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Such a frustrating disappointment

Load of rubbish!!

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

"Suddenly", after more than 90 minutes watching this atrocity, I realized that it is probably one of the worst movie productions ever....You wait for hours (feel like months) for something to happen and even when it happens it is so awfully fake that it makes you want to cry.Can you believe that a whole team spent weeks/months on this?A few other questions remain: How does this so called director get money to produce such a disaster? What did Ray Liotta smoke when he agreed to be part of this.... ?How come a good service like Netflix selects such crap for their viewers?Will there be a sequel? Cause if there is one, you may use it as psychological weapon to torture any healthy brain around the world.

Some people on these boards really ripped this film and its directer a new orifice. And to their point, it is really not a very good film, but nor is it all that bad. It does lack a high degree of tension and that's what it needed. More tension. But I and my wife were fairly entertained and the actors did a good job. Someone said that the boy, Cole Coker, was the best part of the movie. I disagree. His performance was flat. What amused me was in the closing credits the disclaimer that "... any resemblance to persons living or dead is purely coincidental". The Obama lookalike as the president was "purely coincidental'? Really? bOb

That is 90 minutes of my life I will never get back. To say the acting was bad is a discredit to bad actors. The story line was painful to follow and the action was dull and predictable at best. I like Ray Liota in a lot of his rolls but he must have been desperate to go for this one. It is a horrible remake that should have never seen the light of day. Purcell was decent in Prison Break but in this atrocity his acting talent was limited to scowls, stupid short lines and poor prep on how to handle a firearm. The premise of the movie sounded intriguing but it just did not deliver. The kid that played Pidge must have been picked up at the local middle school drama department and on the way back to the set the stopped at the senior center to get someone to play grandpa, neither one was convincing. To say this movie is a bomb is to be gracious.

I never saw Lewis Allen's "Suddenly" (1954), but I guess I just don't need, because I know a priori that it is an Oscar-winning film comparing to this atrocious remake made by an unskilled, dull and inept director that, besides being labeled as a movie-killer by making abominable, heretic and unintelligible movies, still get millions to produce plain pointless excrement.Nevertheless, I swallowed an aspirin and, maybe taken a bit away to the fact Boll's last movie drew some fair critics, I finally had the courage to assist a movie made by this European quarreling psyche. Unfortunately my expectations weren't wrong at all: It was like to have an urge to commit suicide or to mutilate myself for being an utterly idiot.Boll's cinematic masterpieces, according to him, 'Alone in the Dark', 'House of the Dead' and 'Far Cry' are all, cemented by virtually 90% of critics and spectators, a collection of rambling-disjointed narratives of absurdity, execrable directing, vile and poorly written scripts and an unbelievable populist egocentric paranoia product of a tormented mind.This movie, for which it was presented with established actors, fails miserably in achieving something other than a mind-blowing overly median hogwash.I really must go out and buy the original movie to make a sincere topic comparison and eventually assert righteously that Uwe Boll must pay in prison terms for brain damage to the public and serious technical incompetence. Even with Liotta and Purcell on the screen the movie drags on into a worn out monosyllabic clichéd and putrid dialog.The story of 3 assassins posing as secret agents who find an excellent sniper spot (a house) to murder the US president is tantalizing enough to draw a good script, but with Uwe Boll, that's not the case: For Boll it seems the only person to sense something about the fake agents is an alcoholic, self-neglecting and psychically affected and sacked ex-marine who can't cope with his friend death years and years ago. Brilliant!I really think there's not much more to say unless citing all the mumbo-jumbo and mediocrity that abounds in this Boll's vision of a film. Ultimately, dare me to advise you to spare your limited lifetime and patience and skip this for real - You won't regret, I CAN assure 100%.PS-> Another priceless story is how I ended up seeing this "piece of art". - But please don't ask me to, I cannot tell, Boll can lawfully sue me or else invite me for a matching box until K.O.