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Pretty Good

The joyful confection is coated in a sparkly gloss, bright enough to gleam from the darkest, most cynical corners.

Although I seem to have had higher expectations than I thought, the movie is super entertaining.

If you love the humor of Don Rickles, then this film is for you! It consists of lots of clips from candid interviews with the man, his friends, Hollywood folks who love him as well as clips from his stand- up routine and TV/movie appearances. It's everything Rickles you'd ever want to see or know. You learn about his wife, his mother, his old beloved agent, his friend Harry, his buddy Bob Newhart, Johnny Carson and much much. Throughout, Rickles is naturally very abrasive and silly and you get a bit of a feel as to what it was like in the days of old Vegas. It's all very well assembled and the people making the film obviously had great respect and love for the guy. And, amazingly, years after this was made, Rickles is STILL on the road entertaining folks! Well worth seeing.

Mr. Warmth: The Don Rickles Project (2007) *** 1/2 (out of 4) Extremely entertaining documentary from director John Landis opens up with him talking about the first time he met Don Rickles and then we get to see the man himself from a Las Vegas show in 2006 where it's obvious that he hasn't lost a step over the decades. We then countless footage of Rickles from his movies, TV shows, appearances on Johnny Carson and other shows and just about every other form of media out there. You know you're popular when a documentary on you can bring in the number of famous faces that we see here talking about Rickles. Just a few of them include DeNiro, Eastwood, Scorsese, Rock, Borgnine, Crystal, Williams, Corman, Goldberg, Larry King, Leno, Caan, Richard Lewis, Newhart, Philbin, Carl Reiner, Poitier, Sarah Silverman, McMahon, Harry Dean Stanton, Debbie Reynolds and many, many more. If you're a fan of Rickles or if you're someone who has never heard of him, this documentary is going to appeal to both sides because Landis really does do a great job at not only telling you the life story of the man but we get so many great stories that you can't help but walk away from this feeling as if you know him. The film does a very good job at mixing all of the interview segments in with the archival footage and then we get the added bonus of Rickles himself talking about various stages in his career. This includes how he was discovered, working Las Vegas and various other personal things like his marriage, which has lasted over forty years. I think the best thing the film has going for it are the various clips that really make you realize what a talent Rickles was and you realize that he really wasn't afraid to go after anyone. We get some terrific clips from The Tonight Show, The Dean Martin Celebrity Roast and various other specials that the comedian did. Plus there's a terrific bit from a 2006 concert where Rickles is just on a full attack against everyone.

John Landis's new documentary on Don Rickles, Mr. Warmth: The Don Rickles Project, works best when focused squarely on its star attraction. Every so often Landis gets distracted in telling (or rather showing other people like Bob Newhart) go on about the glory days of a mob-run Las Vegas, and it starts to loose a little of its focus. And every so often he takes a misstep with the editing. But since comedy is Landis's strong-suit as a director, anyway, it's fitting that his film works best when his subject is given the full-treatment, either in clips of his performances, his old Johnny Carson appearances, or with some of his adulators telling it like it is: he's one of the funniest stand-up comics of his time. And still today he kiss: watching him completely skewer every single race and both sexes in a Vegas audience is dynamite (sometimes you just wait for him to drop his microphone in ironic disgust).Just hearing the man tell stories, or talk about his wonderful (and wonderfully Jewish) mother, or doing lovingly stupid imitations of his wife (the tongue is what clicks it), is entertaining. He's a man who takes his fame completely in stride, but not for granted. He tells of a cruel prank done on the set of Run Silent Run Deep involving him and Clark Gable; he goes overboard as host of the Tonight Show by breaking Carson's box or whatever, and Carson goes right next-door to the set of Rickles's show, where after he apologizes he says "ladies and gentlemen, Johnny Carson!" And then the testimonies themselves bring up laughs (Sarah Silverman comments how Rickles taught her what black people were like living secluded in New Hampshire), even if it's just repeating old Rickles lines. His is a very precise shtick where finding the line and only going across it so much is like an art- you don't want to make it into a totally sensationalist exercise, but the audience still has to have a good time at not only others' expenses, but their own. It's a kind of all-inclusive comedy, be it the schmuck who's 300 pounds and with a dopey wife, or the president, or, of course most brilliantly, Dean Martin.It's not exactly a great documentary, but it's a fine showcase, and the kind of remembrance for one of those old kings of comedy that haven't yet kicked the bucket, like (unfortunately) so many in show-biz have in recent years. 7.5/10

