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Nicotina
A hacker who is spying on a pretty neighbour messes up his assignment to break into Swiss bank accounts for Russian mobsters.
Release : | 2003 |
Rating : | 6.5 |
Studio : | Altavista Films, |
Crew : | Director of Photography, Director, |
Cast : | Diego Luna Lucas Crespi Marta Belaustegui Jesús Ochoa Rosa María Bianchi |
Genre : | Drama Action Comedy Thriller |
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Just perfect...
Fantastic!
I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.
This movie was so-so. It had it's moments, but wasn't the greatest.
Nicotina: 5 out of 10: Nicotina represents a black comedy tradition that has been alive and well in Mexico for over fifty years. Death is around every corner and it is a punch line to boot. All the men are womanizers and many of the women are no better. Director Hugo Rodríguez and Writer Martín Salinas took this beloved tradition and married it to its distant cousin, the Quentin Tarantino crime film.It is a decent fit. The basic plot is that a Mexican criminal gang is switching computer bank codes with a Russian gangster for diamonds. I do not think I am spoiling anything by pointing out that not everything goes as planned. The two criminal gangs end up involving the computer geek that downloaded the data. His next door neighbor, a sexy and promiscuous cellist, played by Marta Belaustegui; Her conductor, a possible future sugar daddy: a plant toting upstairs neighbor: a pharmacist couple, with a beautiful saintly wife played admirably by Carmen Madrid: and a beauty shop couple, with an evil harridan wife played chillingly by Rosa María Bianchi: plus the occasional police officer and a scary dog.Some of the camera tricks can be fancy without any underling purpose, and I have not seen this much pastel neon on buildings since that Don Johnson episode of True Hollywood Stories. Overall, the film is nice. It is a pleasant, good time. It is not particularly scary, thrilling, funny, sexy, or clever and that is it’s only real fault. There is nothing terrible memorable in the ninety odd minutes of movie. Oh and do not watch if you are trying to quit smoking. I have never seen a movie so relentless in its promotion of tobacco. It is like watching Eat Drink Man Woman while trying to diet,
A voyeuristic computer nerd (Diego Luna) figures out a way to make some extra cash by providing his services to anyone that will hire him. He does a job for his buddy, who in turn is going to sell the information to the Russian Mob (or at least one member of the mob), in exchange for 22 diamonds. The camera brings us along for the ride. Fast paced action features a crisscross of characters making their way through el D.F.The story line runs in 'real time', don't blink, just keep up (don't miss the gross out scene with the barber's wife) . Some people compare it to Pulp Fiction, I saw more Tampopo then Travolta. Nice eye candy in the form of Lucas Crespi and Diego Luna. Excellent soundtrack. A little Run Lola Run, a little Amores Perros, some Lock, Stock...all and all, a good movie, take a long drag and exhale.
Great actors (and specially actresses), well defined characters (again women make the best), an interesting plot, hilarious situations and decent dialogs make this contemporary mix of violence, action and comedy not a must but a good option. Familiarity with Mexican and Argentinean culture is a plus to fully enjoy the film, although the story is by itself good enough for everyone.Extraordinary, intense and absurd as life in Latin America can be, this is a story that fits just right in a city like Mexico.Do not expect to see something like Amores Perros or Y tu mamá también, but rather something like Snatch with a Mexican flavor.
As the director Hugo Rodriguez referred the film by Quentin Tarantino at the preview screening at Landmark Sunshine Cinema in New York City (August 18, 2004), this new Mexican film is highly influenced by Pulp Fiction, similar to the producer Martha Sosa Elizondo's previous film Amores Perros. Most Pulp-Fiction-like ingredients--interlocked stories about four groups of people (not nonlinear, though), two gangsters' insignificant conversation on smoking and coincidence, extreme close-ups of objects--are so light that the audience may feel even irritated. Drawing the viewers' attention to a specific happening on a part of the screen with a rectangle is cheesy and redundant; even without it the viewers would look at what the filmmakers want them to watch. The title may be inappropriate as cigarette doesn't have a significant meaning in the plot.