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How sad is this?

Captivating movie !

I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.

The launch is interesting and provides opportunities for a sophisticated course of action, but it becomes confusing and inscrutable instead as there is no interconnection between the couples. Two separate movies or use of twins having something in common (=interweaving events) could have been more catchy to follow. Here, the main motive is fully revealed in the very end only and, together with the credits, you realize that you have watched 2-in-1 movie with just the characters quite similar - and the solutions are trivial and half-way. In the action part, no family is shown, and vice versa - probably deliberately.The cast is, however, great, with leading roles performed by Lynn Collins as Kate and Joseph Gordon-Levitt as Bobby. They are both pleasant and versatile actors and movies with their presence are at least watchable, if not more. Uncertainty is not among the strongest they are in, but 1 hour 35 minutes do not let the characters become boring; admirers of Collins and Gordon-Levitt will not be disappointed.

It isn't easy to admit that only a movie's charm has won you over, but that seems the case here. I got lost along the way, but derived some much pleasure from the many qualities of this film that I'm certain I'll want to see it again It deserves the attention because perhaps it was my length of tooth (a film devotee for almost eight decades) that got me offtrack. Anyway, the parallel story lines (if that's what they indeed are) threw me a curve-ball. So offtrack did I get that I was adamantly wanting to know why the hell Joseph Gordon-Leavitt and his yellow tee were so inseparable. Suffice it to say that this day in the lives of Gordon-Leavitt and his charismatic and talented girlfriend here, Lynn Collins, is worth spending with them. The simple but interwoven plots have the young and in love couple spending idyllic time with her family for part of the day, and finding more adventure than they bargained for in downtown Manhattan, where our hero finds a cellphone at the scene of a fatal shooting that unwinds before the couple's and our eyes. That they find a stray dog, take it in, and care for it, suggests warmly that we're sharing time with good people. The cellphone, it turns out, belongs to a shady character who will pay a king's ransom to get it back. Therein lies the key to a coin flip on the Brooklyn Bridge. Not one to always need endings ironed out neatly, I was more than satisfied to see these two young, likable people agree to adjust to what lie before them, A hardly minor occurrence, too, on this day, is that she announces her pregnancy. As a couple, this pair is magical. Finding out they ad-libbed dialogue was intriguing here. Unlike others who commented negatively, I thought their input natural and articulate. I'll take the blame for my confusion out of the director's hands. That he merits, for having gotten so much so entertainingly on the mark.

The course of our lives is determined by the countless decisions - both major and minor - we make on a daily basis. So much so that one simple and seemingly insignificant act of choice can set the course for our entire future, including where we'll go to school, who we'll wind up marrying, whether we'll be killed crossing that street or live another fifty years because we took a different route entirely. That is the theme explored in "Uncertainty," a dual-level drama produced, written and directed by Scott McGehee and David Siegel.The movie opens with a young couple - played by Joseph Gordon-Levitt and Lynn Collins - standing on the Brooklyn Bridge, obviously on the brink of making some major decision regarding their future. After a coin flip, one heads in one direction (to Manhattan) and one in the other (to Brooklyn), leading the couple to have distinctly different experiences in what might be thought of as parallel universes. In the Manhattan-based scenario, Bobby and Kate, dressed in yellow, are plunged into a bizarre cloak-and-dagger tale set off by the finding of a cell phone in the back of a cab (a bit like "24" if it were made on an indie-film budget); the other direction leads to a more mundane domestic drama wherein the lovers, dressed in green, celebrate the 4th of July with Kate's family, including the overly critical mother who drives the young woman crazy with her negativity and interference.The different-paths-equals-different-outcomes theme has been explored before, most notably in 1998's "Sliding Doors," but here the why and the wherefore of it all seems to have eluded the filmmakers - as it does us. Each storyline is interesting enough in its own right - and the acting and direction are first-rate throughout - but they fail to come together in any kind of a meaningful way. They literally run along parallel tracks, with no point of convergence from which we can deduce a point - unless it's that bright yellow is probably not the best fashion choice when you're trying to outrun a hit man.Moreover, the movie doesn't lay down the ground rules for the scenario in a very coherent or consistent fashion. The synopsis for the film says that the couple uses the coin flip to determine how they're going to spend that holiday weekend. Yet, it's obviously much more complicated than that, for in one version, Kate is pregnant, but in the other she isn't (or, at least, it's never mentioned). In one, she is the star of a Broadway play; in the other, she says she works at a restaurant. And the two couples obviously live in different parts of town. Perhaps, consistency really is the hobgoblin of little minds and we should be looking at the larger picture here, but, all the same, the movie leaves us with a lot of unanswered questions, which may not necessarily be a bad thing, but it can make for a frustrating experience at times.I recommend watching "Uncertainty" for the risks it takes and the mood it sets (Peter Nashel's evocative score is very helpful in that regard) but, when it comes right down to it, the movie seems a commendable but over-elaborate effort at stating the obvious.

The 2nd best of the four movies I rented last week. The best, by far, was The Green Zone. Uncertainty needed a final act to make it one of the most excitingly fresh low budget films of the year. We never got the final act. We got what we expected 20 minutes into the movie. I'm not going to divulge much of the plot, but let's just say that, had this film thrown together a big finale', we might have one of 2010's ten best.The chemistry between the two leads is quite excellent, and the dual narratives are both interesting and well acted.Uncertainty laid out the foundation for a fantastic story, but failed to develop the story down the stretch run. Just about every characteristic of the movie is above average - so I can marginally recommend this movie to film buffs and friends alike, but much like ' A Scanner Darkly' and 'Midnight Meat Train', Uncertainty seemed a bit uncertain(pun intended) on how to finish itself. It's missing the ingenious plot twist/storyline that could have really pushed it over the top, making us certain that it was a fantastic work. A couple of possibilities crossed my mind on how this could have been done.As it stands, this is above average, but won't be garnering a cult following, or any academy awards.64/100