Watch The Great Northfield Minnesota Raid For Free

Why so much hype?

Touches You

Let's be realistic.

The movie really just wants to entertain people.

With an amnesty vote pending in the Missouri legislature, a last attempt to nab the James-Younger gang leaves Cole Younger (Cliff Robertson) gravely wounded, prompting Jesse James (Robert Duvall) to try his luck at a lucrative out-of-state bank job, leaving Cole worried about his amnesty and hot on his trail.Indicative of Hollywood in the early seventies, this is slick, glib entertainment that takes a few shots at the establishment, though writer/director Philip Kaufman manages to do so without becoming smug and self-righteous (Robert Altman cough, cough), while remaining amusing and clever throughout and delivering a few good action scenes.Robertson (who also produced) portrays Younger as the real brains of the gang and plays him with a grin and a twinkle in his eye, while Duvall's Jesse is half-crazed and ignorant, though with a quick wit and a devil-may-care attitude that brings to mind his characters in Joe Kidd and Apocalypse Now.Great character actors like R.G. Armstrong, Royal Dano and Elisha Cook Jr. are always a welcome sight, while Luke Askew (who's third-billed despite never uttering a word!) went on to play a pivotal role in Frank And Jesse, another Jesse James movie a couple decades later.

The Great Northfield Minnesota Raid is written and directed by Philip Kaufman and stars Cliff Robertson, Robert Duvall, Luke Askew and R.G. Armstrong. It's a Technicolor production with Bruce Surtees the cinematographer and music is scored by Dave Grusin. Plot is based around the James-Younger gang's infamous attempt at robbing the "biggest bank west of Mississippi" in Northfield, Minnesota, September 7th, 1876.The Western done cinéma vérité by Philip Kaufman, very much leaning towards the "mud and rags" Oaters that were filing in post Sam Peckinpah's Wild Bunch. Jesse James has provided the inspiration for a whole host of movies, with many of them having different interpretations on the man, the myth and his life. Kaufman dismantles the myth aspect and cloaks it in a sort of satirical grimness, flecking it with moments of crudeness whilst paying attention to history (the usual liberties aside) and the changing climate of the time. However, with Kaufman's affection for comic book characters also comes the odd blending of tones, rendering the film an acquired taste. The narrative is strong, with the added bonus of the story continuing after the robbery, and Duvall gives Jesse James an energetic and bonkers makeover. But a safe recommendation to Western fans it is not.I liked it enough, but not enough in that I could watch it again, but it would come as no surprise to me if it was some Western purists' favourite Western. Roll the dice and take a chance, really. 6/10

First the bad: sudden, jarring changes in tone. It veers abruptly from grim, bitter drama to clever caper movie to unfunny comedy. These shifts are badly exacerbated by the messy, eclectic, everything-but-the-kitchen-sink score, which all too often comments on scenes in ways I found ill-fitting and inappropriate. A couple of examples: an early scene in which Jesse riles up the boys by going into a feverish Southern preacher mode, to get them fired up for the titular bank job, is turned from creepy and compelling into light-hearted comedy by the wacky music behind it; similarly, late in the film, a citizen posse chasing the gang commits an atrocity on four innocent men, and the music again makes light of it, with an ironic silly 'wah wah wah'. Just awful. What were they thinking? Also bad, an interminable scene of a raucous baseball game comes out of nowhere and drags on and on with utterly unfunny slapstick. The subplot with the Pinkertons adds next to nothing. The cinematography is too often flat and TV-like.Now the good, and the reasons I gave this a 7 anyway: excellent performances from Robertson and Duvall and the supporting cast, and a very strong screenplay, well-paced, with believable characters whose individual traits are clearly delineated. Cole Younger is a crafty pragmatist, keenly interested in modernity as represented by machinery, ready to leave criminality behind and change with the times; Jesse James is shown as his opposite, an embittered true believer in the Confederate cause, who uses that belief as justification for continued criminal violence. In this theme of men unable to change with the times, the film is akin to some of Peckinpah's work.Also good are fundamentals like art direction, locations, costuming, and set design. This is all handled with grubby veracity, in the same vein as other films from around the same time like "McCabe and Mrs. Miller". It really excels here.On the whole, the character-driven, group-dynamic elements of the story are so fully realized that they make the movie compelling and worth watching in spite of its tonal flaws.

One of the things that most impressed me about Philip Kaufman's take on the James-Younger gang's depredations when I was a kid was that he didn't make these guys out to be heroes: they were Civil War veterans who held grudges and did everything they could to make the Northern Invaders pay for what they'd wrought. The dark, dreary look of the movie fit its overall tone. It was interesting, too, that Kaufman focused more on Cole Younger than Jesse James (who, as played by Robert Duval, struck a chord most creepy as the often bible-thumping but murderous son of a preacher). A unique western then, and just as compelling a film now. Hop on board for the ride: you won't be disappointed.