Watch Something Wild For Free

Simply Perfect

A waste of 90 minutes of my life

When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.

Rewatching Something Wild recently some 30 years after I first saw it, I was struck by how vividly the craziness of the story stayed in my memory, but also how surprising and unexpected the plot turns were. This is a good sign that that someone took time to craft an excellent plot. In fact, the film makers have lavished tender loving care on every aspect of this film and given it a lot of heart.Melanie Griffith does everything but set the screen on fire as she takes Jeff Daniel's humdrum office worker life and turns it upside down. We're then taken on a helter-skelter anything-goes trip where the couple leave the city and the staid conventions of middle class life behind as they plunge into a passionate affair and journey deep into the comforting familiarity of small town America with its motels, folksy shops and and kindly people. Ironically this is where the greatest danger lurks in the shape of old flame Ray Liotta, grinning maniacally and flipping the madcap whimsy into insane violence.Every minor character on this trip fills you with good vibes, in sharp contrast to the sinister kind of twist that current-day Hollywood mainstream gives to bit players. The soundtrack, for fans of 80s music, is fantastic - you're bound to hear stuff you haven't heard for ages.This film works on many levels: the actors are charming and charismatic, and their parts are well and sympathetically written. It's a loving memoir of a materialistic decade that many thought was money-obsessed but was filled with many hapless characters like this reviewer who lived similar episodes in their own lives: except not so wild!

I generally don't care for old films. I understand how some people love them, but mostly they are not for me. The acting is too campy and overdone and something in my brain can't let go enough to enjoy the story because of it.That aside, I really liked this film, maybe because it doesn't really seem dated. If not for the obvious difference in film and filming techniques and the clothes, this could have been released yesterday. It is a story of 2 very different people that meet in a New York deli on a sunny afternoon and soon turns into a thrilling action/drama with great twists and turns! Part road trip movie, it tells of the eccentric/Gothic "LULU* (*Griffiths' character when we first meet her) and straight-laced Jeff Daniels' "Charlie" who are complete strangers yet become fast lovers and experience 3 days of total freedom and chaos. You easily get caught up in their adventures too. Enter Ray Liotta who is fantastic. So handsome and young. Lol. Well, let's just say things go from fun to dangerous. This is MELANIE GRIFFITHS strongest role to date. I wish she would've won some award for her performance. With a strong supporting cast and a great story line, this is a really good movie that everyone should see.

Jeff Daniels plays Charles Driggs, a straight arrow yuppie who decides one day to skip out on his cheque for lunch. A stranger, "Lulu" (Melanie Griffith), notices this, and correctly surmises that he's a "closet rebel" kind of guy. He's the perfect guy whom she can fit into her plans, so she sort of "abducts" him and makes him pose as her husband. However, the guy whom she is actually still married to, an ex-convict named Ray Sinclair (Ray Liotta, in his breakthrough film performance) shows up, and things take an uglier turn.As written by E. Max Frye and directed by the talented veteran Jonathan Demme, "Something Wild" is engaging for quite a while. It manages to be pretty zany in spirit, and somewhat unpredictable. Daniels, who's often made a career out of playing straight arrow types, and the kooky, delightful Griffith, who sports a brunette wig at first, work decidedly well together. One is amused by their misadventures and wondering what sort of mess that Lulu will next create for Charles. However, the film is somewhat overlong, and changes tone for its second half for a much more conventional narrative of Ray dominating the proceedings and occasionally terrorizing Charles. (Not to mention Charles taking quite a shine to Lulu and refusing to let her go without some sort of fight.)Fortunately, Daniels and Griffith are so utterly engaging that they make this trip worthwhile. Liotta is a powerhouse in the role of the volatile husband; I'm sure that back then, theatre goers and critics alike could see that this guy was going places. Lovely Margaret Colin is good in an underwritten role, and is unceremoniously dropped from the story. One other complaint that this viewer had was that this cast features some top notch character players - Tracey Walter, Charles Napier, Robert Ridgely - and director cameos (John Sayles as a motorcycle cop, John Waters as a used car salesman), and then makes such brief use of them. One might wish that they had more to do.The eclectic soundtrack is solid accompaniment for this generally agreeable movie. It may not move that well, but it does come up with some very nice moments along the way.Seven out of 10.

Newly promoted vice-president Charles Driggs meets free-spirited "Lulu" after cheating a restaurant for fun.Lulu offers a ride for him in her convertible but she "abducts" Charles and they go to a motel in New Jersey, where they spend the night together.Next morning, she heads to her hometown in Pennsylvania to spend the weekend with Charlie. When they arrive in her mother's home, she discloses her real name - "Audrey Hankel" - to him and she tells her mother that Charlie is her husband.They go to her high school reunion posing as husband and wife.But Audrey's ex-husband Ray Sinclair that has just been released from prison on parole meets her in the party.After a while, Ray becomes violent, he hits Charlie, and he kidnaps Audrey. But Charlie does not intend to give up on her...Having not seen this movie for over twenty years, i did not know what to expect, as I was young then, and didn't really get the connotations.While it still feels freah today and highly original, one cannot help but think that it takes a while to get going.The first act is the zany comedy, and it really hits you as much as it does Charlie, what is happening to him, and why? The second act is the romance, as soon as Griffith changes her hair, it changes her personality and the personality of the film.And then once we are introduced to Ray, the film turns dark instantly. I have never seen an entrance by a character that can change a films atmosphere in literally a second. One moment, you feel like Charlie is finally getting the upper hand in life, and then Liotta changes everything Liotta is easily the best thing about this film, as his cold glare and psychopathic tendencies really make this film something else. If somebody had left the room for twenty minutes and came, they would honestly think they were watching a different movie.Daniels and Griffith are fun, and really make the film more endearing, but it does sometimes feel mixed up and a little schizophrenic.But the film can never be called boring, because it does entertain, especially seeing and pointing out all the cameos.