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Best movie ever!

Pretty good movie overall. First half was nothing special but it got better as it went along.

The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

Pretentious and a huge waste of talent.Julia Roberts is a great actress and has a fantastic smile – a smile so un-really radiant that it becomes unreal pretty soon. That’s the risk she runs. And so does the movie.Dialogues for the single sister are good while the movie is quite pretentious and a drag at times.Dennis Quaid is fantastic. The story borders on the most idiotic generalization – southern men think with their southern asset and the women don’t have brains at all. Pretty idiotic fare.Gene Rowlands mom lacks depth and looks like she is on prescriptive medication - she takes a 180 degree turn in the middle of the movie. And Duvall's character is so foolish it hurts. The only saving grace is the dance sequence - but then I can bet there have been infinitely better results than this.

When it comes to directors like Lasse Hallström, I always expect maximum, best, masterpiece. After movies that he made back in Finland and brilliant "What's Eating Gilbert Grape" I think that my expectations were justified. Sadly, this movie came just behind Gilbert so I can live with one mediocre movie after a huge success with Gilbert and then later movie like "The Cider House Rules", "Chocolat"... Hallström likes to make family movies, where he can expose the whole family with all their pluses and minuses. In this case, story was written by Callie Khouri (Thelma & Louise), typical 'women are always good' writer. In the middle of the story we've got Grace Bichon (Julia Roberts), who founds out that her husband Eddie (Dennis Quaid) is unfaithful. With her daughter, she decides to come back home at ranch. There she must face her traditional father Wyly (Robert Duvall) and mother Georgia (Gena Rowlands), who seems to be doing whatever Wyly wants. The only person who fully understands her is her sister Emma Rae (Kyra Sedgwick).I disagree that there is nothing to talk about in this movie. Yes, this movie has some obvious problems: the script is not brilliant which is mostly seen in situations that we've all seen before and characters like Eddie, Wyly and Georgia are written on a way that there is nothing for actors to act. But all Hallström characters are alive (you can identify with them) and about family problems that are presented in this movie there is plenty to talk about. For example, what strong woman like Grace does when she's cheated, how to explain her young daughter that her dad isn't living with them any more; the whole relationship of Bichon's after infidelity. On the other hand, we've got relationship between two sisters, between Wyly and Georgia King and so on. So we've got plenty stuff to talk about only if you think about it for a while. What this script lacks is quality writing of male characters. Duvall's and Quaid's characters are simply not developed enough.About acting part, I must admit that Julia Roberts is very good in this role, just like Kyra Sedgwick and Brett Cullen (his character is the only male character that is made right). Duvall, Rowlands & Quaid have nothing to act, like I said before. But I read one comment that says that Duvall shouldn't act in any movie. That is what made me angry so I had to write it. Man is a screen and stage legend! So to end, if you can watch this family drama about marriage, infidelity and love. It's not the best choice coming from Hallström but it's a bearable one.

I was very entertained by "Something to Talk About." I didn't consider it a big, important movie, I just took it as light fun. I have read some of the other comments, and it seems not everyone reacted to it that way.I thought this was a great cast. Robert Duvall and Gena Rowlands were fabulous, as was Kyra Sedgwick. Dennis Quaid is beyond adorable - and there is one of the flaws in the film. How could you trust that man for one second and be surprised when he cheats? The other flaw is how he managed to be in college with Julia Roberts, unless she was a child wunderkind. As for Julia Roberts, I prefer her in this kind of film rather than heavy drama, because I don't care for her very external acting. She was more believable in this and, especially at the end, she sparkled.I personally loved the ending, and for all you who wonder, I absolutely think they get back together. I think infidelity hurts and yes, it maybe even hurts enough that, in the heat of anger, you might try to poison your husband. I also think you can get past it, and I think this character did.I agree that often, when women cheat in films, it's somehow justified and the man who cheats is vilified. In life, that's not always true. Life is a lot more complicated than that. Obviously, this was written from a woman's point of view. As I said, I took it for what it was. It was entertaining. I had to think when I watched "Camille Claudel."

This is a delightful film about a Southern belle, Grace King Bichon(Julia Roberts), who chafes under the domination of herbrook-no-dissent father, and is cheated on by her husband. Graceworks for her father on his horse farm, and her suppressedresentment of his iron rule has likely helped derail her marriage toEddie. In any event, the film is ultimately about the love andstrength of family relationships and the power of forgiveness, aswell as finding one's own path in life. All actors turn in greatperformances: Julia Roberts as the heroine and wronged wife;Robert Duvall as the family patriarch; Gena Rowlands as thebeautiful and devoted spouse and mother; and Kyra Sedgwick asthe transgressive sister. Dennis Quaid as Grace's philanderinghusband is very appealing, so it's hard not to be rooting for he andGrace to reconcile. Finally, good cinematography and a portrait ofgracious Southern living make this film an enjoyable view.