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Cul-de-sac
A wounded criminal and his dying partner take refuge at an old beachfront fortress. The owner of the fortress and his young wife, initially unwilling hosts, quickly experience their relationship with the criminal shift in a humorous and bizarre fashion.
Release : | 1966 |
Rating : | 7 |
Studio : | Tekli British Productions, |
Crew : | Art Direction, Production Design, |
Cast : | Lionel Stander Donald Pleasence Françoise Dorléac Jack MacGowran Iain Quarrier |
Genre : | Drama Comedy Thriller |
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Related Movies
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb 1964
Rating: 8.3
Reviews
This movie is the proof that the world is becoming a sick and dumb place
How sad is this?
A lot more amusing than I thought it would be.
The film's masterful storytelling did its job. The message was clear. No need to overdo.
In a castle by the sea in North East England, a present-day married couple--the husband a milquetoast Englishman, bald with glasses and skinny legs, and his wife a fiery French lass, barefoot in blue jeans and with untamed hair--play unwilling hosts to a wounded American gangster on the run with his partner, who has just expired in the kitchen. The wife berates her weaselly spouse for not standing up to the raspy-voiced intruder, who needs the couple's help pushing his defunct car into the barn and burying his friend. Later, he poses as their caretaker once friends unexpectedly drop by. Interesting directorial effort by Roman Polanski, who also co-authored the screenplay, is beautifully shot in crystalline black-and-white by Gilbert Taylor and features sharply-observed flickers of drama, black comedy, and of nature (as with 1962's "Knife in the Water", Polanski displays an unerring talent for capturing the sea, the changing sky, the gulls in the air and the wind whipping through the sea grass). The picture would seem to have a great deal to recommend it, including fully-invested performances by all the principals, but the long, unbroken takes and the rambling dialogue sections tend to flatten the film out. There's also an unnecessarily bizarre (and unfunny, if it's meant to be comedic) sequence wherein nerdy Donald Pleasence is unable to find his pajamas and his wife dresses him instead in her nightie (complete with mascara around his eyes and lipstick). This is meant, possibly, to show that the husband is easily led into humiliating himself, and also for the gangster to call him a "fairy" and thereby display his dominance. While Polanski, his cinematographer and his production designer ensure a terrific-looking film, the characters remain ciphers (with no intriguing qualities) and the story loses momentum as a result. ** from ****
Gruff Richard (Lionel Stander) drives his heavily wounded companion Albie to the English seaside. He finds George (Donald Pleasence) and his flirtatious French wife Teresa (Françoise Dorléac) vacationing at their island castle and takes them hostage. As Richard waits for his gangster leader, George's annoying friends surprise them with a visit.This is black and white, and Roman Polanski's second English film. Jackie Bisset has an early minor role. This is an art house film with an eccentric blend of surreal comedy and thriller horrors. Everybody is a little off-center but not quirky enough to be funny. There is tension but it never really rises. Lionel Stander is terrific with his powerful presence. It does need George and Teresa to cower in order accentuate the terror but they are odd characters. They don't act right but it's not surreal enough to be intriguing. This is an eccentric indie.
I favor dark comedies bordering on the surreal & Polanski does best. Well deserved kudos from Berlin, which I managed to see shortly thereafter in Philadelphia's wonderful Bandbox Theater which was almost empty, IMSMC. I have seen it once again since years ago in Boston & was delighted to see MGM's digital version on cable, which seems an excellent reproduction. Some of the other reviews here sorely missed the point. The setting is Lindisfarne, a holy island in northern England. Ms. Bisset has a line, which is one of my favorites. This is a very dark comedy indeed that was way ahead of its time, which even today confuses many viewers, including some reviewers here. A pity Françoise Dorléac went the James Dean route shortly after filming this, her best role.
Wow this movie alone is grounds for imprisonment. This is by far the worst movie I have seen in a long time. Europe can keep Polanski because if this is any sign of his "creative genius" then he is a dud. Guys may like the movie for the young nymphomaniac girl who runs around half nude but that is about it! But if you enjoy watching a man being bullied, a child who almost shoots his family and friends, a sexist bastard that beats up a woman and a bunch of drunken idiots roaming around a wreck of a fort they call a castle then maybe this movie is for you but as for me I've got better movies to watch! If I could of given it less than a star believe me I would of!