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L'Argent
A forged 500-franc note is passed from person to person and shop to shop, until it falls into the hands of a genuine innocent who doesn't see it for what it is—which will have devastating consequences on his life.
Release : | 1983 |
Rating : | 7.4 |
Studio : | France 3 Cinéma, Eôs Films, Marion's Films, |
Crew : | Production Design, Director of Photography, |
Cast : | Christian Patey Vincent Risterucci Michel Briguet Caroline Lang François-Marie Banier |
Genre : | Drama Crime |
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Redundant and unnecessary.
Plenty to Like, Plenty to Dislike
From my favorite movies..
This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.
a young man is accused of passing counterfeit French franc notes and is sent to prison. his wife leaves him and his life spirals out of control in way that is totally believable. I kept thinking this could really happen. it's a very simple story, but a complex tale. there are many gaps in the film and I understand that is how the director Robert bresson does things. you are just expected to catch up with what's going on as best you can. it's a film where basic decency turns into monstrous results. it's a lot like Hitchcock. maybe better. one interesting thing I noticed was atm machines in France in 1981. I don't really remember them in nyc that early.
Robert Bresson's last film is based on a short story by great Russian writer Leo Tolstoy.L'Argent is not at all a direct adaptation of Tolstoy's work of literary production "Faux Billet".It is a film for which Bresson infused some of his own ideas in order to create a different narrative.It was made in 1983 thanks to personal intervention by French minister of culture Jack Lang whose daughter Caroline played an important role in it. L'argent is a Christian story of redemption about an innocent man who is doomed due to the carelessness of reckless people.We see that due to class difference and power struggle Yvon is condemned to hell.L'argent throws light on misfortunes associated with money.It depicts that many people from good backgrounds are involved in wrong doing.In L'Argent, we primarily see a simplicity of actions,gestures,sound and images. Bresson achieved this effect by creating a film in which events happen in quick succession.It is expected that the audience will remain focused in order to appreciate its sequence of events.One would be surprised to note that even violent acts are shown in a cold,detached manner.L'argent is recommended as a good film which is a good example of perfect collaboration between a filmmaker and a writer.
"L'Argent" is Robert Bresson's very last film and a piece of work that went through a lot of financial problems to see the light of day. It was dismissed by many producers before being finally taken in hand by the Ministry of the Arts. At that time, Jack Lang was the ministry and his daughter served as a "model" for Bresson in the film where she is Yvette, Yvon's wife.Sourced from a short story by Léon Tolstoï, "l'Argent" is first the assessment of a downward spiral for the main hero of the film, Yvon. Because he was given a forged note, this domestic oil delivery man will be caught in a chain of unfortunate events which will see him jailed, losing his cute, little daughter and wife before turning into a murderer. Through his decay, all forms of dishonesty, cruelty, injustice will be stated with money at their core, particularly in the first half of the film. Money is used for rewarding cowardice (the photograph who rewards his employee Lucien for his false evidence), for buying people's silence (Norbert's mother who gives the photograph's wife money to compensate her) and more generally, money is a God that makes Yvon's fate take a tragic dimension and drives a cruel, unfair world.Its depiction is a perfect opportunity for Bresson to let his sparse, cold, neutral cinematographic writing shine. The more the film goes on, the more these epithets prevail with an accumulation of close-ups of objects, audacious elliptical sequences, a tightened editing and deliberately bland models who recite their texts and don't "act" it. Bresson's minimalist approach of this tragic story and harsh society amounts to a limpid harmony that inevitably brings an unshakable emotion and it's important to note down the moment when Yvon is put up by the old lady. These sequences are like lulls in Yvon's grisly fate and it's impossible to remain indifferent to the old lady's dreary way of life or when she's offered a few hazelnuts by Yvon. There's even a glimmer of hope when she pronounces the words: "I would forgive to the rest of the world".It's true that Bresson's highly elliptical, straightforward style will leave many viewers baffled as there is no psychology or action but if you're sensitive to his unspectacular directing, you will realize that he pushed his art to the extreme to better get the audience involved in Yvon's woes. You can watch it only once but it will forever stay in your mind.
I just wanted to make a quick comment regarding the comment of suekendall about l'argent. L'argent is one of Bresson's biggest masterpieces. A merge of minimalism and strong observation. And as for the actors in l'argent, they are not wooden, they are real. Bresson made frequent use of non-performers to give his film a certain authenticity. I think he succeeded in every aspect. It is a ground breaking film which taught the viewer that it does require very little to create a story. Bresson works demands the viewer's imagination. Moreover, for everyone who has a keen interest in cinematography, this film is a must. Bresson truly succeeded in making the most economic and sensible use of the camera.For everyone who does not like the film, there will be other films to enjoy...but for everyone who is willing to enter Bresson's world, this film is a true eye opener about film, art and humanity.