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The Brothers McMullen

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The Brothers McMullen

Deals with the lives of the three Irish Catholic McMullen brothers from Long Island, New York, over three months, as they grapple with basic ideas and values — love, sex, marriage, religion and family — in the 1990s. Directed, written, produced by and starring Edward Burns.

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Release : 1995
Rating : 6.6
Studio : Fox Searchlight Pictures,  Good Machine,  Marlboro Road Gang Productions, 
Crew : Director of Photography,  Director, 
Cast : Shari Albert Connie Britton Edward Burns Jennifer Jostyn Michael McGlone
Genre : Drama Comedy Romance

Cast List

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Reviews

Smartorhypo
2018/08/30

Highly Overrated But Still Good

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Stellead
2018/08/30

Don't listen to the Hype. It's awful

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ActuallyGlimmer
2018/08/30

The best films of this genre always show a path and provide a takeaway for being a better person.

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Griff Lees
2018/08/30

Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.

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SnoopyStyle
2015/05/01

This follows three Irish Catholic McMullen brothers' relationships. It's five years after their mother went back to Ireland with another man after the death of their father. Jack McMullen (Jack Mulcahy) is living in his parents' home with his wife Molly (Connie Britton) but he is lusting after his brother Barry's flirtatious ex Ann (Elizabeth McKay). Molly is pushing for children. Barry (Edward Burns) is anti-commitment until he meets Audrey (Maxine Bahns). Patrick McMullen (Michael McGlone) is struggling with his Jewish girlfriend Susan (Shari Albert) who seems to be pushing for marriage. He has a better relationship with friend mechanic Leslie (Jennifer Jostyn).It's always interesting to rewatch an old movie and realize it has a future star. Honestly, I don't recall Connie Britton in her film debut. I do remember Edward Burns and Michael McGlone. The acting is surprisingly good considering its indie nature. The story is basically the three brothers' relationships. Following three relationships does split up the attention and lowers the tension. The cinematography and style isn't much and it holds back the movie a little.

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William James Harper
2009/10/22

I have no idea why this movie was ever made. It's truly horrible. I mean what was the point? Lapsed Catholics are troubled people? None of the male characters is the least bit interesting or sympathetic. They are all total zeros. Given that the three brothers are absolute jerks, the contrived, blissful happy ending which is completely predictable is not in the least bit warranted in any of the three couples lives. The profanity is on a par with the number of beers consumed. I think I should have had a few before sitting down to this. The wife of the eldest brother who is married is about the only interesting character in the movie. She should apply for sainthood for sticking with a cheating husband. As far as I am concerned this is just more Catholic bashing from that Hollywood can not get enough of. Don't spend a minute watching this dreadful film.

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george.schmidt
2003/02/28

THE BROTHERS McMULLEN (1995) ***1/2 Edward Burns, Mike McGlone, Jack Mulcahy, Maxine Bahns, Elizabeth P. McKay, Shari Albert, Connie Britton, Jennifer Jostyn. Sort of an Irish-American Woody Allen flick but with style and originality: Burns (who stars, wrote and directed) filmed this on a budget at $20,000 and won The Sundance Film Fest's Jury Prize after being passed on every level. Three close and quarrelsome Irish/Catholic brothers from Long Island confront sex, sin, guilt, infidelity, commitment and finally love in this delightfully funny and smart slice of life.

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tedg
2002/05/14

Spoilers herein.I suppose we should all celebrate when anyone is able to pull off a first production that doesn't embarrass.But that is faint praise, and this is pretty thin stuff. I could find no interesting element in it, save the self-reference. It is a first time screenplay about the creation of a firsttime screenplay. If not overly clever, that enfolding is especially natural here, using a subtext of the Church as the rules for plays. As with his screen avatar, Burns breaks the dogmatic rules, but only in ways that follow the popular convention. The result is a miscarriage.

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