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good film but with many flaws

Admirable film.

An old-fashioned movie made with new-fashioned finesse.

It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties. It's a feast for the eyes. But what really makes this dramedy work is the acting.

Junkhearts is just about the best sci-fi/paranormal activityesque film I've seen all week. My favourite scene is where the aliens descend and take away our anti-hero (eddie marshan) for some serious self-analysis to try and get his head better after returning home war-down. I think the director did a great job with the CGI effects on Eddie's looks... he kinda looks like something that Wes Craven never used in The Hills Have Eyes (1 and 2). I must admit, some of the outer space scenes seemed a little unrealistic, and the scene where Danny (Tom Sturridge) and Christine (Romola Garai) had a passionate embrace on mars just didn't work for me. Still, sci-fi and genre aside, this little British jewel does have its serious side, taking us deep inside the mind of a mentally deranged soldier who is battling his urge to drink by going to war. With no more wars left, only those raging in the outer reaches of the galaxy, our marinated antagonist hits the bottle big time and that's when help (from a very unlikely source) arrives. It's here where I have what is probably my biggest problem with the film... the little props and scenery. The vodka looked like water and when the spaceship took off for the final time the cups in Christines house seemed empty and glued to the table. But this is a minor gripe considering just how great this film is. I guess when something is faultless you search out errors. It's like what My Physics teacher (Mr Knapton) once told me: "You'll NEVER get a 100% mark in your exam... 99.9%, yes, but NEVER 100. The markers will always find some error, no matter how irrelevant!" Well, I guess that speech hit me deeper than I thought, because here I am, 20 years later, proving Mr Knapton's theory 'One Star Down' theory correct. But back on subject, and to sum this hard-hitting, low budget Brit-flick up, I'd say it's the best Sci-fi pic I've seen this side of insanity. The director done well with limited budget and ex-Craven rejects and managed to pull of a stupendous action/effects film... all without a drop of blood anywhere!9 outta 10!!! Two thumbs up from Tristram Spencer!

Junkhearts is a British, nearly-for-TV drama about the relationship between an ex-soldier and a homeless girl, their troubled personalities, and the hard lives they lead;Though there are some interesting choices in the script during the early developments - the goldfish scene, where Lynnette does for Frank what he did for her in the self-defence scene - ultimately Junkhearts descends rapidly into a tabloid-grime film about crime, wasted youth, and defenceless characters, who from leads become merely a support to the trite story.This film had potential, but the writers didn't have the material to get a whole hour and a half of film together; all in all, disappointing.My vote: 5/10 - inconclusive, aimless, self-defeating.

I've just seen Junkhearts at Chapter Arts centre in Cardiff. I saw Junkhearts solely because I'm a big fan of Eddie Marsan and wanted to see him in a lead role, as I think he's a fantastic actor with a great range and a lightness of touch. As expected Eddie Marsan was fantastic, here playing an ex-solider, and brought a freshness to quite a now archetypal character. Familiar as this archetype is, the character is normally played out in a flat depressed state that flies off the handle at a moments notice. Instead the director Tinge Krishnan chooses to create a distance between the character of Frank and everybody else, in terms of the acting, the cropped framing, the use of negative space, and specific points of focus, which works really effectively. Within Junkhearts we are also introduced to newcomer Candese Reid, who was found at Nottingham's Television Workshop – famous for Paddy Considine and the This Is England cast. Her character Lynette works her way under Frank's emotional barrier, fully realised in a spine-tingling scene where Frank cracks his first smile we've seen, bathed in gorgeous sun light. The performances of Frank and Lynette felt truthful and authentic and I felt sympathetic to each character and that's a testament to the director. Furthermore, the execution of the script really engaged me throughout. It was incredibly shot by Catherine Derry, I loved the self-defence/dance scene seeped in sunflare, the lovely bokeh in the bar scene with Shaun Dooley and Romola Garai, the bleak scenes in and around the tower block and lifts, the uncomfortable framing with Eddie when he's having flashbacks, the lovely slow-motion when he dances, and I loved the practical lighting, and the strip lighting inside the flat. If you like the work of Lynne Ramsay, Andrea Arnold, Mike Leigh, and Shane Meadows, Junkhearts could be right up your street. One to watch in 2012.

A beautiful film may be pointless but at least it's beautiful. You know, a film with beautiful scenery but nothing else really.Now, an ugly film must have a point. If it's an ugliness that nobody knows anything about but that all should know about - well, that might be a point for doing the film.Now, here there is plenty of ugliness but we have seen it before. No solution is offered, not even an absurd one. So, then why do the movie? Is it what we used to call "social porno"? Probably and just as all other porno it's pretty brainless.Compare the end scene of this film with the end of the silent film The Crowd. The films are similar in that they deal with social issues but the ens scene in The Crowd is touching. The end in this film is contrived and somehow predictable. No surprises here and the contrived editing is just as boring.8,5 - Are you MADD?