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I like the storyline of this show,it attract me so much

Good films always raise compelling questions, whether the format is fiction or documentary fact.

The acting in this movie is really good.

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

It's your typical rich family vs not rich family comedy. I guess it paved the way to creating this comedy sub-genre but after seeing so many i find it hard to really enjoy it anymore.It's about the two young lovers from families with different approaches in life and their struggle making their parents like each other.

There are some film "classics" that I simply cannot find joy in them, and You Can't Take it With You stands with other films like Philadelphia Story that are beloved but leave me cold.I have attempted to watch this more than once, because I know I'm supposed to like it, and because the mix of a great cast, director, and play should equate to greatness, but I'm not sure I've ever made it to the end. I just get bored.The idea of a house of free-spirited eccentrics is an appealing one, but the film's determined effort to show wackiness and chaos feels forced, and the characters are, for the most part, determinedly one- dimensional. Much of the problem is there's no true philosophy behind it. It's a movie where the grand patriarch makes vaguely Libertarian remarks but ultimately just seems to be into a sort of Americana ethos with no specifics to it. It's a movie that says we should follow our dreams, but the residents have no money worries and employ (black) servants who are not themselves encouraged to follow *their* dreams. These aren't artsy bohemians, these are just people with a lot of time on their hands.Thus, I not only find the movie dull but, as I continue watching, increasingly objectionable. It's really just kind of dumb.At least I could make it to the end of Philadelphia Story!

A stenographer (Jean Arthur) from a family of free spirits and a bank vice-president (James Stewart) from a wealthy family fall in love. But the different lifestyles of the two families comes between the couple after a crazy night where everything that can go wrong does.A sheer delight from one of the legendary directors of yesteryear. This is the first of three collaborations between Frank Capra and Jimmy Stewart. I doubt I have to tell anybody what the other two were since they're well-known classics. Well this one deserves wider praise because it's simply magical. The four leads are all perfect. Stewart and Arthur have amazing chemistry that they would repeat the following year in Mr. Smith Goes to Washington. But perhaps the real stars of the show are Edward Arnold and Lionel Barrymore as the respective patriarchs of the two families. Two immensely talented actors that never gave a bad performance (that I've seen). You always get your money and time's worth with these two. As with Stewart and Arthur, both of these gentlemen would return for future Capra classics. Aside from the four stars, we have great support from Donald Meek, Spring Byington, Samuel S. Hinds, Mischa Auer, a 15 year-old Ann Miller, Halliwell Hobbes, and Eddie 'Rochester' Anderson. Dub Taylor also makes his film debut here. What a cast! It's one of those films, like Sullivan's Travels or Lady for a Day, that just gets better and better each time I see it. The first time I saw it was probably close to twenty years ago. I liked it then but I love it now. This movie leaves a huge smile on my face and I think, unless you're an extreme cynical type, it will do the same for you. It's a warm, uplifting comedy with romance, drama, and lots of little bits for people who like "windows into the past." Just a real treat for anyone who loves getting lost in classic films.

Greedy Anthony P. Kirby (Edward Arnold) is trying to monopolize the weapons industry by buying up the land surrounding a competitor. Grandpa Vanderhof (Lionel Barrymore) is holding out. He doesn't care about money and refuses to sell his home. Unbeknownst to everybody involved, Kirby's son Tony (James Stewart) is in love with stenographer Alice Sycamore (Jean Arthur), the granddaughter. He proposes to her and they bring her eccentric family together with his stuffy family.I don't find the Vanderhof family that much fun. They're trying too hard. It's another time and my sense of humor doesn't fit. The movie works best with Stewart and Arthur but at times, they seem to be the side show. The basic structure is there. I guess it's always been there. It's a fine Capra movie but it just doesn't strike me as that funny.