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Ghosts of Mississippi
A Mississippi district attorney and the widow of Medgar Evers struggle to bring a white supremacist to justice for the 1963 murder of the civil rights leader.
Release : | 1996 |
Rating : | 6.7 |
Studio : | Columbia Pictures, Castle Rock Entertainment, |
Crew : | Art Direction, Production Design, |
Cast : | Alec Baldwin Whoopi Goldberg James Woods Craig T. Nelson Susanna Thompson |
Genre : | Drama |
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A lot of fun.
It's entirely possible that sending the audience out feeling lousy was intentional
Ok... Let's be honest. It cannot be the best movie but is quite enjoyable. The movie has the potential to develop a great plot for future movies
By the time the dramatic fireworks start popping off, each one feels earned.
This is a superb film.First of all, it appears to me that this is a reasonably good telling of the real story. Although, it may surprise people to know that the prosecutor played by Alec Baldwin later ended up in prison himself when he became a disgraced judge himself (you can read about it in Wikipedia).But aside from the telling of the story, what impressed me about this film was the quality of the acting, particularly for a couple of people about whom we may have forgotten just how good actors they were.Alec Baldwin is superb as prosecutor Bobby DeLaughter. In fact, I wonder if this may not have been his finest film performance.Whoopi Goldberg is equally excellent (and restrained) as Myrlie Evers, the widow of Medgar Evers.And James Woods, though he plays the villain here, is excellently disgusting as Byron De La Beckwith, the convicted assassin of Medgar Evers.To be honest, it's difficult for me to find fault with this film. It's very solid.
It may not be the best film about race relations in the South. Mississippi Burning and A Time To Kill have more intensity, but it is still compelling and worth watching for some great performances.Alec Balwin (Bobby DeLaughter) turned in a fine performance. Personally, I feel it is the best he has ever done.James Woods was perfect as Byron De La Beckwith. He channeled the venomous hatred and cocky arrogance so familiar in those who were consumed with their self-worth, gained by stomping on others. This performance resulted in an Oscar nomination in a year with many fine performances.Dixie DeLaughter, played by Virginia Madsen, shows how ingrained racism is in the South, and how difficult, if not impossible, it is for a marriage to survive with a disparity in views, whether it be race or politics.I also enjoyed seeing Wayne Rogers as Morris Dees, even if it was a small role.This is an important film that should be seen by all who care about the state of race relations in this country.It should also be see by all young people so they can see a sign at a gas station saying 22 cents a gallon. Those were the days.
Rob Reiner's 'Ghosts of Mississipi' is based on a relatively less known (today) reopening of Medger Evers racially motivated murder case. Starting with the flaws of the film, I can see why many would comment that this is another 'white man rescues the oppressed black people flick'. To balance this out, the director could have portrayed more of Evers's life and the significance of what he did and also developed the story of his wife who's an integral part, show more of her (and the family's) struggle. Here the focus is almost entirely on Baldwin's DeLaughter and the obstacles he faces during the trial. The film also appears to be a tad glossy.What does work, even though the story is predictable, is the level of suspense and tension which is very well maintained. You know what'll happen in the end but you still root for Delaughter to succeed every step. Alec Baldwin does a brilliant job as the lawyer who's taken by the injustice and brutality of the crime and seeks to bring justice to the family and community. Whoopi Goldberg wonderfully downplays her part. 'Wish there was more of her. Her character doesn't seem to have 'aged' in 27 years (except for the darker circles round her eyes). James Wood is great as the hateful De la Beckwith.'Ghosts of Mississipi' could have been more if only more of the late Medgar and his wife's life was included but it certainly is a watchable film that reminds one of a forgotten important event in America.
The specter of Gov. Barnett shaking the hand of DeLaBeckwith in front of the jury reminds me of the great line of 1 reporter to another: "You're not in America, you're in Mississippi." One exception: Mississippi has a Air America Radio Station. My home state, Alabama doesn't, so maybe they're leap-frogging your intellectual progress. I can't forget that your state gave birth to William Faulkner, as mine did Truman Capote and Harper Lee. Nor that Mississippi gave birth to BB King and Robert Johnson, as well as many other blues greats, who wrote the blues because of the 'inspiration' given them by the atmosphere in Mississippi.The movie has Medgar Evers' brother AND Alec Baldwin as Bobby Laughter saying, "You can change the law, but it will be a long time before their hearts are changed." Alec refuses to tell Mrs. Evers (Whoopi Goldberg in a great role) that they've found the gun (in his father-in-laws house, a judge who may or may not have presided at the 1st 2 mistrials where DeLabeckwith is ridiculously freed by an all-white jury). His new wife points out that "You were afraid she would leak it", indicating that there's mistrust on both sides.Great movie. I STILL want to read that review off your Univ. of Mississippi site of the book. Wonder if Judge Bobby Laughter still lives. He's no Alec Baldwin, but he had guts, as did Judge Johnson of Alabama, who paid for his courage with his life from the white supremacists' exploded bomb. Never forget that it's the silence of the educated middle classes that promotes such hatred as we've seen in Mississippi and Alabama.Watching the first scenes between Judge Laughter (Alec Baldwin) and his blonde wife evoked memories of Kim Bassinger, who bought a town in Georgia. Wonder how many of those scenes Alec used his ex-wife for inspiration in preparation for.Here's something to chew on: Alec Baldwin and George Clooney have been featured in some fantastic films about human savagery disguised in business suits. Arnold and Reagan were in films that extolled human savagery and buffoonery. Can we extrapolate from that who would make the better president? Baldwin and Clooney have the intelligence, the looks (unfortunately, that's important in our increasingly superficial citizenry), and the compassion to make great presidents, n'est ces pas?Good movie AND timely. From Alabama, I was especially interested in the newsreel shots at the beginning. The cops beating the black people reminds me of what happens to dissenters today nation-wide.