Watch My Brother the Devil For Free

Excellent but underrated film

Boring

There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

in society, there are many contemporary issues within the working class, highly due to the fact of the rise in immigration in the past decade, raising the hostility and prejudices towards those who was not born here. Sally tackles the issue of race extremely well, and deals with the problems within racial and social demographics surrounding homosexuality. she explores the cultural in-differences surrounding it. for example, Mo says that he would rather have a brother that is a terrorist than one who is a homo, which speaks volumes for a minority of Muslim fundamentalists who feel the same, and some more conservative religious viewers who would share the same view, regardless of what religion.this piece also tackles the more social related issues of gang culture and 'roadmen' it explores the vicious circle that many youths today find themselves in, and also demonstrates what is considered the only way out, and the betrayal that people can commit towards you.overall, I did think it was a good film mainly due to the brave and audacious issues raised, however, I do feel that it lacked a certain dramatic edge, and had a weak enigma throughout.

Sometimes hype and award wins does not merit what you are expecting.James Floyd and Fady Elsayed star as brothers of Egyptian descent living in an crime-ridden housing estate in Hackney, London with their parents. Floyd is the older brother who is heavily with the gangland culture of the estate and Elsayed is the younger brother fresh out of school and idolises him.A death of a friend in a gang fight makes old brother reconsider his gang life and looks for a way out while young brother wants a way in.This storyline appears promising but the film unfortunately goes nowhere with its bad acting and boring sub-plots. A sub-plot even throws in a homosexuality storyline out of the air. There is not even any kind of satisfying ending to keep you watching.In conclusion, the film makes a mess of a good idea and I'm baffled at the plaudits it is getting. Being realistic is good but a film has to be entertaining which this isn't.Don't believe the hype.

My Brother The Devil may not have any recognizable names to draw you in, but the trailer gives you a certain amount of intrigue. We see young love, violence, homosexuality and family. All together, the trailer sets you up and the movie knocks you out. Now, let's see if that is supposed to mean something positive or negative shall we?Our leads for this film are Rashid (played by James Floyd), the older brother part of a gang who is masking homosexual urges; his younger brother Mo (played by Fady Elsayed) who is a smart young man who likes to follow his brother like a puppy; Repo (played by Aymen Handouchi) who is one of the visible leaders of Rashid's gang; and then you have Sayyid (played by Said Taghmaoui) who starts off as the man to help Rashid get out the drug business, but ends up also being the man who brings Rashid one step closer to coming out.Which leads to me talking about the story. Most of the tale takes place around British project buildings as we establish the difficult life of immigrants to the UK who give birth to children who, in the movie anyway, have difficulty going straight and end up finding themselves giving into the easy money made dealing drugs. Enter Rashid and Mo. Rashid, seemingly, has been out of school for a while and has been making a living dealing drugs to help his Egyptian family which includes his brother Mo, mother, and father. For some time, it seems Rashid, or Raj, is very comfortable in his life. He has a beautiful girlfriend named Vanessa (played by Elarica Gallacher), a mate he seems rather close to named Izzi (played by Anthony Welsh) and Mo is doing well in school. Then, after Mo gets robbed by a rival gang and the beef between them and Rashid's crew leads to casualties, Rashid looks to get out and he finds legit work through Sayyid and, from there, as Rashid looks to leave the game, Mo tries to take his place. Thus leading to Mo trying to walk his brother's path, all the while his brother walking a road he has only veered onto when he let himself go.Now, something I like about this movie is the fact it feels like when you watch it, you are watching multiple episodes of a series at one time. For, with it nearly being two hours, it can be a bit longer than I usually like, but it has decent enough pacing to keep you attentive. Also, I must note how good the performances are in the film. Mind you, I wouldn't say these are BAFTA worthy performances which upset you or make you cry, but everyone feels like they were written to be authentic and the actors assume their roles really well.But, with that said, I must admit there is a strong need for hard coded subtitles with this film. Be it because I'm not from the UK/Britain and don't know much of their slang/ dialects, I did find it hard sometimes to really understand what the actors were saying. Also, as much as I loved how the movie felt like a show's first few episodes mashed together, at the same time it can leave you a bit weary since it is rare for a film to be so long. Lastly, I must admit that I wanted to see and hear more about the cultures of the characters. It isn't often we see Egyptian Muslims, and I would have liked to learn more about their culture, how they may handle homosexuality, how a kid born in modern times handles a religion which is seen as conservative, and I would have like to see more out of the cast's cultures to. Be it the Nigerian character; Sayyid, who comes from France; and the many others which you can only assume because there is no definite cultures named. I feel, as good as the story way, there was still room to add more.Overall: RentalMy Brother, The Devil may not be an urban masterpiece, but it does bring the type of intrigue which makes you wish the movie was just a pilot for a show. I say this since there is quite a large cast, each being part of some storyline not always fully developed, and at times it feels like we are only truly given a taste rather than a full course meal. Due to that, I would say this is a rental since it isn't so good you have to show people you know, but I do feel it is worth watching to kill some time.

STAR RATING: ***** Saturday Night **** Friday Night *** Friday Morning ** Sunday Night * Monday MorningRashid (James Floyd) is caught up with street gangs in inner city London, and runs in to a feud with another rival gang when his younger brother Mo (Fady Elsayed) is robbed by them while running an errand for Rashid's crew. But when his best friend is killed in a retaliation attack instigated by Rashid, he is forced to try and come to terms with his life and turn it around, while facing up to his own inner demons. Meanwhile, young Mo is forced to face some harsh rites of passage choices of his own.Just when it seemed like it had been a while, Sally El Hosani comes along with a new gritty British urban drama to shake the genre back up a bit. Little seen but critically hailed, it's lesser budget not holding it back at all, My Brother the Devil is an undeniably impressive but overlong and maybe even slightly over rated offering that is maybe guilty of over ambition in it's scope.Basing it's story at the centre of a bustling immigrant community in the sprawling metropolis of London, the film lifts the rafters on what has probably become a pretty typical, archetypal landscape setting for many parts of the capital, or even the country as a whole. It opens a rough, unpredictable world with danger at every corner and the price of life disturbingly cheap. In this it manages what many other films of it's type have already done, and in an above average way, but it loses it's way in a sea of complex, challenging sub plots that seem to be aiming for higher gasp factor as it goes on. Somehow, the central narrative loses it's structure a bit, while the performances and writing remain spot on. Still, if all the cogs in the engine aren't working, someone'll notice.This is an undeniably ambitious, well acted, daring, effectively shot, depressingly realistic and smartly written piece that doesn't deserve to have all those qualities ignored, but maybe got a little too above it's station and fell down from a spellbinding height. ***