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Am i the only one who thinks........Average?

A Major Disappointment

There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

Judah Ben-Hur (Joseph Morgan) is a rich Jewish merchant in Jerusalem. He, his sister Tirzah (Kristin Kreuk) and Roman commander Messala (Stephen Campbell Moore) were childhood friends. Ambitious Messala returns from Rome pushing Judah to inform on the Jewish revolt. He tries to stop the demonstration. He gets betrothed to Esther (Emily VanCamp). While the Governor of Judaea Pontius Pilate (Hugh Bonneville) marches in, a tile falls onto him and starts a riot. Messala is demoted. Judah is sent into slavery and encounters Jesus Christ on his way to the crucification. He is pressed into rowing a gallery where he rescues Roman admiral Quintus Arrius (Ray Winstone) after a battle. Arrius adopts him naming him after his dead son Sextus Arrius. He returns to avenge Tirzah and his mother Ruth (Alex Kingston).This is a solid TV mini-series. There are some great actors. The younger leads are mostly TV stars. Joseph Morgan has more youth but not quite the presence of Charlton Heston. The big action is compensated by the modern CGI. The gallery scene works well. The chariot scene is less epic. I like some of the early exposition laying out the political situation. This series may not be necessarily but it is an interesting addition to the '59 classic.

I am only an hour into this version of Ben Hur - I love the 1959 version and must have seen it dozens of times. I never thought that it could be done as engagingly again. I think that Wyler's version might have benefited from a closer attention to the young Judah and Messala's relationship at the beginning as this TV version does, though briefly. I was a little disappointed with the casting of Judah Ben Hur - he does not have the masculinity of Charlton Heston - but Stephen Campell Moore as Messala is really good if not quite as evil as Stephen Boyd's young roman in 1959. This version works very well so far and has brought an interesting insight into Messala's motivations. He is not all bad as he was in Wyler's film.

The first and the biggest mistake of this movie that at some scenes the makers thought that Ben-Hur was Spartacus. He was not. Spartacus is a different movie and has nothing to do with the Ben-Hur story. 1. The scene from Spartacus (when the Thracian tries to kill the Caesar instead of Judah) should not be shown here. 2. Judah was not a Gladiator. He was a racing driver. 3. Quintus Arrius haven't died before Judah went back to Israel since in the original movie he sent his ring back to him. 4. We don't care about the childhood of Judah and Messala. We know that they were the best friends and that's it. 5. On the galley Judah was not number 40 but number 41. 6. He did not tell his name to Quintus after three days of saving him, but Quintus asked his name right after. 7. We don't know the name of Quintus' son. We only know that he had a son. 8. Galley-slaves did not tell anything to their prisoners about shipping. 9. It's not Judah who caught sight of the other ship at the battle but someone behind him. 10. First he was chained to the ship and Quintus asked to prisoner to take the chains of before the battle.There are many more mistakes in the movie but I think this many is more than enough to make your own decision about it. My suggestion: avoid!

Say BEN HUR and people immediately think of the Charlton Heston Hollywood epic: a film full of elaborate sets, huge crowds and epic chariot races. The powers that be decided time was ripe for a new version of the story, albeit in miniseries form, and no doubt to take advantage of the new-found popularity of the historical miniseries after the success of HBO'S ROME.I for one am a huge fan of such stuff, so I was immediately predisposed to enjoy this outing. I was engaged from the outset: to my shame, I haven't yet seen the Heston film, so watching the story play out was a fresh and involving experience. The total running time is around three hours, and I didn't find that a single moment dragged.As with many of these productions, the cast is packed with familiar faces. Ben Cross, Alex Kingston, Marc Warren, Art Malik and in particular Ray Winstone all seem to be having a ball with the roles they're provided. Stephen Campbell Moore, as the youthful hero, is sufficiently just, upstanding and likable enough, and watch out for a trio of highly attractive female cast members who ease the viewing experience: Emily Van Camp, Kristin Kreuk and, particularly, Lucia Jimenez.The budget is high enough for them to film in authentic, sun-drenched locales, with copious use of sets and extras to build a realistic portrait of the times. The use of CGI (such as in the naval battle sequence) is certainly adequate and the final chariot race doesn't disappoint. It's no ROME, but then, what is?