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A Major Disappointment

It's fun, it's light, [but] it has a hard time when its tries to get heavy.

Although it has its amusing moments, in eneral the plot does not convince.

This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

Pay no attention to the sadly low ratings given to this very fine romantic tale. Of course the plot demands full artistic license but that is the essence of a fairy story and the stretched imagination needed to accept the setting comes easily enough.James Furlong is born into an Irish family with very strange powers. His grandfather became blind for 37 minutes each time he thought of sex whilst his father caused complete electrical failure all around him each time he became frightened. James simply caused everything to die around him whenever he was attacked or given a blow. Naturally this had unpleasant effects on those unfortunate enough to argue with him or even be near those fighting with him. Accordingly he runs into the forest and lives the life of a hermit. Until that is a beautiful young girl happens upon his forest shack and a love story begins.The photography is nothing short of splendid and there are some fine performances from all the youngsters involved - in particular James Wilson who plays the younger James. I hope we see more of him. Perhaps my greatest criticism would be that Thomas Brodie-Sangster who is given significant billing in the production appears in very few scenes and has barely three minutes of screen time. His character, a young lad bent on revenge against the hero, was indeed interesting and could have been developed much more. What a pity the producers gave so much time to romantic love scenes and so little to the jealousy that love often brings about on those rejected.

it is only word who can describe this film about death and hope. a strange cold fairy tale about a boy, his gift and the bridges with world. virtue of movie - the ball of feelings. the powerful impressions. the burned grass and the need of the other of a young man. nothing else. because all is only puzzle of gestures and search. a ladder and a form of escape like wet drawing. it is a beautiful film but not a comfortable one. web of questions and delicate nuances. and nice acting. a film about solitude and its corners. and, sure, about love. as a kind of parable. or only invitation for understand world more than a wall. but as way.

Beautifully shot and competently acted, the romance between a young man cursed with lethal magical powers beyond his control and the spirited teenage cancer patient who gently coaxes him out of his self-imposed exile is quite a bit less maudlin than it might look on paper.So what if the story is fairly simple and predictable? (The final act gestures towards some nuance, by finally presenting us with a fairly sympathetic antagonist; alas, this potentially promising plot-development felt rather rushed). Since this is supposed to be a fairy tale, that's not necessarily a strike against it. Simplicity can have its charms.That probably also describes the appeal of the protagonist. Harry Treadaway's eerily enchanting performance as James Furlong made me think of Caspar Hauser and Percival – a rare example of the male ingénue, the pure fool of legend, removed from the corrupting influence of society at an early age, blamelessly guilty, fragile but fatal. How often do we get to see that in the male version? I docked some points, because my cold, shriveled heart finds the underlying message of all-defying love somewhat pat (I also resent the implication that – Spoiler Alert – only romantic/sexual love will do the trick, while the selfless kindness of the woodsman who takes in injured little James remains without effect on the curse; if you have to go with the bromides, at least don't operate with such a narrow conception of love). Someone with a more romantic disposition however might well fall in love with this little gem of a movie. It is, at any rate, exceedingly pretty to watch.

Saw this tonight at Tribeca. The "love conquers all" message is certainly worthy, but this just isn't a very well told story. The scripts contains few surprises (no point even bothering to spoil the plot here - you'll soon guess where the story is heading), and the directing is flat. The film's point of view is a big problem. The director doesn't seem to be sure if it's Mae-West's or James's story, so in the end it's hard to care for either. The overblown score tries too hard to fill in the emotions that the script doesn't provide. Some nice effects work in places though. I can't imagine this will be a huge hit, but if you see it coming to your local cinema best look for other options.