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Best movie of this year hands down!

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

Although I seem to have had higher expectations than I thought, the movie is super entertaining.

I have heard such positive reviews about this movie and I have been wanting to watch it but never had the time.Anyway, when I finally did, it was way better than expected.On The Job clearly plot was really heavy and with a hint of violence so please make sure no kids watching. The actors played out their roles perfectly. The movie was sad for me yet very much true especially in its realistic aspects. It has an easy-to-follow story which showcased corruption and greed thrown in the lives of prisoners, policemen, and the military.It started with a "job" done by the older Tang and backed-up by a younger, Daniel. After accomplishing the job, they were then sent back to prison (where they were originally from) until another job comes along. Tang taught Daniel how to kill: with a gun or a knife. He reminded Daniel to blend in with the crowd; pay attention to details. Eventually, Tang received news he was given parole hence Daniel would take his role.

"On The Job" is jarringly excellent, with a brilliant ensemble cast playing interwoven and well-developed characters in a brilliantly lensed and thoroughgoingly scripted gritty underworld drama. Although this film is about nihilistic ways that are dark, one thrills to watch the creative accomplishments of artists so powerful and so effortlessly in mastery of their prowess as are on display here. "On The Job" is the strongest film of its kind since Hector Babenco's brilliant "Pixote." The bleakness has the redemptive and cathartic power of "Breaking Bad" and if this isn't the best film ever from the Philippines, the Filipino film that trumps it must be unimaginably good. I was spellbound, rapt, entranced, and find myself driven to re-watch "On The Job."

Erik Matti's On The Job---WOW. In my opinion, our country's finest film in recent history. There's no kidnapping (and eventually rescuing)the leading lady, no song and dance numbers or field trips to the beach, no fake punch audio--well just the unnecessary sex scenes and the subtle product placements--I'm looking at you Nescafe, Marlboro and Tanduay!--But this movie is the space shuttle that rockets our formulaic film industry light years forward to at least catch up to respectable standards. It doesn't do justice to say that On The Job may very well be the Filipino version of Breaking Bad but there are undeniable similarities.Joel Torre is your Heisenberg. Unlike Heisenberg, Tatang doesn't start out as your naive chemistry teacher desperate to earn money for his cancer treatments and support his family. Joel Torre's Tatang Maghari (name roughly translates to Old King or Old Ruler) portrays your very cerebral and methodical veteran hit-man but he does have a soft spot for his family and his rookie...(In fact, since a US remake is in the talks, may I please suggest that they use Bryan Cranston to play Joel Torre's role?) Gerald Anderson is cast as your local Jesse Pinkman. Foul mouthed, messes up the job a lot. Very rough around the edges but what he lacks for in finesse and discretion, he makes up for in his loyalty to Tatang and willingness to learn. He is kind of a douche bag but still somehow endearing. This guy has great potential as an actor. I hope he gets more challenging roles in the future.While Piolo Pascual top bills this movie, he really has more of a supporting role alongside Joey Marquez. But they do some mighty fine acting. (Definitely Joey Marquez's best performance ever). Piolo plays the conflicted NBI detective who wants to do the right thing but is burdened by his ties to the evil forces. I do feel that they could have cast someone better than Joey Marquez as the cop. Maybe it's just his voice and his history of comedic roles that make us unable to take his portrayal seriously.Michael De Mesa and Leo Martinez are noteworthy villains too. They're both very calm and collected even when their vehicle is being shot or when Piolo was going to draw his gun right in front of the small man that is Leo. They're just oozing with confidence that they've got all the power and money in the country to get away with just about anything. Reminds me of Gus Fring. Quiet but formidable.Erik Matti does an excellent job with the writing and directing. The plot uncovers without having to spell everything out for the audience and there are a few surprises thrown in at the end which leaves us wanting more. And that's always a good thing when you leave your audience wanting more.Writeups say that Matti is planning a sequel but will Rayver Cruz prove to be a worthy adversary to Joel Torre or will there be different characters to continue the plot? I give it a 9.5 out of 10....but only for some unnecessary sex scenes, conveniences in the plot and weak acting from Shaina Magdayao and Angel Aquino. Heck, even Rosanna Roces' acting was more memorable than theirs...and they had more screen time!

On The Job has some intriguing stuff, it's a story about four lives connected in one conspiracy behind the law. What's going on is as many as its moral ambiguities. It is a heavy story, but it consistently delivers thanks to the people who are involved. The craft is excellent for giving an absorbing quality with pure tension. The stellar cast brings plenty of life within the characters. Beyond the surfaces, the film is already fascinating itself, but it's a very ambitious picture. OTJ is a rare modern Filipino film that has an actual engaging story to tell in a brilliantly slick and exhilarating way.The subjects of the film are the realities of crime and moral ambiguity. Even though the lead character's motivation is good, it won't make his job look any less terrible. It never glosses anything about what they do and that's the interesting part. There are no actual heroes and a dirty work will always be a dirty work, which provides absolute danger within the surface. The film is best at tension, every set piece is like a ticking bomb, it gets louder and louder until it fires to an unpredictable shock, then more action. It's amazing stuff. When there's no blood and gunshots, the film explores the characters. They are in fact not bad people after all. They have their own problems and only do those things to provide for their loved ones, though there's a fear that they might bring their work into their personal lives, but that just makes it human.Tatang is mostly ruthless, but Joel Torre gives all the humanity which balances the character's depth and criminal side. Gerald Anderson shines remarkably. His greatest feat is the arrogance he brings, makes his character feel more threatening. Piolo Pascual surprisingly has something beyond his typical charms. My favorite among is Joey Marquez, who gives the cop a natural rage and fear that can be relatable and somehow enjoyable to watch.The film never depicts Metro Manila as pleasant, it's like hell on earth where violence may happen anytime in the city. Well it is in fact one of the rotten places of the country. Other than that, the film has most the best things in a classic crime thriller: noir feel, anxiety filled action, twisted dark humor, and a cinematography that glamors around the filth. Director Erik Matti keeps everything interesting and magnetic.OTJ is a great surprise among the local blockbusters today. We don't usually get a well made Filipino movie like this nowadays unless it's an independent film. Otherwise, it's a compellingly grim crime drama that may possibly stuck in your mind in a while. Personally, I think this is the best film I've seen this year so far. Since it's not really the greatest ever, I think this is what we need. It has a lot of what's missing in most modern blockbusters. It also has the craftsmanship and down-to-earth performances that would impact more to the audience. With all the merits, OTJ is easily recommendable.