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Seems Like Old Times
Writer Nick Gardenia is kidnapped from his California cliffhouse and forced to rob a bank. Now a fugitive, he seeks help from his ex-wife who is now a public defender and has remarried — to a prosecutor.
Release : | 1980 |
Rating : | 6.7 |
Studio : | Rastar Productions, |
Crew : | Art Direction, Production Design, |
Cast : | Goldie Hawn Chevy Chase Charles Grodin Robert Guillaume Harold Gould |
Genre : | Comedy Romance |
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I love this movie so much
Good movie, but best of all time? Hardly . . .
Blistering performances.
The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one
Too bad they don't make movies like this anymore, lighthearted & entertaining.
Goldie Hawn and Chevy Chase reunite for "Seems Like Old Times," a 1980 Neil Simon comedy that borrows heavily from the Cary Grant-Jean Arthur "Talk of the Town." Hawn is an attorney and ex-wife of Chase, and she's now married to DA Charles Grodin, who's about to be made Attorney General of the state. Chase is forced to take part in a robbery and is on the lam and shows up at her house and several inopportune moments - like when she's entertaining the governor. She feels compelled to help him, but there's nothing unusual there - she has stray dogs, cats, and paroled defendants overrunning her house.The actors are excellent, as is the funny supporting cast, and there are some hilarious scenes as Chase hides out in a room above the garage and, while under the bed, his hand extending a little, Grodin stands on his finger as he argues with Hawn.What bothers me about this comedy is that there aren't any around like this anymore. The "comedy" today aims at the lowest common denominator - Woody Allen uses the term "crass" to describe them - and for someone of my generation, what passes as comedy today just isn't funny. Today these situational comedies are written off for some reason in favor of stupidity. I don't get it. I lament the days of "Arthur," where you missed some of the jokes in the theater because the audience was laughing so hard, "Night Shift," and "Seems Like Old Times."
After the very good, wacky comedy 'Foul Play (1978)', two years later Goldie Hawn and Chevy Chase would pair up again in this pleasant, light-headed farcical comedy 'Seems like Old Times'. Chase plays it dry and Hawn is a loose pin, but it's the crackling chemistry between them that really works wonders and the third party of Charles Grodin caps it off nicely. And not forgetting the ever reliable T.K Carter ('Southern Comfort', 'The Thing' and 'Runaway Train') who drops in with an amusing performance.Director Jay Sandrich is responsible for a lot TV shows and TV movies, but his crack at a feature length film displays bounce with the comical bravura and timing. The witty script (magnificently penned by Neil Simon) is well placed with its gags that it never out stays its welcome, but maybe it gets lost amongst its laconic talky spots. The eventual kayos that occurs is rather structured in its episodic layouts that come and go, but it's done in a wry style than intentional clumsiness even throwing some slapstick moments aside.A highly entertaining comedy enterprise by two stars who were at their peaks.
This film was a sequel film to a better comedy: FOUL PLAY which was made in 1976 and co-starred Chevy Chase and Goldie Hawn. In that one the former was a police officer who is trying to protect the Pope on a visit to San Francisco, and the latter is an innocent by-stander who stumbles into the details of an assassination plot. The story worked with the assistance of Dudley Moore as a befuddled not-so-innocent third party who gets dragged into the proceedings by Hawn, Eugene Roche as a conspirator, Billy Barty as an accidental victim of Hawn's fears and hysteria, and Burgess Meredith and Rachel Roberts having an unexpected classic judo face off. Oh, all to the concluding music from Act I of Gilbert and Sullivan's THE MIKADO.SEEMS LIKE OLD TIMES is a remake of sorts of the 1942 film THE TALK OF THE TOWN. That film dealt with Cary Grant as a fugitive being hidden in a house by Jean Arthur, while jurist Ronald Colman (just nominated for the U.S. Supreme Court) is renting the same house from Arthur. Here Chase is the fugitive, hiding in the garage of his first wife Hawn, unbeknown-st to her second husband Charles Grodin (who is being considered for the post of Attorney General of California. The screenplay is by Neil Simon this time, and there is good supporting roles by Robert Guillaume, George Grizzard, and Harold Gould (as an increasingly annoyed local judge). However, TALK OF THE TOWN was dealing with a man accused of an arson murder due to his labor union activities. Grant was an activist in that film. Chase comes across as something of a schmuck here - he is forced at gunpoint to assist two men in a bank robbery, is set up to deliver the note to the teller, gets his face photographed too well by the bank's camera, and is then tossed out of the speeding car on a hillside by the two felons. The audience knows Chase is innocent, and gradually Hawn and Grondin and Guillaume realize it too. But it seems that Chase had a similar bad experience in Mexico regarding being framed for a drug deal - and had spent some time in prison as a result there. He seems to be an unlucky sort.The weaknesses of Chase's character aside, SEEMS LIKE OLD TIMES is funny, and understandably so - it has a Neil Simon script. In fact, aside from the one-liners that pepper it, there are moments in it that reminded me of other films and plays Simon has written. In some late moments of intimacy between Hawn and Chase I felt that some of Chase's descriptions of Hawn's little idiosyncrasies actually could have been dialog left over from BAREFOOT IN THE PARK, from scenes between Robert Redford and Jane Fonda. And the unwelcome intrusion of Chase into an organized household resembles the situations in THE ODD COUPLE and THE SUNSHINE BOY, where Oscar has to make room for Felix, and Willie Clark has to reunite with Al Lewis.There are plenty of amusing sections: Chase fighting back fear and hysteria when he is with the kidnapping bank robbers (when he compliments the wording of the bank robbing note, the robber who wrote it thanks him); Hawn's fighting for the underdog legal practice, which results in her having a growing number of clients she is helping to get honest employment for - even in her own household; Gould's judge trying to get to the point of the ridiculous arguments and fact patterns that first Hawn and later Grodin put into his court; Grizzard's governor looking forward to dinner with his future attorney general, and his favorite dish, only to find the state's number one criminal is serving it to him. All in all it is an entertaining film. But it is not as concentrated and unified a script as FOUL PLAY was. You will enjoy the film, but FOUL PLAY is somewhat more memorable.