Watch Fire Down Below For Free

Lack of good storyline.

Tells a fascinating and unsettling true story, and does so well, without pretending to have all the answers.

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

An old-fashioned movie made with new-fashioned finesse.

it is difficult to say why. but see it !for the cast, for the story, for dialogues, tension, characters and, of course, for Rita Hayworth. and her dance . but, maybe, for the high chemistry between her and Robert Mitchum. and for the work of Jack Lemmon. sure, it reminds many films from the same period, with the same theme and dispute nature and end. but using the same recipes, "Fire Down Below" remains special. maybe, because it is a film of its actors and not exactly pretext for fireworks. because the performances are different by others from the same actors. because Rita Hayworth is the same but she tries, and she did a good job, to give to her character the mark of a period and context and signs of a type who is not exactly reduced at stereotypes. so, see it ! not only for the status of old film.

With James Bond producer Albert R. Broccoli involved and some really good stars this sounded worth a watch, so I did. Basically Tony (Jack Lemmon) and Felix (Robert Mitchum) sail around the Caribbean in their tramp boat doing odd jobs and drinking. While travelling they meet Irena (Rita Hayworth) and agree to take her to another island, and they both fall for her, leading to a break-up of partnership and betrayal. Tony goes on a cargo ship to take a job, but after a crash his legs are trapped underneath a large metal structure, and it seems only Felix can help him. Also starring Herbert Lom as Harbor Master, Bonar Colleano as Lt. Sellars, Anthony Newley as Miguel, Bernard Lee as Dr. Sam Blake, Edric Connor as Jimmy Jean and Peter Illing as Captain of the 'Ulysses'. It is unfortunate that the film itself turned out not to be very interesting, it was pretty boring actually. Adequate!

You'd sure think that with Robert Mitchum, Jack Lemmon and Rita Hayworth this would be an exceptional film--but it isn't--at least in a good way! Despite all this talent, Mitchum and Hayworth are essentially wasted--especially Mitchum who is given very little to do during the film other than to act grumpy! In addition, mid-way through the film, the entire flow of the movie stops and it's almost like an entirely different film for 45 minutes. At the end, it unconvincingly returns back to the original and far inferior story.The plot involves two partners who live in the Caribbean--making money taking people on fishing trips or doing a little smuggling. When a guy pays them to transport Miss Hayworth secretly out of the country, Mitchum responds with some nonsense about "hating women like her" and other such nonsense. To the well-trained ear used to bad movies, this obviously means "I'll act like I hate her through most of the film, but soon we'll be slobbering all over each other!". What a horrid cliché--and so predictable.Later, when Mitchum is treating Hayworth badly, Lemmon assumes the role of Sir Galahad and defends her. Eventually, he even decides he wants to marry her and take care of her. However, Hayworth knows that she's just no good and won't commit.In the interim, Lemmon goes on a very dangerous smuggling mission without Mitchum. He wants to get money for Hayworth to smuggler her into the United States, so he feels it's worth the risk. Things go poorly, however, and Lemmon's boat is destroyed. He hops aboard a freighter and makes for the island where Hayworth is waiting. However, completely out of the blue, there is an accident on board and Lemmon is trapped and the boat is about to explode (gosh) and there's a very limited amount of time to save him. However, all attempts fail and it looks like Lemmon will be blown to smithereens. This part of the film is actually very tense and interesting--and DOESN'T star Mitchum or Hayworth but a whole new cast of characters!! As I said, it's like a movie within a movie.In the end, Hayworth and Mitchum return to help out good 'ol Jack, but by now (no surprise), Hayworth and Mitchum have discovered that they don't hate each other but are in love (gag me).The film is poorly constructed, clichéd, stupid and failed to do anything with the only good part of the film (Lemmon trapped on the boat). What a waste of good talent.

Two American sailors, Felix and Tony, are co-owners of a tramp boat which they use for small-scale smuggling around the Caribbean. One day, however, they receive a more lucrative proposition. They are offered $1000 to transport Irena, a beautiful but stateless Eastern European refugee, from one island to another. As normally happens in films like this, both men fall in love with her, and they come to blows, their friendship forgotten.The two men are quite different in character. Tony, a bachelor, is a romantic and idealistic young man who has come to care deeply for Irena. Felix is a divorcée, several years older than Tony; the failure of his brief marriage has left him a hard-bitten and cynical misogynist. He also has a nasty streak in him, shown when, under a pretence of friendship, he tells Tony to beware of Irena who is a woman of immoral character. His real motive, of course, is to leave Irena free for himself. When this ploy fails, he tips off the coastguard about Tony's smuggling activities.The first part of the film is dominated by the Tony/Felix/Irena love triangle, but about halfway through Felix and Irena suddenly disappear from the action and the film abruptly changes from a romantic melodrama to a disaster movie, a sort of poor man's "Poseidon Adventure". Tony has signed as a crewman on board a Greek freighter and is injured when it is involved in a collision with a liner. Tony's injuries are in themselves relatively minor, certainly not life-threatening, but he is nevertheless in grave danger as he is trapped by a fallen iron girder and the ship is on fire. To make things worse, it is carrying a potentially explosive cargo.This was Rita Hayworth's first film after a four-year absence from the screen, caused by events in her private life. Rita remained a major sex symbol for over two decades because she was able to change her style of beauty as she got older. In early films such as "You'll Never Get Rich" she was an innocent, girl-next-door type. In what might be called her "middle period", the period of "Gilda" or "The Lady from Shanghai" she was a seductive femme fatale. Here, at the age of 39, she plays a glamorous, sophisticated older woman, and still looks as attractive as ever, especially in a swimsuit.This is, moreover, a very accomplished acting performance. Irena seems to have had a somewhat shady past, the full details of which are never made clear in the film, but one does not sense from Rita's interpretation that she is as immoral as Felix makes out. There is a sense that Irena has had a difficult life in Europe and that she has known sadness, perhaps even tragedy. She is reserved on the surface but one senses strong feelings beneath. (This is one of two meanings of the title "Fire down Below", the other referring to the literal fire which has broken out on the ship).Jack Lemmon as Tony plays his part reasonably well, but this is not a particularly good film. There are several reasons for this. The race against time to free Tony from the burning ship does not generate as much tension as one might have expected. The two halves of the film do not fit together well, and the change from one to the other is too abrupt. Irena and Felix reappear towards the end, but only Robert Mitchum has much to do; Rita's participation is effectively over by half-time.Felix is a key character, but Mitchum hesitates between two possible interpretations of the role. He seems unsure whether Felix is basically a decent but flawed individual or basically a nasty piece of work who redeems himself by one act of selfless bravery. He attempts both interpretations in the course of the film, and ends up making neither convincing. The film-makers were obviously guided by the normal convention that in any film involving a love-triangle it will be the first name above the title who gets the girl. (Lemmon was later to become one of Hollywood's biggest names, but in 1957 it was Mitchum who got first billing). The ending, in which Irena ends up with Felix rather than Tony, struck me as psychologically implausible and dramatically false. A marriage between Irena and Tony might have had some chance of working; one between her and Felix would serve no purpose except to provide employment for the divorce lawyers. Despite its three major-league stars, "Fire Down Below" is no more than a minor-league melodrama. 5/10