Watch The Man Who Loved Cat Dancing For Free

Best movie of this year hands down!

Great movie! If you want to be entertained and have a few good laughs, see this movie. The music is also very good,

I really wanted to like this movie. I feel terribly cynical trashing it, and that's why I'm giving it a middling 5. Actually, I'm giving it a 5 because there were some superb performances.

It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.

Richard C. Sarafian directs and Eleanor Perry adapts the screenplay from Marilyn Durham's novel. It stars Burt Reynolds, Sarah Miles, Lee J. Cobb, Jack Warden, George Hamilton, Bo Hopkins, Robert Donner and Jay Silverheels. Music is by John Williams and cinematography (Panavision/Metrocolor) by Harry Stradling JR.Train robbing outlaw starts to fall for a woman who inadvertently becomes a kidnapee.The rumours and gossip behind the making of the film are far more interesting than the film itself. Miles was married to Robert Bolt (they would be married twice), and it is believed that Bolt had to do uncredited work on the script to make it better! This as Miles and Reynolds were having some fun after hours, while Miles' manager (David Whiting) died under suspicious circumstances during the production.The production is, on a technical level, superb, the locations are outstandingly realised by Stradling's photography, while Williams shows his multi stranded genius by providing a number of different musical compositions throughout the pic. Sadly the film drags and come the midway point it just becomes dull.It starts off promisingly, with a daring train robbery introducing us to a band of outlaws, led by Reynolds of course, who are interesting enough to keep us, well, interested. Yet this proves to be a false dawn as what looked like being a potent manhunt of the gang, with revenge flavoured seasoning and sexual tensions, quickly turns into a wet romance stretched out to nearly two hours run time. As Miles and Reynolds take center stage for the second half of film, you realise that Cobb and Warden have been criminally underused. Lead performances are OK, it's just that the narrative is uninteresting and poorly directed - though a pat on the back is warranted for the respectful writing of the American Indians.It looks and musically sounds great, but really it's hard to recommend with confidence. 5/10

It was famous stuntman Hal Needham's memoir that first clued me in to this movie ("But that was nothing compared to the time I helped Burt dodge a possible murder rap during the filming of THE MAN WHO LOVED CAT DANCING"). Burt Reynolds in a western? I've gotta see this. And for the most part, it's pretty good. A leisurely-paced movie, to be sure - which is completely fine - but the added somber tone makes the film drag for stretches at a time. But if you stick with it, there's a rewarding finish.Regardless of that, this is easily Burt Reynolds' best performance (at least of those movies I've seen), and he's the heart and dark soul of the film. If you need to see why Reynolds was such a star at the time, this is Exhibit A. George Hamilton is the other surprise, playing a real sleaze, which is something you really don't expect with that guy. And that's not to say that the rest of the cast is lacking (Sarah Miles, Lee J. Cobb, Jack Warren). But the real treat here is seeing Burt Reynolds nail it in a serious role.6/10

I always liked Burt Reynolds, but have generally seen him in self effacing roles that allow his humorous and devilish side come through; that's probably why "The Longest Yard" is my favorite Reynolds film. I think he handles his movie Western roles well enough, but it's not the genre I prefer seeing him in. In "The Man Who Loved Cat Dancing", Reynolds' character is a driven man on the trail to retrieve his two children from a Shoshone tribe, left behind we come to learn, after he killed the man who raped his wife, the 'Cat Dancing' character of the film's title. That he also killed his Indian bride in a jealous rage is a point that seems to be glossed over in the story, and doesn't square with the sense of honor and justice that Indian tribes maintain for their own personal conduct. I was left wondering why Jay Wesley Grobard (Reynolds) was even allowed to return to the Shoshone camp, and once there, why he wasn't called on to atone for his past. In fact, Grobard wasn't even an honorable character at the start of the movie, but a train robber who's gang is disrupted by the intrusion of a woman on the run from her husband. The story's twist is that her own name is Catherine/Cat, thereby completing the connection with the title character.Of course, Catherine's (Sarah Miles) husband hires on a tracker (Lee J. Cobb) to find his wife who he believes is kidnapped. You never get the impression that Crocker (George Hamilton) isn't a decent enough guy in his own right, only that his wife doesn't love him enough to want to stay married. With Grobard's gang, Catherine gets more than she's bargained for, having to fend off the lecherous likes of Bo Hopkins' Billy, and Jack Warden's Dawes. Dawes in particular turns out to be the vile snake of the bunch, just check how many kidney shots he gives to old Billy Boy. Reflecting back on that now, the arrival of Catherine turns out to be the undoing of just about everyone in the picture.It was cool to see Jay Silverheels in one of his last movie roles, but gee, they went kind of heavy on the old warrior makeup to portray him as Shoshone Chief Washaki. The Chief had one of the better lines in the picture as he parleyed with Grobard - "The cigar was one of the white man's good ideas" - an interesting observation. But probably the best was Billy's description of Catherine after she cleaned herself up on the trail - "Well, if she don't look as fresh as a daisy next to an outhouse"! What wonderful imagery.

It amazes me how many people see this movie as a B grade western! I found it to be an excellent adaptation of a decent western genre book that happened to have been written by a WOMAN. The casting could not have been more perfect in that each person played their character so well. And the characters were a 'spoof' at the cliché of melodrama types that most westerns portray anyway. This is a story about how people LIE to themselves and end up not only ruining their own lives, but harming those near them too. And how honesty comes hard and maybe late, but can come before one dies. The only flaw of the movie is that it didn't tell the full tale of Cat Dancing and the tragedy that befell her, Burt's character and their children's lives. On the other hand, I liked the movie ending better than the book's.