Obviously it is very hard to be a stand-up comic. It requires good material, immense courage, and perfect timing. The ability to improvise may be very important. John Landis says Don Rickles, who is now 81 but still performing with amazing vigor, is not a comic but a performance artist. In fact, he does not tell jokes. He also does not use prepared material. He is a Jewish comic, though. He identifies himself as Jewish. He uses his schtick--he insults people--and he works with what comes up. National origin, weight, looks, a bad hairpiece, anything is fair game. Why do people love it?This is what veteran filmmaker ('Animal House', 'The Blues Brothers'; Michael Jackson's 'Thriller') John Landis aims to tell us.He isn't looking for flaws, secret sorrows, bad relationships. He has told the press Rickles hasn't any of those. Landis has been a friend and admirer of Rickles for decades; he was an eighteen-year-old gofer on the set of 'Kelly's Heroes' in the Seventies when he first met the man. (Rickles has been in a lot of movies and TV shows and the film documents that.) This is an affectionate portrait. And it works. It's impossible to walk away from it without liking Rickles and wearing a smile. Some of the speakers: Debbie Reynolds, Chris Rock, Martin Scosese, Joan Rivers, Clint Eastwood, Robert De Niro, Robin Williams, Whoopi Goldberg, Sidney Poitier, Ernest Borgnine (he and Rickles played 'The Odd Couple' on Broadway), Roseanne, Bob Newhart, Carl Reiner, and many others--all admirers.There are segments of a 2006 Las Vegas performance, and it is this, of course, that best shows what Rickles does and how good he is at it, but this is not a concert film. It's the story of the working life and an affectionate portrait of a man who, it seems, has practiced his trade of being "the king of insults" for 48 years and yet made no enemies?How has he done that? The simplest answer is, Because he's good. He pulls out the worst clichés: a man says he's German and he goose-steps on stage. He makes you laugh in spite of yourself. In the end you may realize it's really good-natured stuff. It clears the air. Joan Rivers, Landis has said (Aaron Hills retells the story in the Village Voice) once recounted how a Florida judge came backstage where they were both performing and invited Rickles to play golf with him and Rickles replied, "Listen: One, I'm leaving town. Two, you're a putz. You're loud, obnoxious, incredibly boring, and I wouldn't play golf with you because I don't live here and you couldn't fix a ticket. No." But, Landis says, Hills left out the most important part: the judge loved it. He laughed uproariously. Such an exchange makes one--it made the judge--into a figment of the imagination, the wild imagination--of a very funny man. It is an honor to be insulted by such a comic genius. Rickles has the good material, the immense courage, and the perfect timing. And they have never left him.He also has been married for thirty years, has two sons, and is loved. He is, Landis said, in a long monologue at the NYFF press Q&A, a great "schmearer" (Yiddish term for tipping): everywhere he goes he passes out bills so when he comes back, he's more than welcome. But this isn't a payoff; it's niceness.The film also shows some clips of Dean Martin roasts. Rickles obviously is the king of the roast--a gathering, among friends, where someone is honored by being affectionately insulted by everyone. The insults show they're friends. In a sense, by insulting his audiences at shows in big rooms at Vegas or Miami or Indian casinos, he's showing them they're friends; he's establishing trust. Otherwise, obviously, it would just be ugly.One of the side benefits of the film is its portrait of Las Vegas. Extraordinarly, all the entertainers who performed when the town was run by the mafia are nostalgic for those days--when, they say, everyone was treated very well.Again, the NYFF is not a venue for great documentaries. This is a very good-looking, neatly edited film. It will be shown on HBO. It is not a milestone in the art of documentary. John Landis was very entertaining at the press Q&A. He loves this subject. A New York Film Festival 2007 official selection.