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Simply A Masterpiece

Fresh and Exciting

Fantastic!

what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

A decent enough story but a poorly executed production. It's a film which is led by Tom Sizemore, as a grieving unstable police detective, attempting to thwart a bomber in San Francisco, and by the end has Steven Seagal as a bomb-defusing spiritual guide. Dennis Hopper, on the other hand gives a bit too much on the histrionics and his Ulster accent is all over the place. The backstory to the detective is unexplained and action seems to be inserted so not enough tension is built in some sequences. There are some twists, and there are bangs in your buck, but on the whole it is a below par production.

If an eighth grade class raided their parents liquor cabinet, passed around a bottle, got good and loaded and took it upon themselves to make their own version of every 90's action cliché, it would look something like Ticker, a wonderfully inept mad bomber tale that starts at rock bottom and cheerfully drills farther down, as well as into critics collective patience, it seems. It's silly clunky and all over the place, but there's a scrappy likability to its amalgamated stew of genre tropes, masculine posturing and endless explosions. The bomber in question is Alex Swan (Dennis Hopper), a homicidal Irish extremist intent on making life hard for the San Francisco bomb squad, led by explosives expert Frank Glass (a laughably zen Steven Seagal). Hero cop Ray Nettles (Tom Sizemore) previously lost a partner to bombers and has a big score to settle with Swan. And so it goes. Bombs go off. Cops argue. They chase Hopper, who eludes them until the next set of fireworks destroy a wall glass panels or a bridge. Sizemore is surprisingly sedated, not seizing the opportunity to use his lead role as an excuse to tear through scenery like a bulldozer, as is usually his speciality. Seagal is so silly, his intended gravitas landing with all the profundity of an SNL skit. Hopper is demented, even more so than in Speed, and the rental fee is worth it just to hear his perplexing, absolutely wretched Irish accent. Not since Tommy Lee Jones in Blown Away have I laughed that hard at an actor butchering the dialect to high heaven. There's appearances from Nas, Jaime Pressley, Kevin Gage and the always awesome Peter Greene as ana a-hole fellow cop that hounds Sizemore any chance he gets. Quite the cast, and in a perfect world the film they wander through would match their talent. I watched this with the same morbid curiosity that the bystanders gawking at the resulting destruction of one of Hopper's devices no doubt had: incredulity and the inability to look away for missing a moment of a disaster unfolding in front of you.

Ticker is a perfect example of sloppy film making at its best. Continuity errors, scenes from other movies edited into this movie, poor acting, sloppy editing, and an even worse story. Tom Sizemore, Dennis Hopper and Steven Seagal should be ashamed of themselves for participating in such a terrible movie.Basically Ticker centers around a police officer Ray Nettles (Tom Sizemore) who must team up with bomb squad leader Glass (Steven Seagal) to pursue an Irish terrorist Swann (Dennis Hopper in a very poor man's version of his famous role in Speed) who is detonating bombs around San Francisco (you could tell very little of it was filmed in San Francisco and was filmed elsewhere on the cheap). Very derivative, lazy and uninteresting story. The only reason I thought I would check this out was for Tom Sizemore (who was an excellent actor that appeared in Heat, Saving Private Ryan and Black Hawk Down) and plus Steven Seagal when he had box office appeal. I thought Steven Seagal's role would be identical to his role in Executive Decision but its not. Here in Ticker, he was just going through the motions with very minimal effort so he could get his paycheck. Dennis Hopper was very uninspiring as the villain. He was great as the villain in Blue Velvet and Speed, but here is is just sleepwalking though his role.Apparently director Albert Pyun hated the completed version of this movie and I don't blame him in the slightest. I would disown this movie too.If you are a fan of Tom Sizemore, Dennis Hopper or Steven Seagal by all means check it out, but you will be very, very disappointed at how bad this movie is. Everybody else I highly recommend you avoid this bomb at all costs.1/10.

This film was so bad that it was worth watching just to see how bad it could get! Seemed like it was going to be alright until Nas a.k.a. Det Fuzzy Rice dies, i thought maybe he was deliberately making his acting horrendous in order to trick Steven Segals character into thinking he was about to dye, BUT then he died!!! His last words i believe were "i'm so cold, cough cough, don't let your daemons defeat you! errrrrrrrrrk!".The "Don't let your daemons defeat you" line comes up a few times in the film but not much is done explain what these daemons are, why Steven Segal has them, or to push the fact that he is supposed to be a man suffering emotionally. It's all just mentioned in passing, so the lines just seem over-dramatic! I cant really remember what goes on in the rest of the film because the story line is muddled and i lost interest.What saves this film is the state of the art cutting edge special effects. ha ha no not really the effects are absolutely chronic too!! I especially like the bit when the car brakes and the blue screen background stops instantly, that was a corker, look out for that bit!!The director was terrible, the action wasn't worth remembering and the script was pants. The only reason it didn't get a 1 is because it was so bad it was comical! Think Segal should go back to big budget movies like Exit wounds and if he's getting to old or out of shape to fight as much, add a sidekick who can to his films to increase the action.