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Final Portrait
Paris, 1964. The Swiss sculptor and painter Alberto Giacometti, one of the most accomplished and respected artists of his generation, asks his friend, the American writer James Lord, to sit for a portrait, assuring him that it will take no longer than two or three hours, an afternoon at the most.
Release : | 2018 |
Rating : | 6.2 |
Studio : | Potboiler Productions, HanWay Films, Arsam International, |
Crew : | Production Design, Set Decoration, |
Cast : | Geoffrey Rush Armie Hammer Clémence Poésy Tony Shalhoub Sylvie Testud |
Genre : | Drama History |
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Reviews
Good concept, poorly executed.
Best movie of this year hands down!
This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.
One of the most extraordinary films you will see this year. Take that as you want.
I watched the film a while ago and honestly I remember everything except the end. There's nothing much to remember about the film because the artist always stays in his studio painting and repainting. The whole film, however, resembles an experience I went through recently with someone moody I didn't really get along with (I was the writer and she was the artist) and I left her unsatisfied. Maybe that's why the end seems blurry to me.
The story keeps repeating until nothing happens.. Good cast, promising plot, and the feeling i got from this movie was "so what?"
A simple well written and perfectly acted story of an artist and his need to create and make that creation perfect to his liking.Set in the early 1960's the feel and charm of this film is quiet and unrushed to show a time when daily life wasn't as complex and full of the communication distractions we are saddled with today.This story isn't so much about the artist as it is about the artist nearing his final days and facing his needs.Loved it !
A good one. and the basic motif is Geoffrey Rush who - not surprising - gives the expected Giacometti. the big problem - the fear of Stanley Tucci to make a portrait. only lines. only a decent and seductive sketch. who offers to the viewer many ways for imagine a better film. sure, it is a good invitation for discover the art of a great artist. but the relation between artist and his model is so fragil than nothing does the film more than a good first step. it is the film of Geoffrey Rush. a good thing. but, maybe, not enough.because the force of performance, the try of Armie Hammer to give substance to his character are only shy circles from a large show.