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The Blood on Satan's Claw
The accidental unearthing of Satan’s earthly remains causes the children of a 17th-century English village to slowly convert into a coven of devil worshipers.
Release : | 1971 |
Rating : | 6.4 |
Studio : | The Cannon Group, Tigon British Film Productions, Chilton Films, |
Crew : | Art Direction, Director of Photography, |
Cast : | Patrick Wymark Linda Hayden Barry Andrews Michele Dotrice Wendy Padbury |
Genre : | Horror |
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I don't have all the words right now but this film is a work of art.
At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.
It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.
It really made me laugh, but for some moments I was tearing up because I could relate so much.
Set in the 17th century. Ralph Gower is out plowing the fields one day when he accidentally uncovers the earthly bones of Satan. Angel Blake will find Satan's Claw and begins to lead a coven of children into devil worshiping. People are turning up dead but the Judge needs proof of that witchcraft is involved - but some feel it's more sinister than witchcraft.The film is well acted out - bravo to the actors. I also felt it was beautifully filmed and a well written story. It feels and looks like a high dollar production although made on a fairly modest budget.This film does get violent, there is rape, murder and some blood splattered but it is done in a way that is (somewhat) watchable. If any of this offends you then I do suggest that you look for a milder film on the subjects of Satan and witchcraft.8/10
In 17th Century England a man ploughs a field and comes across the skeletal remains of something . Summoning a judge he tells him that the remains belonged to a fiend and takes the judge to the field only to find the remains have disappeared This acquired a cult following in DOCTOR WHO fandom circa 1990 when the fan press revealed it contained a scene where Wendy Padbury ( 60s companion Zoe ) appeared topless in a scene . Knowing this no one bothered to ask about the rest of the film but the major problem was trying to track it down . It was a time before the internet and Britain was confined to four TV channels and despite Hammer horror movies being broadcast on a fairly regular basis BLOOD ON SATAN'S CLAW was made by an entirely different film company and no one could recall it being broadcast or released on video . In other words it became something of a cult film and a cult film no one had seen but it eventually turned up on Channel 4 a couple of times along with the occasional screening on satellite channels It'd be all too easy to dismiss this a Hammer clone full of lowbrow thrills and historical hokum featuring witchcraft but this would be slightly unfair to the film whose central idea revolves around Satan trying to reassert himself on Earth by using a 17th Century English village as his bridgehead . Realistic ? Of course not but my disbelief was totally suspended for the entire running time . There's quite a few themes going on at the same time such as the abuse of authority , of scapegoating , sexual repression and sexual awakening and the hypnotic power of sexuality Piers Haggard doesn't have a massive budget to work with but he does the absolute best with what he's got . Where he succeeds best is in the production design . This isn't the expensive looking interiors you'd find in a big budget historical movie but far more cramped and drab interiors befitting of the times which comes over as being totally realistic . The cast too are very good especially when you compare to these all too good looking and sassy teens we've seen over the decades in American horror movies . Their accents might be a bit too cod regional but this is a minor flaw . The ending itself might be a too silly for its own good where the supernatural comes to the fore but this is always the problem featuring the supernatural . Up until then the human aspects is enough to keep the story going in a horror film that remains something of a cult but perhaps deserves to be better regarded in horror circles
The Blood on Satan's Claw isn't a Hammer production--but it should be! Exhibiting many of Hammer's trademark features--the Gothic setting, a diabolic threat that lives on the border of civilization, a complex hero with touches of darkness in his character, and a beautiful temptress--The Blood on Satan's Claw was actually a Tigon effort, and one that in many ways surpassed contemporary Hammer releases. In fact, the quality of The Blood on Satan's Claw is so fine, and the thrills it induces so powerful, that one can't help wondering just why the Gothic horror picture was on its way out. Few of the slasher films that would permeate the genre in the coming years can hold a candle to this picture.The Blood on Satan's Claw is a tale of an ancient evil reborn. A farmer unwittingly plows up a strange corpse, but the alien body disappears before the local judge can investigate. Soon, terrible things begin to happen, and the local youth seem to have all gone over the edge, perhaps into witchcraft. The Judge, played to perfection by Patrick Waymark, is a flawed individual, to say the least. He is dedicated to doing the right thing, true enough, but he is also harsh, cold, haughty, and judgmental. He is also very reluctant to concede that what he considers to be superstition is at work in his village even after evil begins to manifest itself in some very conspicuous ways, and only begins to realize the truth when it is very nearly too late.The other exceptional performance in the film belongs to the lovely Linda Hayden, who the previous year had starred in Hammer's Taste the Blood of Dracula. Hayden plays the young woman who becomes the leader of the strange cult which infects most of the village youth, and it is she who orchestrates much of the terror which ensues. Her character, ironically named Angel, is a seductress of a particularly haunting power, and it's hard to conceive of any actress from that era playing the part any better.The story does move a bit slowly, but the drama unfolds with conviction and a realistic touch which many more explosive films lack. The ultimate climax, in which the villagers square off against the coven of witches and their demonic master, is perhaps a bit of a letdown in that it's over very quickly, but when the final credits roll the viewer is still left with a very satisfied feeling. Frightening and atmospheric as only a Gothic can be, The Blood on Satan's Claw is a well-acted and produced horror picture that should appeal especially to fans of Hammer productions.
In 1670 a British plow boy unearths strange skeletal remains while tilling a field. As it turns out it's the bones of Satan and soon the children of the village begin to practice black masses; preparing to make some murderous sacrifices to their possessor.Blood on Satan's Claw is a profoundly eerie little horror film. It possesses such a powerful atmosphere of dread while its intriguing plot builds to some truly chilling imagery and some genuinely shocking scenes. Also there's a sexual undertone to the happenings which adds all the more to the unsettling vibes that surround this dark tale. In addition there's one disturbing rape scene and some grisly murder sequences. The film is finely directed by Piers Haggard with splendid camera work, lush locations in the English countryside, and a believably Gothic setting. The unique music score by Marc Wilkinson is terrifically creepy too. The cast is strong in their performances. Patrick Wymark (in one of his final roles) is good as the Judge who faces down the evil. Linda Hayden is menacing as the young lady who becomes a temptress for the devil. Barry Andrews is likable as the farm hand who unearths the evil and may just become sacrifice for it. The supporting cast is solid as well.Blood on Satan's Claw is simply a must-see for horror fans. It's outstanding film making wrapped around a haunting tale of good verses evil. Not for all tastes, but the serious horror fan will find it an unsettling and captivating gem! One of the best British horror films of the 70's.**** out of ****