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Zazie dans le Métro
A brash and precocious ten-year-old comes to Paris for a whirlwind weekend with her rakish uncle. He and the viewer get more than they bargained for, however, in this anarchic comedy that rides roughshod over the City of Light. Based on a popular novel by Raymond Queneau that had been considered unadaptable, the audacious Zazie dans le Métro, made with flair on the cusp of the French New Wave, is a bit of stream-of-consciousness slapstick, wall-to-wall with visual gags, editing tricks, and effects.
Release : | 1960 |
Rating : | 6.9 |
Studio : | Nouvelles Éditions de Films (NEF), |
Crew : | Assistant Decorator, Production Design, |
Cast : | Catherine Demongeot Philippe Noiret Hubert Deschamps Carla Marlier Annie Fratellini |
Genre : | Fantasy Comedy |
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Best movie of this year hands down!
Instead, you get a movie that's enjoyable enough, but leaves you feeling like it could have been much, much more.
As somebody who had not heard any of this before, it became a curious phenomenon to sit and watch a film and slowly have the realities begin to click into place.
Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.
This has to be seen to be believed! Malle seems just as well to be the victim of Zazie's dark whirlwind surrealism as the audience themselves. Never again achieved an adolescent movie character such an anarchic quality. Despite all the displays of technical outrageousness and pure buffoonery, the pic never feels as superficially sketch-like as many of Dick Lester's works. And the complete lack of warmheartedness is a relief in a picture featuring a young girl! Now that's a truly original way to declass French bourgeoisie and throw an anti-Fascist pie in their faces! And it's one of the few hommages to silent comedy (amongst sundry allusions to cinema and social topics) that really work. And it's one of Malle's best.9 out of 10 polar bears
Films featuring metro are a sub genre in itself.In French cinema,2 of the most eccentric metro films are :subway and Zazie dans le métro.On the one hand "Subway" is more of an "in the metro" film,on the other hand "Zazie dans le métro" can be defined as something of "outside the metro" film.Nothing much happens in the metro itself.This is because in the film Parisian metro is just a metaphor in order to allow a young girl to explore the intricacies of the adults' behavior.The young girl whose role is nicely played by Catherine Demongeot is a veritable trouble maker.Although she is in Paris to enjoy her stay, she is more interested in pestering her uncle.Great French actor (now dead),Philippe Noiret plays the role of the hapless uncle who is absolutely at a loss as to how to reply to his niece's absurd questions.This film by Louis Malle is quite unusual as there is no other film which can match its spirit of freewheeling fun.For fact finders, the film is based on a novel by Raymond Queneau who was close to surrealist writers of his times.
This is a screen adaptation of one of those novels they said couldn't be filmed. Raymonde Queneau is a sort of James Joyce-lite whose work is studded with word-play but Jean-Paul Rappeneau and director Louis Malle make it work. A simple premise - Zazie, played by 12 year old Catherine Demongeot, is brought to Paris by her mother and dumped on uncle (Philippe Noiret) so mom can enjoy some R and R with her latest boyfriend. Zazie has only one desire, to see and ride on the Metro but the Metro is on strike - spins out of control as foul-mouthed Zazie takes off on her own and encounters a succession of pre-Monty Python/Basil Fawlty types in nothing flat. As if this bouillabaisse needed seasoning Uncle is a drag artist though straight with it. If you don't respond to zany humour you'll find it infantile - as at least one commenter did - if not chances are you'll rejoice.
Great cinema, with a wonderful exuberance and style. Louis Malle showed his great talent and versatility in this romp of cheeky comedy. Blessed with a Zazie that (for me ) captures the essence of the character originally created by Raymond Queneau, this is a 60's French film that continues to bring naive pleasure to those to whom it is a memory of the renaissance of French cinema in the early 60's, and (hopefully) will still retain a few inspirational moments for those see this movie thirty years on and who have had the benefit of later comedic directors who learned from this well-crafted and thoroughly entertaining movie.