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The Informant
A former Irish Republican Army fighter, Gingy McAnally (Anthony Brophy), is reluctant about being called back into service after serving time in prison. He executes the grisly task but ends up captured by a sympathetic British police lieutenant named Ferris (Cary Elwes). The intimidating Chief Inspector of the Belfast Police (Timothy Dalton) convinces Gingy that his best hope is to become an informant and turn in other IRA operatives. As Gingy's marriage unravels under the stress, he is forced to come to terms with the fact that in this war both sides lose. Three men, three political circles, each fighting for their lives, each with their own agenda in the battle for Northern Ireland.
| Release : | 1997 |
| Rating : | 6.3 |
| Studio : | Hallmark Entertainment, Showtime Networks, Johnny Loves Suzie Productions, |
| Crew : | Art Direction, Production Design, |
| Cast : | Cary Elwes Anthony Brophy Timothy Dalton Sean McGinley John Kavanagh |
| Genre : | Action Thriller War |
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Reviews
I love this movie so much
A lot more amusing than I thought it would be.
It's an amazing and heartbreaking story.
Blistering performances.
Unusually accurate telling of the novel with completely rational deletions. Superb acting and screenplay from a terrific novel. I love The Pogues but their music here is topically relevant but distracting and out of tone with the rest of the movie...at least to non-Irish fans of The Pogues music who may not share associations with this music. It's one of those cases where everything is terrific and one element, wonderful on its own, pulls down the rest by its presence. I recommend for students of screen writing contrasting the script with the novel. Nicholas Meyer is a keen master of screen writing and his other adaptations and films he has directed are a textbook study.
Well I am in the middle of doing my thesis for my masters degree in history and my subject is the IRA. Now, this film, although it is quite good, beats around the stereotype picture I sometimes read about the English government would like to project as part of the criminalisation of the IRA. Hereby not defending any of the involved parts, I just find it sad to see, how narrowminded the irish basically are portrayed while the archtype of chivalry is of course english (and notice the stupid scotsman in the end of the movie). This could be something out of an english propaganda film!If you look away from this, the movie is wellwritten and well played. there is a lot of human expressions of love and hate, and it all fits nicely together. I enjoyed the film, but thought that it just as well could have been a mobster movie...there were so many things that were wrong but still, it was nice... 5/10
This is arguably the best film there is about the troubles in Northern Ireland. Unlike films like Michael Collins, or In The Name of The Father, in this movie the IRA members are not shown as the romantic quasi-heroes they are thought to have been ages ago, they are shown as what they really are now: terrorists, capable of destroying the lives of not only their enemies, but also of many irish families who try to follow the normal course of their lives. The informant of the title is an ex-IRA assassin who makes a deal with the police, and gives the name of his employers. He and his family are then considered traitors of the "irish" cause, even though his wife, being more influenced by anti-brit propaganda, was against the so-called betrayal from the start. But she fails to escape the turmoil that follows: the poor girl is even raped by an IRA ganglord, as some kind of punishment for their betrayal, in a scene that certainly does away with the romanticism that can be expected from such a theme. This is certainly a view of the subject never shown in recent films about the Northern Ireland troubles. At the end of the day, unlike other similar films, there is no "moderate" faction of the IRA to solve things up, no Daniel Day-Lewis type guy to save the day, but only the feeling that things go on unsolved...
we've seen this story before in different variations, however overall this isn't bad. Some good acting especially (and as usual ) by Dalton.One is able to identify easily with this version because it's the most recent, but still nothing can quite surpass the excellent 1935 film.All'n all, it's worth seeing.
