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Angels with Dirty Faces

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Angels with Dirty Faces

Childhood chums Rocky Sullivan and Jerry Connelly grow up on opposite sides of the fence: Rocky matures into a prominent gangster, while Jerry becomes a priest, tending to the needs of his old tenement neighborhood.

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Release : 1938
Rating : 7.9
Studio : Warner Bros. Pictures, 
Crew : Art Direction,  Director of Photography, 
Cast : James Cagney Pat O’Brien Humphrey Bogart Ann Sheridan George Bancroft
Genre : Drama Crime

Cast List

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Reviews

Scanialara
2018/08/30

You won't be disappointed!

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Lawbolisted
2018/08/30

Powerful

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Intcatinfo
2018/08/30

A Masterpiece!

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Griff Lees
2018/08/30

Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.

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rebeccalucy
2018/01/12

I throughly enjoyed the plot, particularly the end of the film. It doesn't shy away from dark themes, despite being effected by the Hays Code.Again, Humphrey Bogart is one of my favourite elements of the film. He plays a very surprising antagonist, differing from his most well-known roles. I feel the acting was quite good overall James Cagney had a particularly unsettling scene towards the end. Probably a reflection of the time, but the female role is very under developed. The direction is very good, as Curtiz seemed to use a few more techniques in this film. I feel the lighting is not as good as Clasablanca, but may have allowed him to develop his techniques further. Overall, a great film from the past!

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Richie-67-485852
2016/03/26

When I was that age, growing up in Brooklyn, it must have been tough on the people around me. Why? Because we were always looking for something to do, anything to do and trouble is the easy thing to get going anywhere. That's what these guys portray so well and Cagney sets the pace. Here we see a group of kids with no guidance and poor leadership that if someone doesn't intervene, they are all going to turn out like Rocky in the movie. Who better then a priest to try to get them to stop and consider what they are doing and why? The perfect balance takes hold. Good and evil go at it with evil looking, sounding and feeling better but ending on a bad note. Or, you can do good which will lead you toward the life intended. If anyone can keep themselves from bawling at the end, I'll ask you why? Give in and let the lesson of the movie have its way with you. A good lesson it is too because someone dies to make the point. Sound familiar? Hats off to every involved with this picture. Enjoy the scenes of life way back when, the way they talked and what was popular for music, cars and dress. Definitely a move to eat while watching, tasty drink and snack too. Oh, and have something to wipe that dirty face of yours, the one that cries in the end.

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pcrprimer
2014/04/10

I didn't know much about this movie when I watched this. I had heard of the Humphrey Bogart, but not James Cagney. Although the movie was made in the 30s, the plot is something that could be of a movie that was just released in the 80s, 90s, or now. This is truly Cagney's movie, and he steals every scene that he's in. As a viewer, you can't help but cheer for him. I feel that his main love interest isn't really fleshed out. We learn that she comes from a troubled past, but not much more. A few scenes that stand out are the pharmacy assassination attempt, and obviously the well-known scene where the priest asks something of Rocky that he doesn't want to give.

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rrsthebest56
2014/02/13

After watching this fascinating movie for the first time, I picked up a book, in one of those coincidences that life gives to us that are completely unlikely, with the name Famous Quotes From Famous People. And in one of the various quotes that were printed in the pages of that little book, there was one that caught my attention, because it corresponded to the opinion I formed about this excellent work of art that my eyes had the pleasure to behold. The quote is from Robert Frost, one of the greatest authors of north-American poetry, and he says: "It is absurd to think that the only way to tell if a poem is lasting is to wait and see if it lasts. The right reader of a good poem can tell the moment it strikes him that he has taken an immortal wound — that he will never get over it." And if we change the "Poem" mentioned by Frost for "Movie", the opinion of the writer perfectly suits to Angels with Dirty Faces... and to many other movies I love, I confess. I say this because I think this film, directed by Michael Curtiz (the filmmaker who would make, some years later, that unforgettable classic called Casablanca, with Humphrey Bogart too, but here in Angels he has a supporting - but terrific! - role), has always been in the shadow of other great movies, much more popular, and this one had just endured because it obtained, over the decades, a legion of numerous fans of the treasures of Cinema (the picture has now a score of 8.0 on IMDb, which is very good). But if it were only "time" causes, as Frost said, Angels with Dirty Faces would be lost in that decade (not so) far away that was the thirties. If we expected the film would endure over the years (having neither great acclaim from critics the following decades, or the recognition of major institutions such as the American Film Institute), it would be as if it never existed. I mean, watching the quality of the negative (and we do not know if it is "the" negative) that was converted for the DVD so-so special edition of this motion picture, it's noticeable that it never had appropriate conditions of conservation (there are various faults, very visible, in the reels and in many frames, throughout the film).But I said the movie was in the shadow. And then I talk again in Casablanca. That is, probably, the most popular title from Michael Curtiz's filmography. But it hid many other great movies of the director, such as this one. And I love Casablanca, it is one of my other favorite movies of all time. But it's sad when a motion picture almost "destroy" all the work of a filmmaker who, by the way, was one of the greatest professionals in his area at that time, because Curtiz has so much to explore (in quality and in quantity - in the year Angels was release, Curtiz made three other movies, almost simultaneously. And today, that's a big achievement, if we compare with the super- productions, many of them so uninteresting, that take too long to be made...), and this wonderful picture is the example of that quality, of the American classic Cinema that is impossible to remake today, because they are of a decade and of a period of Hollywood where the excellence of the production of the great directors were so inspiring, touching, and original. Angels with Dirty Faces is a movie of a genre that was fashionable at the time it debuted: the gangster movies, and when were made terrific and terrible and "standard" titles in that genre. It is like the westerns. Many of them were made in the "golden ages" of the cowboy movie stories, but very few of them stood out. Many of the gangster movies had just beatings, corruption and vulgar love stories...However, there are always isolated spots in the middle of the ocean, and Angels with Dirty Faces elevates the genre of the gangster film to a higher level, as can also give some touches of film noir and good drama that attach to this work a superlative quality. The story is told in a fluid way, very quickly but without losing any shred of credibility.The result of this variety of stories (which are all very simple, but with more depth than they appear) is a powerful and unparalleled work in the Classic Cinema. Michael Curtiz's achievement is intelligent and emotionally overwhelming, and I enjoyed the strong use of light in the scenarios, the photography of the scenes (which loses some of its glimmer because of the degraded copy of the DVD), the performances of the actors, the script, which has great quotes and is very well planned, executed and interpreted. The soundtrack is excellent and fits perfectly with the whole film, being well selected and organized. I emphasize also the camera angles, approaching us from the characters and the environments that surround them (and with that Curtiz showed one of its greatest strengths and talents), and that was the cause of my excitement with the last moments of the film ((such as the apotheosis of Cagney and O'Brien, showing that friendship and human dignity has no limits, regardless of the environment in which we were born). Angels with Dorty Faces is, for me, and I say this without fear, a masterpiece. This movie shows how certain classics, even if they can not withstand the time, the lists of critics and all those things, they can always, if they're good, get a cult of fans delighted with it, managing to increase interest in discovering this movie treasures.

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