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Shell
Abandoned by her mother when she was a child, Shell has stayed to take care of her dying father but now feels trapped within the beautiful but desolate landscape that surrounds her. With only her routine of running the decaying petrol station, taking care of her father, and spending afternoons in her bedroom with a local mechanic, life is passing Shell by with every passing truck that rattles her walls. One day a salesman stops to re-fuel and offers Shell a taste of the outside world that takes her closer than ever to the edge of the road and her desire to escape.
Release : | 2012 |
Rating : | 6.4 |
Studio : | Brocken Spectre Jockey Mutch, |
Crew : | Production Design, Director of Photography, |
Cast : | Chloe Pirrie Joseph Mawle Michael Smiley Iain De Caestecker Kate Dickie |
Genre : | Drama |
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Reviews
Really Surprised!
Beautiful, moving film.
Admirable film.
The acting in this movie is really good.
I recorded this not knowing what it was about, then set down to watch it 3 months later. As the movie progressed, clearly slower than most action movies, my curiosity and expectation turned into a growing sense of awkwardness as the scenes unfolded. A young woman unaware of - or grappling with her own sexuality becomes the focus of male urges in forbidden, fleeting or equally desperate desires. The location of desolate isolation intensifies the storyline of her yearning to break free from her roadside, family-tied prison-without-walls young life, and the pace becomes irrelevant or perhaps magnetizing. Genuine tension fills the air with each customer visit with growing concern of the outcome. This movie is a triumph in awkwardness. Well done Director.
Obviously its very hard to give this massively high marks, as the subject matter is not the most interesting. However I did enjoy it, it is slow paced, but has that knack of using silences to convey much more than dialog can.One thing however is that I didn't see any review getting what I got from the story. I will come straight out with it, for me this was her being rejected by a father who had been molesting her since a young age. It was clear to me that now she was older, she was being rejected by her father. Her mother had perhaps left because of the situation or her leaving caused it.There is a clear scene where a young girl wanders into the place and the mother is worried, as is the daughter, thinking he would go after a young girl again.She has mixed emotions of loving her father as a father, but feeling rejected by father sexual love, so she goes of with some local boy briefly. In the end she is released and can move on.
Artsy-fartsy character study of creepy father and daughter combo stranded in the middle of nowhere. As the minutes of your life tick away never to return the only comfort to be had is the knowledge that at least your life is not as godawful as theirs.One-note throughout, it plods, grimly towards it's dreary conclusion. Whoever thought this was worth funding clearly has more money than sense.The acting is suitably stilted to the point of somnambulent. The dialog is largely monosyllabic. All in all, it is truly the movie equivalent of watching paint dry. Not only was it never worth a trip to the cinema it isn't even worth a free download. Don't waste your electricity.
A lonely existence in an isolated spot, looking after an introverted epileptic father.In spite of the minimalistic tone both in terms of story, scenery and characters a good job has been done in terms of narrating the story of a father and a daughter in this seemingly isolated existence. What would have probably been intolerable for most, these two souls do not seem to mind, nor looking for a change in their situation. They have a close bond that surpasses everything and ties them together and to that place.The raggedly beautiful backdrop of the windy Scottish Highlands adds a pleasant variance to the ambiance of this story.A great thing about "Shell" is that the girl in the epicentre despite the remoteness in which she leaves she is popular among clients, some of whom openly express their feelings but it does not change her nor makes her full of herself. She always remains the girl at the gas station.A let down is the prevailing sense of misery that seems to be the norm in most of modern British cinema.Despite its contained nature, this is a careful and well exposed character study.