Watch Anjaana Anjaani For Free

If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.

While it doesn't offer any answers, it both thrills and makes you think.

While it is a pity that the story wasn't told with more visual finesse, this is trivial compared to our real-world problems. It takes a good movie to put that into perspective.

Two of the hottest actors in cast, excellent cinematography, Vishal- Shekhar's career best tunes and superb acting by the leads, all fall flat and reduce to dust in this nightmare called Anjaana Anjaani.Starting with what is good. Standing ovation and hands down, Ravi K Chandran! He is the master. Filming three beautiful cities of the States – Las Vegas, New York and San Francisco and depicting their cultural hues is a difficult task that the ace cinematographer achieves with distinction. The cinematography of the film is of postcard quality. Everything from the lighting, to movement and focus is perfect. Chandran's efforts should have paid him the Filmfare Award. The film has an international feel to it all thanks to Chandran.Vishal-Shekhar give their career best score. If I Hate Luv Storys was good, Musafir was very good, Zinda was excellent, then Anjaana Anjaani is phenomenal. Known for their creativity and homages to yester year composers (remember Jhankaar Beats and Taxi No. 9211), Vishal-Shekhar compose songs that are addictive and of superior quality. They must have, for sure, put a lot of efforts in Anjaana Anjaani. It is one of those rare albums where each song carries a different feel even if they are all related by the same signature style.Salim-Sulaiman also compose a winning, heat-warming and electrifying background score. The opening scene itself proves that. The film is technically slick and editing is also good. Priyanka Chopra makes her sketchy Kiara believable. Look at her breakdown in the car, or blabber continuously after drinking or tickle your funny bone, you come to know she is a performer of substance. Ranbir Kapoor matched Chopra at every step. He too emotes well, can make you laugh and silently suffer. Though these are not exceptional performances, they help a lot in keeping the film intact.For these four good things, the film gets four stars. Everything else is bad! The screenplay is outright illogical. I fail to see any point the film tried to convey. Their suicidal attempts, their last wishes and the situations they fall into were atrocious and inane rather than humorous as the writer must have meant it to be. The end was firm and certain since the start. Director Siddharth Anand (Salaam Namaste, Bachna Ae Haseeno) has given half-baked films in the past and same repeats. What could have been a fresh take on romance seemed to be a nightmare. Who cares if the songs are marvelous if they pop up without any situations favoring them? The second half has more runtime for songs than for the story. Priyanka recovers during a song; they travel to Vegas in a song, have fun there in another song and return from Vegas in yet another song. Soon after they get back to their regular lives, there is one more song. Song after song, the film was irritating. If the songs are removed, the film would have culminated minutes after the interval itself. The first hour is no better. With some mundane dialogues and uncanny situations, Chopra and Kapoor suffer from the burden to make the film better. And they succeed.What actually prompted me to write this review was to praise the really good things in the film. Otherwise I suggest this film called "Stranger, Stranger" rightly remain a stranger.

I expected much more from this film. Both the leading actor and actress is my favorite. But the movie failed to satisfy me. There are so many reasons why it failed. I am mentioning a few of them: First of all, this is not an original movie. It has no authenticity at all. It's like a combination of many movies that have been made before.The reason why the hero and heroin wanted to commit suicide did not seem reasonable. There should be a strong cause for committing suicide. Being cheated in a relationship and failure in business may be very disappointing and frustrating but not that much to commit suicide. People just don't give up that easily.The story of the movie was so predictable. After watching the movie for sometime I just knew what would happen. I watched the rest of it just for the sake of finishing the movie, because whenever I start to watch a movie I finish it however the movie is.I found the movie a little or more boring. I couldn't watch the movie continuously. The movie didn't drag me into it. Actually it took some effort to watch the movie till the end.Their second attempt to commit suicide(wrapping face with plastic wrapper) was not only funny but also ridiculous. It looked like they were having fun committing suicide.The humors used in this movie are not bad but I am confused that whether it is a romantic comedy movie or a serious movie.So why I gave this movie 5 out of 10? Because, the songs, scenario was pretty good and the acting was average.

The real stars that made this movie are the beasts on the #1 rugby team in America, San Francisco Golden Gate RUGBY. Ignore those hajjis, USA ALL DAY. The dude in the black beanie knows what's upAnjaana Anjaani (Hindi: अनजाना अनजानी, Anjānā Anjānī ?) is a Hindi film directed by Siddharth Anand, starring Ranbir Kapoor, Priyanka Chopra and Zayed Khan. The film is produced by Sajid Nadiadwala under his Nadiadwala Grandson Entertainment Pvt. Ltd banner and Sharan Kapoor under his IBC Motion Pictures banner. The film's music has been composed by Vishal- Shekhar, who have composed the music for all of Siddharth's three films in the past. The cinematography is handled By Ravi K. Chandran. Anjaana Anjaani was scheduled to release on 24 September, then it was postponed to 1 October 2010.[2]

Few stand outs from this mushy romantic parable directed by Siddarth Anand. "Confusion is the only med for confusion", "Storytellers do not freeze in sub-zero waters", "Blush is better than ram-pyari with free money, clothes, gas and aamir-all-is- well-sense", "Love travels faster than any science" and many more whims.Diverse characters – heart-broken in their own ways - witness each other while ridiculing themselves! PC is heart-broken after losing trust in her infidel lover, while RK is struck with misfortune as his overambitious stunts crash with the stock market and dissolve his firm leaving his co-workers / friends distraught. While the movie starts on a negative note, with the 2 trying to commit suicide, the script moves naturally with the 2 teaming up in their pursuit of death. Unfolding memories, as they confront each other, help them learn and appreciate the optimism of life. The story moves to the obvious, fallin' in love, which changes the genre of the movie to emotional atyachar. And as it happened in KHNH, Love Aajkal and Hum Tum, the Mungeri Lals' realize their feeling for each other after they are miles apart. Of course, they did not commit suicide on Dec 31 – as they had initially planned – but ended up confessing their love in sub-zero waters at 12 midnight! They eventually commit suicide by getting married.The amateurish direction brought out scenes that lacked finishing, e.g. 1. Can't you wrap the cling film starting from nose-down instead? 2. In a random desert, how can you walk directly to your stolen car – GPS tech, coincidence,…? 3. The fuming radiator just needs fresh air, few prayers and 'Love', to cool off!?None of the songs were script-worthy, and definitely crowded the script. PC could have done better as Kiara, considering her natural buoyant attitude. However, the script convincingly brings out the entertaining chemistry between them, thanks to RK's smooth acting and personification of Akash.There are a few good messages, however. As you try running away from life you realize how exciting it becomes. At the same time, the proximity to death makes it easy to live life as there's no tomorrow. Philosophical, isn't it?