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The Worst Film Ever

Good movie, but best of all time? Hardly . . .

As Good As It Gets

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

I have enjoyed this film for many years. Casting a film is an art in itself. And this film is a classic of casting. The Oscar-winning actor Jack Lemmon, is a perfect foil for the fussy Ernie Kovacs. Young James Darren, and Dick York, and the inimitable Mickey Rooney, all make a fine ensemble. Veteran Arthur O'Connell, and all of the rest serve up a delicious film.This is one of the biggest sleepers of all time, and really never got the recognition that it deserved. I like to think of it as a "Proto-M*A*S*H", as it clearly presents a lunacy of a military hospital, and the goofy characters.A precious "gem" of a film.

Remember MASH (1970)? Well. This movie predates it, and in this one the medical corps also throws plenty of spanners that inevitably gum up the way of the army. Of course, this earlier movie doesn't have the total irreverence of Mash, but there is the same abuse and misuse of army regulations, which inevitably leads to the double takes of the usual, flabbergasted and endlessly (and always uselessly) flabbergasted officers. Unfortunately, this movie does not come across with anything like the same success, thanks to surprisingly heavy-handed direction by Richard Quine (a genial man, noted for his friendly approach and light touch), plus the script's over-reliance on dialogue that is both over- repetitive and tiresomely prone to milk the very last grains of humor from situations that were not really all that funny to begin with.

Jack Lemmon, two years after winning an Oscar for "Mister Roberts," stars in the tale of Army hijinks just after the end of WWII somewhere in France. It's amazing to watch just how much influence he has and he's not even a superior officer. He's trying to organize a ball for the men before they get back to the states. For many, it may seem like why should we care. But, for those who are patient, it does get better as it goes along. Mickey Rooney shows up in the second half, who always is a "ball" waiting to happen. It may not be Lemmon's best material, but costarring Ernie Kovacs, Dick York, and Arthur O'Connell, it deserves to be seen more often.

What breaks down military discipline faster than pull from the opposite sex. But that's what's happening to the enlisted men of a hospital detachment US Army with all those fetching nurse officers next to them. It's France right after the war and the boys are getting restless. The trouble is that Capt. Locke (Kovacs) is a pompous stickler for discipline, while mastermind Pvt. Hogan (Lemmon) schemes to let nature take its course. It's a hilarious battle between enlisted men and officers. Can fast-talking Hogan put on his mad-ball mixer before killjoy Locke foils his romantic plans. Both comedians are in fine form, making this a service comedy whose modest budget and b&w photography probably got lost in the mix of the time. Too bad, because the movie's fast paced, full of clever situations, with an attractive and lively cast. Kovacs and Lemmon are a great pairing, showing again how much delicious humbug was lost in that tragic Kovacs auto accident. Support comes through, as well- a demure Kathryn Grant as the wide-eyed lieutenant, a cranky Dick York as the frustrated corporal, and a rhyming Mickey Rooney as the "twiddle-de-de, it must be me" logistics sergeant--- all orchestrated by up-and-coming director Richard Quine. Anyway, this is a good chance to catch up with the whole madcap bunch in a movie that remains a genuine sleeper. Now if I could just figure out what the heck an ocarina is.