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The Last Woman
Psychological drama of the compelling relationship between a young French engineer and the girl he takes into his home after his wife has left him with their baby son.
Release : | 1976 |
Rating : | 6.4 |
Studio : | Flaminia Produzioni Cinematografiche, Les Productions Jacques Roitfeld, |
Crew : | Production Design, Director of Photography, |
Cast : | Gérard Depardieu Ornella Muti Michel Piccoli Renato Salvatori Zouzou |
Genre : | Drama |
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Wonderful character development!
Sorry, this movie sucks
Good films always raise compelling questions, whether the format is fiction or documentary fact.
By the time the dramatic fireworks start popping off, each one feels earned.
"The Last Woman" is a pessimistic drama from Marco Ferreri,which openly criticizes feminism as the main source of loneliness among men.Gerard Depardieu plays an engineer who is married to Gabrielle.When his wife leaves him for feminist reasons he is left with custody of their nine-month old son.The relationship between Gerard and his son's daycare worker Valerie begins.After seeing how self absorbed and one dimensional Gerard is Valerie threatens to leave him.Gerard responds by cutting off his penis with an electric carving knife."The Last Woman" is a shocking and sexually graphic movie.The world in which we live in is the world in which we are all mere particles,colliding randomly but never connecting.In a perfectly liberal sexual system some people have a varied and exciting erotic life,others are reduced to masturbation and solitude.8 out of 10.
After having attended a film festival in Creteil (a posh suburb of Paris), I accidentally got a chance to watch "La derniere femme" on big screen. This invigorating experience took me in a not so distant past to a nice place called Creteil circa 1976. I was much too thrilled to have known Creteil through the vision of a maverick filmmaker Marco Ferreri for which he teamed with his regular partner Rafael Azcona. La dernière femme is a film which will easily please people of varied tastes. It can be liked by feminists,admirers of actors Depardieu and Ornella Muti and supporters of a highly unconventional filmmaker Marco Ferreri. The essential charm of this film lies in Creteil and its high rise buildings.Some of them are occupied by the likes of Depardieu and Muti.There is Michel Piccoli too who lends credible support to the narrative pattern. During my viewing of this film I did not mind at all watching a small kid act alongside Depardieu and Muti.I doubt as to how this can be true of other viewers who might find such a move harmful for young minds. Watch it to explore other films by Marco Ferreri.
About two reels into this merde Gerard Depardieu takes an electric carving knife to a salami. In the world of Marco Ferrari this is the epitome of subtlety; after spending about two thirds of the movie totally and full-frontally naked Depardieu, in search of an encore, takes the same electric carving knife and removes his own penis. That's all, folks. I've said it before and I'll say it again, people actually pay good money to watch rubbish like this and actors - mostly French - who should know better lined up to appear in Ferrari movies, none more often than Michel Piccoli, who played in at least three. Here, in addition to Depardieu and Piccoli Nathalie Baye also makes an appearance though mercifully brief - for her career, not the viewer. Ferrari seems to be saying ... er ... anything you like and if you're a pseud and/or Academic you're gonna love it. Otherwise there's always the Texas ChainSaw Massacre for those who don't understand, like, or can't deal with REAL movies.
This movie (maybe more so than Le Futur Est Femme) immortalizes the young Ornella Muti as the ultimate dream woman... as far as sultry ravenous brunettes go anyhow!!! Mayhaps because there is no competition here for her (Carole Perle? Nice name but...) unlike in Le Futur... where Ornella is actually loved by co-star Hanna Schygulla... Here the same is true, as her co-star here also loves her and may in fact love her too much... However, unlike Hanna, Gérard Depardieu fights the attraction to the utmost degree... (And THAT is the true reason why this film was banned by the U.S. censors - the way G.D. goes about to finally purge his desires for her is quite... unbelievable to say the least!)The mature Ornella Muti is now even better in my estimation... But for a wider audience of woman-lovers, this young Venus-like Ornella is the one and only. She was, in the ten years that followed, constantly in the top ten of the most beautiful women in the world... Too bad her acting talent wasn't up to par...I will respectfully disagree with the other three here -so far- and state my belief that Marco Ferreri is *not* on the same level as Fassbinder or Bunuel. But he and João César Monteiro are certainly "the next two" I'd say!Note also the presence of one Michel Piccoli in this one - he who despite being ''just a guy'', balding, not all that fit, not that great an actor himself, managed to co-star often with some of the most beautiful leading ladies in Europe - Romy Schneider, Catherine Deneuve (of course - une compatriote...!), Dany Robin (une autre compatriote!), Sabine Azéma (et une autre!), Martine Carol (et encore une autre!), Ornella here... Proof that it is good to be at the right place, at the right time...And to the eight who find this "not useful" - a review would be useful.A comment is just a comment. Ferreri fans...