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Sorry, this movie sucks

Absolutely amazing

a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

Sandra Laing should be more widely known in South Africa. I doubt we value the lessons learned from the our own past as we do from school. Imagine a world where you are classified according to what the government laws dictate. That was the reality of Apartheid South Africa.Even in 2013 we see glimpses of this Apartheid mentality because mixed race people in this country seems to have a Pavlovian disposition to feeling inferior and acting that way. The violence among "coloured people" is disproportional higher when looked at prison populations. So this movie is actually an important link between the past, the present and the future of mixed race people in South Africa.What is striking about Sandra Laing is how her parents are both supremely dedicated and yet divided in how they treat their daughter. Everything manages to proceed as planned while she's in school, and even after she's asked to leave the school. Even her older brother stands by her even though he admits it's difficult.How do we break free from our parents, from our roots and discover new ones? There is a Freudian element to Sandra's relationship with her father. He fights for her, he is strong-willed and takes on the government in one scene. Yet, he has doubts about whether she is indeed his biological child. At least this makes him human in sense. The family is surrounded by black people, some as labourers and some as clients in their shop in a rural part of the country.As she matures into a young lady, her father arranges dates for her with young white men. After a terrible incident where she avoids being rapped, she eventually strikes up a sexual relationship with a black man with whom she has two children. His anger sparked by group areas act, and how it was enforced in by the Apartheid government eventually leads to him physically abusing Sandra. She leaves with her children and makes her way to Johannesburg, the big city.The movie ends where it began with the 1994 elections. The dream that was dreamed by her parents is still alive in her, especially her father's motto of "never give up." She tells her mother on her death bed, that was all that kept her going during the 20 years of separation.This is a story that speaks about all those things that makes us human: family, identity, uncertainty, choice and love. Without falling in love with a black man, Sandra would never have discovered herself. Her white father wanted her to be safe, to be protected and the never allowed her to be free, to find her own way.

This is the true and very sad story of a young South African, Sandra Laing. Oddly, despite having two white biological parents, she had black features and skin that made her look biracial--a SERIOUS problem in South Africa during Apartheid! And because of that, she had not only legal problems (the parents had to fight in court to have her declared 'white'--otherwise, she would have been barred from most schools) but social ones as racists wanted nothing to do with this girl. Her childhood must have been incredibly lonely...very, very lonely.As Sandra grew, her problems fitting in didn't disappear--and in some ways they got a lot worse. Her own father slowly turned against her--resenting her for her skin color and the embarrassment her let it cause him. Eventually, Sandra met a black man and fell in love--and her racist father couldn't stand her being with 'one of them'! Mom's reaction wasn't much better. Eventually Sandra ran off to Swaziland with him--hoping to escape her insane life. Unfortunately, she was captured and imprisoned for crossing the border illegally. And, in the process, she was disowned by her loving family. Eventually, her new boyfriend also leaves her, as he, too, has trouble coping with her race--she is too 'white' for him! In the end, she is feeling lost and after two decades of estrangement, Sandra goes looking for her family.All in all, this is a heartbreaking movie--particularly so because it's all based on real life people. The acting, direction and entire production is very good and it's a film that no doubt will effect you. You just can't help seeing this sad tale and not feeling terrible for poor Sandra.By the way, you do wonder why the Laing family didn't just leave South Africa. They didn't--so it's only an academic question. But their decision to remain in such a hostile environment s quite curious--as were her parents' continuing to support the Apartheid system! Crazy.Also, I looked for a picture of the real Sandra Laing and noticed that her father did NOT look the least bit like Sam Neill! Bald and dull looking--not at all a hunk-meister like Neill!!

This is a very well made film portraying the complicated life of Sandra Laing (Sophie Okonedo), I won't bore you with the details as other posters have already gone into this. All the acting is first class. Sam Neill as Abraham and Alice Krige as Sannie Laing are both outstanding. Sophie Okonedo is her usual excellent self and acts a full range of emotions throughout as she portrays Sandra Laing's disturbing story.The actress playing the young Sandra Laing is also excellent.The fact that this is true story is very disturbing, especially the character of Abraham Laing. He is clearly racist yet loves his daughter even though she is dark skinned. His obsession with having her classified and treated as white as well as his eagerness to kill black people who get within six feet of his daughter is really disturbing, just what went through the mans mind is a mystery to anyone with a functioning brain. However the film does not just portray the white bigotry of South Africa, it also shows the hypocrisy of Sandra's black lover, he has sex with her even though she is just 15 at the time, refuses to marry her even though she has two of his children, and worse he blames her for any 'bad luck' that they have and physically abuses her so badly that she is forced to leave with her children. Sandra's mother is torn between her bigoted husband and her daughter who she loves, but it is not until late in life that she realises the full extent of her mistake. The father also near his death realises his big mistake but is this just to clear his conscience? His wife refuses to let him track down his daughter saying it is too late and he must suffer now as he has made everyone else suffer. As a footnote to the film, the end credits show the real Sophie and some old film of her as a child with her parents. It is hard to understand why, but both her brothers ( one of whom was also born dark skinned ) refuse to have anything to do with her. All in all this is a great film and well worth viewing. It will leave you thinking that is for sure.

I saw this last month at the 2009 Palm springs International Film Festival. This is based on the true story set in South Africa during the Apartheid system of a Sandra Laing (Sophie Okonedo), who was born of dark skin to two Afrikaaners of white Eropean descent Abraham (Sam Neill) and Sannie (Alice Krige) Laing. Sandra is a genetic throwback because unknown to her parents, and like many Afrikaaners, there was mixed blood in their heritage between the Euopeans who settled in South Africa and the indigenous Africans. The story begins with Sophie getting expelled from an all-white school because of her differences in appearance. She is reclassified as dark. Her father (who is himself a bigot) fights to have her reclassified as white. She eventually is but against her family wishes she causes an unbreakable divide when she decides to marry a black man and have herself reclassified yet again as black. This is the feature film directorial debut of writer/director Anthony Fabian who was also present at my screening for an audience Q&A. The screenplay is from Helen Crawley but there was a book written recently by author Judith Stone called When She Was White that goes more into the complete story of Sophie's life. This film covers Sophie from around age 10 through her first marriage. Both Fabian's film and Stone's book had the cooperation of Sophie herself in their making. An excellent cast with three veterans in the principal roles with Neill, Krige, and the young but very busy Okonedo who was an Oscar nominee for Hotel Rwanda. This is a good film but it plays more like a made for TV movie and HBO, BET, Hallmark, A&E, AMC or Lifetime should all consider showing this. I would give this an 7.5 out of 10 and recommend it.