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Pretty Good

Best movie ever!

Admirable film.

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

Here's how you know you're a loser. It's the spring of 1981. You're a high school senior, and you've never kissed a girl. You've never been on a date. You have no friends. Your mother tries to cheer you up by taking you to a movie, and you pick . . . the Lone Ranger. This was the night when I finally accepted the fact that I was a loser. What kind of 18 year old boy goes to the movies with his mother? The movie was so awful, and the worse it got the more it became clear to me . . . I deserved this. I deserved it for being a loser with no friends. But still the movie wouldn't stop! Now, as horrible as the movie was, I do remember a couple of good moments. There was a big battle early on, where a whole Ranger troop gets wiped out. And there's an old timer who tells the young Lone Ranger, "don't worry, kid . . . I've been a Ranger longer than you've been alive!" And he talks about some real life battles of the Texas Rangers, while calmly loading and firing and bringing down several bad guys. It's a nice moment. But then he dies. Just like all my high school hopes and dreams!Oh, and later on, the cowardly villain Butch Cavendish meets Ulysses S. Grant, and tries to explain why he became a villain. "I deserted my men -- I ran from the field of battle -- I was accused of cowardice -- it wasn't my fault!" And Grant just looks at him quietly, and says, "It never is." That line really stuck with me over the years. Because I mean, I came up short in high school, I had to face it that night. No good times. No dates. No happy memories. But you know what? Maybe Grant wasn't just putting Butch down. Maybe Grant understood that some guys just don't have what it takes, in combat or in high school. Maybe some guys just don't get the right break, or they only get one chance and they blow it. Over the years I've spent a lot of time thinking about what Grant says in this movie. In a way it's given me a certain kind of strength. But the movie still sucks.

I bought the novelization to this when I was little. My parents thought it might entice me to read. It sat on a shelf forever, unread. I always wanted to see the movie, but it came and went so fast that while I was on kid-time, I missed it. So I watched it last night, 35 years after I bought the book. I hated it in terms of where movies stand today, sensibilities, special effects, writing, etc. So thinking back to the time it was created, around the time of "Superman: The Movie," I considered a few elements that might not stand up today, but may have sort of worked in the past. First of all, the narration was quaint and more southern than western, like "The Dukes of Hazard" which did it better. The score was more melodramatic and almost inappropriate for the genre though it may have been a homage to the past.The lead character had the right size for the role, but his hair style seemed more like a guest role on "The Love Boat" or "Charlie's Angels" than a cowboy in the streets of Texas. While I like the back story, it was too long and too "after-school special" for me.In conclusion, the film seems dated, understated, simple, and tonally neutral. The Lone Ranger is one of America's greatest stories, but not even Disney could do it right.

Scenic locales, gorgeous cinematography, superb set design, atmospheric art direction, and a first-class supporting cast cannot salvage "Monte Walsh" director William A. Fraker's lame western "The Legend of the Lone Ranger" with a impassive Klinton Spilsbury cast as the Masked Man. Spilsbury is a tall, lean gent with a strong chin and a dashing profile. In other words, he would have made a great Marlboro Man, but he conveys no sense of presence. Not only is this western an origins epic establishing the genesis of the Lone Ranger, but it is also an abduction opus since the hero must rescue President Ulysses S. Grant from the villainous Major Bartholomew 'Butch' Cavendish (Christopher Lloyd of "Back to the Future") who attacks his train. You would think President Grant would have surrounded himself with an army of soldiers as his bodyguards, but they are nowhere to be seen. When we get our first glimpse of the Lone Ranger, John Reid is an adolescent who saves a young Tonto from a gang of ruthless ruffians. No sooner has young Reid saved Tonto from these villains than he scrambles back to his home to find these same dastards attacking his ranch. They gun down both his mother and father in cold blood, and later his big brother packs him off to Detroit. Of course, Detroit would be the perfect place since the original "Lone Ranger" radio series aired there on WXYZ in the first place in 1933. Later, after he has grown up and graduated from law school, he visits his brother, Captain Dan Reid (John Bennett Perry of "Independence Day"),and they ride off in pursuit of the gunmen who hanged a crusading newspaper publisher (John Hart of "The Lone Ranger") in the dusty town of Del Rio, Texas. It seems that Lucas Striker has printed some unkind words about Cavendish, and he repays the favor by dispatching his hooligans to slip a noose around his neck. The ambush at Bryant's Gap—one of the few events that distinguish this horse opera-- is staged with gusto. Cavendish's men launch wagons laden with explosives off promontories at either end of the gap and cut the Rangers off from escaping while his army of riflemen massacre them. They use a Gatling gun to mow down the poor lawmen. In this version of the legend, Cavendish is no longer an ordinary outlaw but a former U.S. Army officer court-marshaled by Grant. Cavendish plans to establish his own kingdom in Texas and intends to use Grant as his bargaining chip to realize his dream. Christopher Lloyd plays Cavendish as a tight-lipped martinet, and he does some strange things himself. When he orders the execution of two of his henchmen (Ted Gehring and Buck Taylor of TV's "Gunsmoke"), he has them blindfolded and seated in chairs before a firing squad. Believe it or not, one of Cavendish's other henchmen is portrayed by no less than Tom Laughlin of "Billy Jack" fame.This 98-minute horse opera perished at the box office partially because of an ill-fated public relations campaign that stripped the original Lone Ranger--Clayton Moore--of his mask. After he finished making "The Lone Ranger and the Lost City of God," Moore appeared in various commercials with sidekick Jay Silverheels and attended movie conventions where he signed autographs. The was the primary way that the former Masked Man generated revenue for himself and his family in his later years. Something must have gone wrong in the process of making the movie because the producers used John Hart, who took over the role momentarily after a contract dispute. Particularly objectionable is the reliance upon a balladeer (country singer Merle Haggard) to provide musical narration that serves no purpose. We know everything that we need to know and then here comes Merle underlining what we already know. The problems with the script are numerous. A relationship between John Reed and Amy Striker has its moments when they swap spit, but it goes no farther. Instead of the outlaws killing Amy's father, they should have killed her accidentally when she got in their way. This would have ended the romance and given the Lone Ranger another reason to ride the back trails for justice. The scene where the Masked Man gallops alone into Del Rio to rescue Tonto from a hangman's noose is inferior. He faces little opposition from the townspeople. Although the finale with the Lone Ranger and Tonto infiltrating Cavendish hidden fort turns out to explosive stuff, this entire scene makes it too easy for our heroes who encounter no trouble. The screenplay includes historical figures such as Buffalo Bill Cody, Wild Bill Hickok, and General George A. Custer. Jason Robards is good as Grant, but the story is formulaic. If you didn't know any better, "The Legend of the Lone Ranger" might make a tolerable rainy day movie. Michael Horse plays Tonto, but the two generate little sense of camaraderie. "Your sins will be paid for in the fires of hell," proclaims Grant when he sentences Cavendish to prison. He could have been the idiots who took away Clayton Moore's mask and came up with this oater. Stacy Keach's younger brother James dubbed Klinton Spilsbury's dialogue, but not even he can cry "Hi, Yo-Silver" with any enthusiasm. I grew up watching Clayton Moore and Jay Silverheels ride across the small screen as well as the big screen in "The Lone Ranger" and "The Lone Ranger and the Lost City of Gold," and both of these outings surpass this technically elegant looking sagebrusher. The DVD release of this inferior western is just as lame because it is presented in the Pan & Scan format until the end credits roll and the images appear in widescreen letterb0xed format.

