Watch Blue Ice For Free

People are voting emotionally.

A Disappointing Continuation

Although I seem to have had higher expectations than I thought, the movie is super entertaining.

I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

Michael Caine plays a former British agent with a penchant for jazz, crowded bars, and mysterious women. In his retirement, he owns a very successful nightclub, and when he meets Sean Young, he's smitten by her appeal and puts on the moves. They have a pretty hot-and-heavy romance—as hot and heavy as things get in 1992—but then she invites him to a classy party with lots of dignitaries. It turns out she's married to the American ambassador! What else is she hiding? Blue Ice is an intense thriller with plenty of action scenes to keep the men watching and plenty of romance to keep the women interested. Ian Holm plays a very wicked bad guy, which, since I've only ever seen him in bad guy roles, isn't too much of a stretch. I happen to be a Michael Caine fan, so I was entertained by the film, but from an outsider's perspective who maybe isn't as much of a fan, it's not really the best movie out there. But if you like all his Harry Palmer spy movies, you might want to watch this one to see how he handles retirement!

In the opening scenes at a funeral you gotta love Michael Caine's explanation of blue ice. Typical dry British humour, which only Caine could nail down. "Blue Ice" is an often panned British espionage thriller, which I didn't mind despite its bleak and formulaic narrative with a saucy noir touch and an all-familiar hard-edge Caine performance. A former British spy now jazz club owner is asked by his mistress (who happens to be the wife of the American Ambassador) to find an old boyfriend and when he does he becomes embroiled in murder and something much more. Director Russell Mulcahy (who has always been a stylish film-maker) window dresses this thriller with jazzed up sophistication and inflated slickness amongst its suspense, brutality and sleepy London locations caught by his sweeping camera. The contrived plot is slow building, manipulating and toying with the protagonist in a fascinating manner and a sense of witty humour doesn't go astray. There's one sequence that really stood out for me, because of how surreal and nightmarish it becomes and that's the drug-induced interrogation of Caine's character. Sean Young plays it rather distantly cold as the sultry mistress. While the likes Ian Holm and Bob Hoskins have small parts. A sturdily told, if burnished 90s action thriller joint."Just put it down to blue ice".

Yes, it's a British action film and Sir Michael is rather too old and although he's a big man etc etc (see "Get Carter") to credibly do "action" in all its established forms including deeply impress hot chick (Sean Young) which by custom he is supposed to do. Reaction to it seems to be generous condemnation from domestic reviewers and moderate enjoyment elsewhere.The film itself rather resembles its own torture scene - a series of flash-backs but in this case of a dozen and more earlier movies some of which starred Caine or Bob Hoskins (one with the torture scene starred Dick Powell). That is a mixed blessing - on the down side it has all been done and seen before, some as has been noted, in British budget made-for-TV series - themselves lifted and downsized from big screen originals. This though is where all resemblances to the likes of "The Sweeney" and "The Professionals" ends.Here there's stars a-plenty, and a good British cast. Added to which is the lovely cinematography particularly of Soho night exteriors. Caine and Hoskins are inescapably stars and watchable whatever they do, this time they reprise some of their famous roles - Hoskins his star turn in "Long Good Friday." Caine "The Ipcress File and "Get Carter". Even Alun Armstrong gets it a second time doing a Caine a favour - thought he might have learnt by now. But audiences had left cinemas wanting more and here we have more. And no bad thing at all. Oh, one other thing, Harry Palmer didn't smile, Caine here does too much. Perhaps he was having too much fun and lacked a director willing to tell him. Remember what Roman Polanski is said to have said on the subject.

Clearly intended to be an update to the Harry Palmer successes of the 60's right down to the character's stiff upper lip/questionable ethics superior, love of jazz, reluctant spy scenario, and same first name. Obviously, copyright required a change to last name, otherwise, this is a Harry Palmer movie.Far from the quality of Ipcress File and Funeral in Berlin, but superior story and plot compared to the subsequent Russian/Quebec produced "official Palmer movies".Caine turns in another solid performance, but potential of film limited to script gaps. Highlights would be scenes between Caine and Hoskins that are far superior to rest of film. Sean Young hopelessly miscast, so what else is new, and there is no chemistry between her and Caine.