Watch Die Nibelungen: Siegfried For Free

It's no definitive masterpiece but it's damn close.

The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

The biggest problem with this movie is it’s a little better than you think it might be, which somehow makes it worse. As in, it takes itself a bit too seriously, which makes most of the movie feel kind of dull.

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

I think this is an important film to see even for historical reasons, since after "Die Nibelungen" (1924) Lang would make "Metropolis" (1927), something for which he is best remembered. But more importantly, this is in my mind astonishingly gripping and the far more satisfying film (or two). It's fascinating how different the two parts are. As they are, their respective brilliance shines brightly, individually, and in itself the film as one grand epic reinvents itself come the revenge story of the latter half. The first film is the fantastical one, precursor to what we have now as high fantasy adaptations, mainly "The Lord of the Rings". In this sense "Siegfried" is shockingly modern, and here Lang succeeds far better than in "Metropolis", where he didn't have a national epic upon which to project the visual aesthetics, instead his own sense of national identity projected into a perceived future or alternate present. This is surprisingly lucid, which itself is a testimony of its filmic brilliance.The court at Worms is as rigidly symmetrical and foreboding as one can be, and the film is full of such visual information, rigid symmetry that I bet greatly inspired Eisentein's "Ivan Groznyi" films (1944, 1958). In fact, I would love to see these masterworks by the two directors together someday, since their similarities go beyond style and visual language, also converging in their handling of national folklore in highly theatrical terms.The new restoration of the project, made by the Friedrich-Wilhelm-Murnau-Stiftung, is available on Blu-ray in both Region A and B, courtesy of Kino and Masters of Cinema respectively. What a treasure! In fact, the more I think of it, I can't wait to revisit it again.

Upon completing his epic crime film "Dr Mabuse", Fritz Lang embarked on a quest to bring Germanic legend Das Niebelungenlied to the screen. So colossal was the undertaking that it required two films, of which "Siegfried" is the first.Young heroic Siegfried kills a dragon and bathes in its blood, gaining immortality (save for a fatal weak spot). His quests make him into a powerful figure and allow him to court the beautiful princess Kriemhield. But her weakling brother only approves the lovers' union if Siegfried agrees to help him deceive the beautiful Valkyrie Brunhield into falling in love with him. When she eventually discovers this treachery, the humiliated amazon vows sets forth a cycle of revenge that will create tragedy on an epic scale.There's no way to avoid comparisons: "Die Niebelungen" is the Lord of the Rings of its day, and easily one of the most staggering epics in the history of movies. The scale, extras and the pioneering dragon-slaying scene all make for enduring cinema. Fritz Lang's alluring visuals push it even further: his awesome depiction of the rigid codes of honor that are the undoing of his characters imbues the film with a mood and atmosphere whose influences are incalculable. "Die Niebelungen" can also be read as one chooses, tribute to German heroism or to the trappings and tragedy of "honor". Hitler for one was so impressed with the film that he used an alternate edit of the film as propaganda, playing to Wagner's Niebelungen opera (which Lang actually loathed!). To be fair, though the original score can not hope to reach the mythical heights of Wagner's opera, it is still a considerable achievement.Though he would revisit the crime genre with the slick "Spies" and practically invent modern science-fiction with "Metropolis", none of Lang's silent films would reach this level of excellence. "Siegfried" of course can only fairly be judged when seen right before the second half of the saga: "Kriemhield's Revenge", in which formality makes way for chaos and petty jealousy and revenge turn to violence on a biblical scale.Anyone with even a passing interest in the silent era or film as a whole should avidly seek this out. Kino on Video have a very decent double DVD edition. I wholeheartedly recommend it.Edit (October 2010): As I add these words, Eureka have released a stellar BluRay of this saga which is just mind-blowing (reviewed by dvdbeaver, for the curious). If you've never seen this film yet, lucky you. Go straight to HD!

For those of you who don't know about it, "The Nibelungenlied" is to German literature what "Beowulf" is to English literature. The story of Siegfried, a warrior who must help a prince win a princess, was made into an ultra-cool movie by Fritz Lang. Most people might imagine 1920's cinema as primitive by today's standards, but this was a very good technical production. Whether it's Siegfried (Paul Richter) slaying a dragon, or becoming invisible to help the prince win a contest, every part of the movie has something neat.A strange irony to this movie was what it almost did for Fritz Lang. Adolf Hitler loved the movie and used "The Nibelungenlied" to represent a "strong Germany". Joseph Goebbels asked Fritz Lang if he would like to make propaganda films for the Nazis. Fritz Lang said that he would think about it and quickly fled the country (in the United States, he continued turning out famous movies). Lang's wife, Thea Von Harbou, stayed in Germany and worked for the Nazi propaganda machine.No matter. It's a great movie.

This film, and its companion, are a remarkable achievement that captures the story of "Das Nibelungenlied." It combines elements from additional sagas that are not part of the source text to fill in some of the history of Sigfried. For me, it does capture the essence of the saga.The film is a masterful accomplishment for its time with Fritz Lang's trademark vision and a great script by Thea von Harbou.