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The Decline of the American Empire

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The Decline of the American Empire

Four very different Montreal university teachers gather at a rambling country house to prepare a dinner. Remy (married), Claude (a homosexual), Pierre (involved with a girlfriend) and Alain (a bachelor) discuss sex, the female body and their affairs with them. Meanwhile, their four female guests, Louise (Remy's wife of 15 years), Dominique (a spinster), Diane (a divorcée) and Danielle (Pierre's girlfriend) are spending the time at a downtown health gym. They also discuss sex, the female body and, naturally, men. Later in the evening, they finally meet at the country house and have dinner. A ninth guest, named Mario, who used to know Diane, drops in on the group for some talk and has a surprise of his own.

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Release : 1986
Rating : 7.1
Studio : Corporation Image M & M,  Societe Radio Cinema, 
Crew : Art Direction,  Production Design, 
Cast : Dominique Michel Dorothée Berryman Louise Portal Pierre Curzi Rémy Girard
Genre : Drama Comedy

Cast List

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Reviews

GazerRise
2018/08/30

Fantastic!

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AnhartLinkin
2018/08/30

This story has more twists and turns than a second-rate soap opera.

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Raymond Sierra
2018/08/30

The film may be flawed, but its message is not.

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Francene Odetta
2018/08/30

It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

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calvinnme
2017/06/15

This is a very well done French-Canadian film about eight friends meeting for a dinner party out in the country. Three middle-aged men and a one young man are already at the manor where the dinner will take place, preparing the meal and discussing their sex lives. The remaining party guests, three middle-aged women and one young woman, are spending the day at the gym, exercising and discussing their sex lives.Eventually they meet up at the country manor for dinner, and the conversation continues. While this may sound like not much happens, the film is never boring, and the direction by Denys Arcand keeps the viewer visually interested. I'm also keeping the character descriptions purposely vague, as their relationships to one another are revealed slowly as the film progresses. The dialogue is frank, funny and sharp, and all eight characters are fully-drawn human beings. I especially like the notion that these eight characters who seem to speak non-stop and at times overshare in the extreme, can't seem to honestly communicate when it matters most in their lives.The title refers to a historical adage that when members of a given society begin to think about their own individual happiness above every other concern, that society is doomed. The characters' romantic navel-gazing and at times destructive pursuit of happiness seems to signal our own societal sunset. But don't let that heavy thought steer you away from the film, as it's brilliantly acted and well worth a look.The sequel, "The Barbarian Invasions", made 17 years later, is also very worthwhile.

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runamokprods
2011/03/21

Sort of a Gallic 'Big Chill', but smarter, if less emotional. There really isn't a plot. For the first half of the film four upscale, yuppie male friends (one gay) prepare a meal and talk about sex, while their female counterparts do the same at a gym. The 2nd half is the two groups sharing dinner, where the talk is more muted, but the personal stakes much higher. Probably overrated when it first came out, now treated too harshly. The acting is strong throughout, and the satiric reality that all of the characters believe themselves self-knowing, but are really all living in denial and delusion is a little obvious, but interesting in it's execution.

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Michael Neumann
2010/11/13

This French Canadian talkfest will be a feast for intellectuals, but a test of endurance for anyone else, showing a group of University professors and their spouses discussing, explicitly and at great length, their relationships and sex lives, at first separately and later together over dinner. The men brag, the women ridicule, and there isn't a sympathetic character in the bunch. It's certainly a handsome film, but obviously not for all tastes; except for a single apt metaphor equating men with insects and women with reptiles the whole charade is too cold and uninvolving. All the highbrow philosophical cud chewing can't disguise the fact that writer director Denys Arcand is simply peddling the same, standard ammunition that has always fueled the battle between the sexes.

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dlipman
2005/02/02

Having lived and taught at a francophone public university in Montreal in the early 1970's, I found this movie (just recently available through Netflix) accurately reflecting the preoccupation with sexual liberation, sexual experimentation and gender equality among so many Quebecois. Starting in the 60's, and definitely continuing into the 70's, Quebecois totally overthrew centuries of social control exercised by a particularly conservative Catholic church. Except for the 17th century language with its unique pronunciation, and maybe "cabane-a-sucre" (maple syrup) parties in late winter, countless traditions and social hierarchies apparently were scrapped. I believe sexual exploration and questioning of authority went far deeper than in the US, at least among the many urban middle and working class young people I met in that period. Yes, "Decline ..." is wordy, but words have their own eroticism, and mind-body integration is a big part of the sexual liberation the characters were facing, for better or worse. If you like this movie don't miss the sequel, The Barbarian Invasions, which reexamines these characters from a (hopefully) more mature perspective, skillfully weaves death and desire, and is just a great movie.

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