must have been very difficult for these actors to say their lines without kecking.This film is a jumbled mess with terrible writing and amateurish direction. I rated it a 4/10. Be sure to miss it.

History is made at night has to be one of the worst films the Finnish film makers have touched in years. What a shame that director Ilkka Järvilaturi -who also made the terrible "Darkness in Tallinn"- has failed with a cast and crew like this: Irene Jacob and Kati Outinen, Kari Väänänen and Bill Pullman, Vesa-Matti Loiri and Bruno Kirby for example. Good performers' talents are wasted in a junk like this! Do your self a favor and don't watch this awful finnish try to make a romantic thriller that moves in time after cold war. This is not even unintentionally funny.Porn star Henry Saari has role in this. He plays a man in a porn video. Even this video is nicer to watch than the rest of this stupid, ridiculous...

This entertaining poke at the cold war remnants is an interesting little romp that is at times very funny and others very clever and original.Presented at the Toronto International Film Festival by director Ilkka Jarvilaturi, the film goes from one interesting locale to another as we jump from Hellsinki to New York to St. Petersburg. Bill Pullman and Irene Jacob are secret agents from opposite sides who have romantic entanglements as they try to determine just what they mean to each other while they still have a job to do.A mysterious and coded porno tape is intercepted in transit and the CIA attempts to decode it while stalling for time. Complications arise in the plot which gives way to some innovative yet ultimately classical comic situations. I don't know whether it's the fault of the film or the theater's sound system but at times it was difficult to follow what was happening due to the heavy accents of the (presumably) Finnish actors. Bill Pullman's comic performance in the underrated "Zero Effect" is a good warm up for this similar but distinctly different character, and he is always a pleasure to watch. Bruno Kirby also provides a solid comic contribution as a disgruntled FBI operative and the stunningly beautiful Irene Jacob graces the screen in a demure yet intriguing role as the KGB agent looking to get ahead in the ranks.Jarvilaturi was gracious enough to stick around for a Q&A after the film and spoke of mostly the music selections and their role in the film. One audience member pointed out a subtle yet relevant continuity error that they said they were already aware of and intended to fix. This is an indication of how fresh the film was and how the pressures of festival deadlines can affect the film.