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Very best movie i ever watch

Just perfect...

best movie i've ever seen.

I wanted to like it more than I actually did... But much of the humor totally escaped me and I walked out only mildly impressed.

I came across this film one evening after listening to the soundtrack (I won't name it as it gives away spoilers if you know the content of the song), and was intrigued by the few clips and trailers I could find online - it was the most beautiful film. The island of Ischia is a quaint, crumbling backdrop for a very elegant and believable love affair, immediately providing a sense of escape and tranquility for the viewer as they get to know Jane and how she sees the world. The relationships in this film are incredible - sewing hints of doubt and mistrust in carefully considered dialogue and Kate Bosworth's very serious expressions. Jane's husband is delightfully executed as the most boring, standoffish man ever to be in a film, which works perfectly to show how an affair with a younger man would seem like an easy escape for Jane. Jamie Blackley also shines as the younger love interest, his gimmicks, boyish attitude and slight arrogance bouncing off Jane's pensiveness and grief to produce a very sweet romantic encounter. None of the acting feels forced or unrealistic.It is hard to believe the whole film takes place in less than a week, as the raw emotions that change so often throughout the film could easily take place over a relationship of several months. The intensity is balanced with hazy montages as Jane and Caleb explore the island, and the whole thing reminded me of old Italian films as well as pieces like Roman Holiday. However, if you are after a light-hearted holiday romance, this is not that film. I think, as other reviews have mentioned, you have to be in a certain frame of mind to fully appreciate all aspects of this film, as beautiful though it is, I understand how some people might find it dull or too focused.I've given it a 9 as although it is one of my favourite films, I know it was originally released at film festivals in black and white, and then colour for public release. I feel it would work even better in black and white - does anyone know if it is possible to get the b/w version?

Troubled couple arrive in Naples and settle in. He to play viola for concerts, she to work on WWII novel / memoir. Gorgeous settings of isle of Ischia, offset by serious, depressing tone of a husband and wife who can no longer communicate with each other. She meets a 19 year old, still very boyish, reckless and full of youthful energy. He comes off as initially annoying, and I cannot say he grew on me, but I did get accustomed to him. The plot meanders around as the young wife (Kate Bosworth - quite good here) broods much of the time. Much of her story is internal, thinking and rethinking, about her situation and possibilities. All the time, she is listening to recordings of her grandmother, recalling her own youth. "Chick flick" might resonate more with female viewers.

I was tempted to give this a 10, because it does what it does very well, and ... I loved it. I'm giving it a 9, mainly because it's not just about me, and (judging from the other reviews it's gotten) it takes a certain kind of person--and definitely a certain mood--to appreciate what this movie has to offer. On a different night, I wouldn't have had the patience to sit through it, and that's partly because I can't slow myself down often enough, but it's also partly because the movie doesn't do quite as much as it could to draw the viewer in. You need to be in a relaxed, introspective state of mind, I think, but if/when you are, you might find this as rewarding as I did.I don't want to say a whole lot about the plot, the characters, or the issues that they try to deal with. Part of what I like most about this movie is the way it reveals these things, so I think it's best to not know many details going in. But I will say that there seem to be some important lessons about life and relationships that could be taken away from this, and the messages come across in a natural, unforced way. This is pretty rare. Reviewers have pointed out that Bosworth does a fine job here, and I completely agree, but the rest of the cast also deserves plenty of praise. Most of what's going on in this movie is pretty subtle, and lesser actors/actresses would have tried to overdo things--and a lesser director would've let them. Even minor missteps in acting or directing can be quite a turn-off for me, but I don't recall any such thing in this case. The locations and camera work didn't hurt either. I was immersed from start to finish.I also loved the dialogue. Here, too, what I appreciated was that it wasn't overdone, nor was it too subtle. The people on screen talked pretty much like you'd expect them to. (I never found myself thinking, "That character would never put things that way.") Nothing seemed artificial. So, I guess I could sum things up by saying this is a patient, enjoyable, and flawlessly executed study of certain issues many of us are going to run up against at some point in our lives. I honestly think that many reviewers just don't get it.

I'm 'SICK-&-TIRED' of Hollywood doing their best to make men look bad, while portraying women as wholesome & trust-worthy!! I can think of more than a dozen films, &, I'm SURE there's many more, which portray women in a positive light (i.e. 'justified'/condoning their indiscretions/betrayals, with the LAME excuse of being lonely or from some kind of 'victim-mentality'. WHY..., does Hollywood want peeps to condone female infidelity yet they want us to be angry & un-forgiving if a male strays...??? What's with the double-standards??? Ohhh, yeah...; it's called the "P***y-pass" ("I'm a girl, so, I can do whatever I want & get away with it, because, I have a internal reproductive organs"). Seriously...??? W-T-H?!? I challenge ANYone to name 1 film which purports to exonerate a male when/if he has strayed.Also, many years ago I realized another commonly used ploy to sell movies. Yeah, I know; it's meant to "garner sympathy" for the female character (annnd, I've lost my ability to care....). It's the part in SO many movies where, often for inane reasons, a female is up-set (insert petty reasons here). It's the scene I call: "here's the part, where we feel sorry for the girl". Hey Hollywood!! Hows about making a movie (for once) where we can empathize with (or sympathize for) the male character (e.g.: after his un-faithful tramp becomes fully aware of the pain she's caused)?? Oh yeah--right. That doesn't 'sell' because, men aren't supposed to 'feel' anything. We're just supposed to DIE in wars, or, from saving the "fair maiden" (macho crap!) in your horrendously formulaic, NON-realistic films. Pathetic!!!I could write a book on your double-standards....