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Thanks for the memories!

Strong and Moving!

At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

The film never slows down or bores, plunging from one harrowing sequence to the next.

Love Happy is the final movie that features the three Marx brothers (Groucho Chico Harpo) in top billing and as the stars. Once again they do the occasional musical performances. This time Frank Tashlin co-writes the script (bringing, I'd imagine, some pure cartoonish brilliance to it, in fits and starts). And it's OK... ish. Actually Harpo is better than OK, but when isn't he? This isn't even his premier work and he's delightful to watch in scenes that should be rote like when the actress asks Harpo to be his manager and he mimes becoming a "big shot" with his feet up on a can of rubbish in a park, miming as well being on the phone with many agents. It's what he was made for as a performer, moments like this.The main problem for me is a major lack of the brothers interacting with one another - Groucho barely appears in the first half for Pete's sake, and only through limited 4th wall breaks - yet there are a lot of legitimately entertaining musical numbers (really, there isn't a dull one, including a number where a woman sings about being frustrated with motherhood). There's once again another loony but half-baked crime plot, here involving stolen diamonds in a can of... sardines I think, Chico on piano, and a musical that is on thin ice as far as being produced. Objectively this isn't as good a movie as I'm rating it, but I'm being generous because when these guys do click in their scenes they are just that funny. In other words it's better than Room Service (oddly enough this has the storyline that it's closest to), but not by much.It's also uncanny seeing Groucho without his grease-paint mustache as a movie character with the brothers.

"Love Happy" (1949) was the Marxs brothers final film. Most Marxs brothers fans dismiss it, which is doing the movie a great wrong. Of course, its not up to the standard of their other pictures but there are some really funny moments in the film such: The climatic chase across roofs, the villains trying to find out where the jewels are from Harpo and Groucho's virtual cameo has some good one-liners. The musical numbers are generally good, even if Harpo's serenading of Vera-Ellen with a harp is rather irritating. There is all so a good segment with Harpo stealing food early on in the movie. As you may have noticed, Harpo seems to do a lot of the pictures best bits, and this is mainly because he gets the most screen time. On the whole, a much better film than most people say.

If you watch this film as a Marx Brothers fan then there is some hope, but for the neutral it's a disjointed and disappointing effort that raises few laughs, has no plot to speak of and goes nowhere with no purpose. Film buffs will tell you that the minute of the film in which a young Marilyn Monroe appears is worth the entrance fee (it's not) or that Raymond Burr as a vertical baddie is wonderful (it isn't) or that it's great to see so much of Harpo (give me strength) but this independent, though grumpy, soul thought it was a dog's breakfast of a film stitched together from mediocre musical numbers and half-hearted Marx Brother's cameos. If you take it as given that the Marx Brothers in their pomp were great (which I'm afraid these 21st century eyes don't) then this is the runt of their offerings and should be consigned to the file marked 'watch once, forget'.Bottom line....I didn't love it and it didn't make me happy.

LOVE HAPPY (United Artists, 1949), a Mary Pickford presentation, directed by David Miller, became the 13th and final collaboration of Marx Brothers comedy team, this time with a few alterations, especially in featuring the silent one, Harpo, as the leading character, with Chico and Groucho taking on lesser responsibilities. While this could have been simply a Harpo Marx comedy, following Groucho's solo effort in COPACABANA (1947), someone probably didn't think it possible to have Harpo carrying on 85 minutes of screen time without his brothers, in spite the fact that he's credited as author of the story. The final result is a musical-comedy labeled the least liked of all the Marx Brothers movies. Overlooking it's negative reputation, it be best to consider the possibilities of what the story has to offer, with some fine comedy material thrown in, that actually keeps this one from being a total disaster.The story opens in typical 1940s fashion, with Groucho as Detective Sam Grunion relating to the movie audience as to how he had spent eleven years investigating a million dollar theft of the Ramanoff diamonds, followed by his introduction of numerous characters, including Mike Johnson (Paul Valentine), both manager and leading man; Maggie Phillips (Vera-Ellen), his dancing partner; Bunny Dolan (Marion Hutton), a singer and Maggie's best friend; and finally Harpo (Harpo), a kindly hobo who happens to be love happy for Maggie. He helps the troupe by supplying them with stolen food. Also in the company is Faustino the Great (Chico Marx), a mind reader. Madame Egilichi (Ilona Massey), the leader of a gang responsible for the stolen jewels, is told by Throckmorton (Melville Cooper), who uses a delicatessen as a front, that the diamonds have been placed in a sardine can marked with a cross. It so happens that Harpo had taken this can, along with other canned goodies, for his hungry actor friends. Because the diamonds are somewhere in the theater, Egilichi finances the show, leading to a merry slapstick chase on the rooftop as Egilichi, and her henchmen, the Zoto Brothers (Bruce Gordon and Raymond Burr) go after Harpo and Faustino, who have both the real as well as the phony diamonds in their possessions, while Sam Grunion makes his reappearance before concluding his narrative to the great diamond caper. And watch for the surprise ending.LOVE HAPPY is actually not an attempt to revive the Marx Brothers on screen, for that their best work was already behind them, yet it shows how far they have come, twenty years from their screen debut (1929). Age has caught up with the brothers this time around. Considering the changing times, especially after World War II, their brand of comedy might be, by 1949 standards, old-fashioned, far-fetched or overly familiar. For the first time on screen, Groucho looks more natural, sporting a real mustache, instead of his traditional black tape over his lip. Chico continues to be in character, Italian accented, pointy hat, and once again translating Harpo's mimed message distress call following Maggie's abduction. Chico does provide moments of nostalgia by refusing a can of sardines in favor of his DAY AT THE RACES (1937) product of "Tutsi-Fruitsi ice cream." Aside from playing the piano, Chico offers few comedic moments, such as losing a game of cards to a dog(!). The Harpo here breaks away from his traditional characterization, being toned down a bit and being a range between the old Harpo to that of the sentimental likes of Charlie Chaplin. Key scenes find him falling victim to Egliouchi's thugs as they attempt to empty out his pockets for the diamonds, taking out everything imaginable, including a live dog! When all else fails, poor Harpo is put through the torture test such as smoking rope for six straight hours; spinning in a washing machine filled with water; tied to a revolving rack; being tempted by food at a distance while starving and tied to a chair; and finally the William Tell test. Even Egilichi's attempt to vamp him nearly works, but Harpo uttering a word is totally impossible.On the musical program, there's "Love Happy" (sung during opening credits); "Mama Wants to Know," "Willow Weep for Me," "The Sadie Thompson Number," "Gypsy Love Song" (piano solo by Chico) by Franz Lehar; "Happy Birthday to You," "Swanee River" by Stephen Foster (Harpo on the harp) and "Love Happy" (reprise, closing credits).Paul Valentine, Raymond Burr and Marilyn Monroe receive special introductory billing during the opening credits. Although still new to the business, this is not their movie debuts, yet the starring status of Burr and Monroe, would only be a few years into their futures. Monroe's very brief scene with Groucho as a lady in distress constantly being followed by men is truly a highlight.So ends the movie careers of Groucho, Harpo and Chico as a team. With this being their last, it was one of the first to be distributed onto video cassette during the early 1980s, notably with the video storage case featuring Marilyn Monroe and Groucho Marx on the cover, and currently available on DVD (with restored footage). For its cable TV broadcast history, it alternated between American Movie Classics (1995-2000) and Turner Classic Movies. In spite of an odd mixture of gags, ranging from good, bad to disturbing, LOVE HAPPY has enough ingredients to satisfy any Marx Brothers fans. (**1/2)