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Slaves of New York

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Slaves of New York

Meet the denizens of New York City: artists, prostitutes, saints, and seers. All are aspiring toward either fame or oblivion, and hoping for love and acceptance. Instead they find high rents, faithless partners, and dead-end careers.

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Release : 1989
Rating : 5.7
Studio : Merchant Ivory Productions, 
Crew : Art Direction,  Production Design, 
Cast : Bernadette Peters Chris Sarandon Mary Beth Hurt Madeleine Potter Adam Coleman Howard
Genre : Drama

Cast List

Reviews

Karry
2021/05/13

Best movie of this year hands down!

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Odelecol
2018/08/30

Pretty good movie overall. First half was nothing special but it got better as it went along.

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TrueHello
2018/08/30

Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.

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Kaelan Mccaffrey
2018/08/30

Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

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chwalker-christopher
2017/09/26

I rated this 9, for sporadically brilliant dialogue, some fine-tuned performances, and a bevy of attractive actors of both sexes, in their prime. Viewers who didn't like it because the plot line isn't linear? Y'all missed part of the point. Jan, walking into her apartment where a party is in progress: "What's that noise?" Eleanor: "My life."

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drednm
2012/09/02

This over-long look at New York's art scene in the 1980 is based on a book of short stories by Tama Janowitz. Like the stories, this film has lots of characters and a meandering plot that basically follows Eleanor (Bernadette Peters) through her life of being a New York "slave" (a person who lives with a person who owns the house or has the lease for the apartment), designing weird hats, looking for love, and the endless whirl of parties, art openings, and friends.Peters lives with an artist named Stash (Adam Coleman Howard)who is self-absorbed and unpleasant. Stash latches onto wealthy Daria (Madeleine Potter) who is a would-be artist but is too wealthy to really care. They run in the same circle as Marley (Jsu Garcia billed as Nick Corri) who paints but who really wants to start a church in Rome. His agent (Mary Beth Hurt) puts him in touch with a wealthy nutjob (John Harkins) who finances all sorts of weird "art" projects such as the guy in Montana who moves mud from one end of the garden to the other.The plot follows Peters but also exposes the incredible arrogance of art as well as its cyclic trendiness. What is art? Who knows.Co-stars in the film include Stanley Tucci, Tammy Grimes, Christine Dunford, Tama Janowita (as Abby), Steve Buscemi, Betty Comden, Chris Sarandon, Mercedes Ruehl, Michael Schoeffling, Bruce Peter Young, Louis Guss, Anthony LaPaglia, and Charles McCaughan as Sherman.There's a brilliant and very funny interlude as three drag queens with a boom box and dressed in skin-tight red gowns parade down the street as the Supremes lip-syncing to "Love Is Like an Itching in My Heart." The sequence is just another look at fun and silliness of performance art.

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lds9000
2004/10/01

Slaves of New York, is a lovable, bittersweet portrait that gets better with age. It captures the essence of the late 80s art world inhabited by those on the artist food chain: future superstars, struggling unknowns, narcissists, star-f*ckers, martyrs, creeps, losers and hangers-on. Eleanor's battle with finding her place in the world while in the shadow of her ego maniacal boyfriend is a story as old as time. Slaves is a thinly-veiled art-world "A Star is Born" and there are many characters to love and hate. The main focus on Stash and Eleanor is bothfrustrating and believable. Stash being immensely insecure, Eleanor being quietly talented, the actors portray their roles with such intensity, it must be noted that the casting is perfection. Everyone from myopic art dealers, lazy femme fatals, bloated benefactors and competitive artists are here waiting for their chance for their big score, whether it is buying low and selling high, getting into the "good" gallery or hooking up with the "right" lover or muse. It is satisfying in the end to see how Eleanor, by just being who she is, basically fumbles into her true calling while trying to navigate a world so cutthroat and critical. She eventually finds satisfaction with her lot in life and realizes that, that in itself, is an art worth mastering.

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kevita
2003/01/01

I liked this movie - though I was surprised to read the novel and find it very very different. Bernadette Peters is very funny and endearing. My only problem is that this is nearly the exact same character she played onstage in SONG AND DANCE (won a Tony for it) except the girl is American, not British. Lower the boom!

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