The legend of the Lone Ranger is ¨the untold story of the man behind the mask and the legend behind the man¨ . This flick that wavers between irony and seriousness follows the adventures of the Ranger , his white stallion Silver and his American Indian pal Tonto, as they attempt to bring local criminals to justice. It began on radio and made the transition to the small screen more than 50 years ago . This cinematic adaptation deals with the young Texas Ranger named John Reid ( Klinton Spilsbury who was dubbed), he is the sole survivor of an ambush arranged by the rebel outlaw leader, Butch Cabendich, as he is saved by an old childhood Comanche partner named Tonto (Michael Horse), and subsequently both of them form a formidable pair . The sole surviving Texas Ranger of a treason planned by the militaristic Butch Cavandish (Christopher Lloyd) returns to fight back as a relentless masked hero . When Reid recovers from his wounds, he becomes the great masked western hero, The Lone Ranger. With the help of Tonto, the duo go to save the President Grant (Jason Robards) when the nasty Cabendich takes him hostage . The President Ulysses S. Grant is accompanied by other historic personages as Will Bill Hickok (Richard Farsworth) , Gen. George A. Custer (Lincoln Tate) and Buffalo Bill Cody (Flicker) .The Ranger who was nursed back to health by the Indian Tonto rides with him, on Silver and Scout, throughout the West, doing good deeds and they dedicate their life to combat the evil that Cabendich represents. The two heroes ride off in a cloud of dust under classic musical background composed by Rossini.¨The Legend Of The Lone Ranger¨ is crusader's last silver screen outing , but the film bombed so badly at the box office, the movie's star Klinton Spilsbury never worked in Hollywood again. The film contains action , thrills , great scenery with spectacular outdoors magnificently photographed by Laszlo Kovacs . This shows a campy and entertaining glimpse at nostalgic television series , though slow-paced and often corny. Klinton Spilsbury is mediocre as the mysterious and righteous gunslinger , he is at times absurdly awkward, yet the shows have an endearing innocent charm to them , while Michael Horse is passable as his faithful sidekick Tonto. This is a middling effort to narrate origin of the masked man though packs some fine action and excellent musical score by John Barry. The motion picture is regularly directed by the late William A. Fraker. While children will undoubtedly love , adults will probably be tiring and falling asleep .Originally created as a radio play in 1933 by George W. Trendle and developed by Fran Striker, this is the last big screen iteration of the famous character .The Lone Ranger started off as an America radio show started in the 1930s and finally ended in 1954. It later expanded on to the big screen with 1938's "The Lone Ranger," 1939's "The Lone Ranger Rides Again," . The Lone Ranger was also a television series from 1948 through 1957 in which gained widespread notoriety on ABC television, as Clayton Moore donned the mask each week to fight crime and corruption in the old west and of course Jay Silverheels as Tonto. The last appearance of The Lone Ranger was in 2003 for a two-hour special on WB Network starring Chad Michael Murray and Nathaniel Arcand.Jerry Bruckheimer Films has debuted a logo for the upcoming adaptation of The Lone Ranger.The tagline on the site reads, "The Legend Returns." Pirates of the Caribbean director Gore Verbinski has been contracted to filmmaking the classic TV show film , a blockbuster retelling for the big screen, and Johnny Depp is attached to play Tonto, the Lone Ranger's partner. There's still no word on who will play the Lone Ranger, but at one point George Clooney was rumored to be in talks.