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I like the storyline of this show,it attract me so much

Pretty Good

Fantastic!

The film never slows down or bores, plunging from one harrowing sequence to the next.

I enjoyed this film after I figured out that it was 'not' a comedy! This is static art, sort of, but more like mime, the kind of mime that is intended to make you laugh, in order to get your attention, in order to be what it actually wants to be, sentimental, cranky, entertaining without seeming to be willing to admit that the whole point is a cry to 'look at me', the same desire as is at the base of every film, but this film's intention is less well disguised, maybe intentionally, maybe the evident vulnerability is in fact the attractiveness of the piece.At some point I stopped following the dialog, and started 'watching' the movie, like a painting, one of those paintings on a curtain that keeps going on and on (what are they called? something 'dromes'). It may seem too explicit, the human hands mimicking the windshield wipers, et al, but if you can stop seeing the literalness, then there is something there, or at least there would have been in 1971, which I remember so well, driving the autobahn, tooling through the circles at 100 clicks, watching the colors go by.

I decided to write this review purely because I've red the one written by lapratho from Tacoma, WA, USA - and I totally disagree about this movie! Sorry to say I've bought it, not sorry that I've seen it, just sorry I can't erase it from my memory.There are a few laughs in this movie as well, although I would never sort this under the category of comedy.There are some very interesting shots with the camera, the storytelling aspect of this movie is at least interesting as it uses the motion picture as a new form of media - but the most basic component of any movie is missing... You will require a lot of will power to sit this one through from beginning 'till end and if you'll decide you need a break from it, the chances are, you'll never return to watching it.It's not a film you'd watch to pass the time, or be amused. It's a film that is trying to present a satirical point of view about certain aspects of life, so if you will be able to penetrate under the pointlessness you'd get from simply watching it, you might even get a few ideas it's trying to convey. But you really have to dig deep and just by watching it, it offers nothing which would make you want to dig deep into it, to get to the point.So a very low mark, as it is (at least in my opinion) an existentialist comedy that might work in the theater of absurd performed live (right after Waiting for Godot), but it doesn't work at all on film.

It takes about half an hour for this film to warm up, but once it gets going, it is a great watch. As the fourth entry in Tati's M. Hulot series, the film is not quite as good as the two previous entries, 'PlayTime' and 'Mon Oncle', but it is still a fine film on its own, with not only amusing puns but also interesting satirical elements once again. Like with the previous two films, 'Trafic''s jokes owe a lot to the way in which the shots are set up, and in general Tati does a fine job visualising the material. Some shots appear to lack meaning or thematic motivation, but in general they help to flesh out the humour at technology. It is also interesting how there is a distinct lack of close-ups until the end. Everything going on is so interesting that one wants to look closer, but Tati places the viewer at a distance. The jokes are often funnier because we cannot see the finer details, and this is perhaps Tati saying something in the way of that if we distance ourselves we can see humour that we might miss otherwise if we try to examine everything too closely. As usual, the music used is excellent too, fitting in well with the on-screen action. Overall, the film does not work quite as well as 'PlayTime' and 'Mon Oncle', but there is little reason to regard it as an inferior entry - just a lesser entry, perhaps.

I didn't know what to expect when I went to see this movie many years ago. I was delightfully surprised. This is a very funny movie, but it is subtle in it's kookie-ness.Two men have developed a new camping van and have set out to take it to an outdoors show. This should be an ordinary trip full of coffee, donuts and long boring stretches of road. But no, this does not take place in America; it starts in Paris and the goal is Amsterdam. Much can happen along such a route, and in this case, just about everything does.Will they make it there before the show has ended? Will their dreams of being successful come to pass? These are the driving questions of this movie. They seem rather uninteresting goals, don't they? Nevertheless, these characters will likely win you over and have you rooting for them as they make their bumbling stab at entrepreneurship. Or, just as likely, you may find yourself enjoying every obstacle that steps in their way, as I did.Much is unexpected in this movie and that's what makes it fun! Share this one with your friends and they will thank you.Note: this is a comedy, there's not much gore or street fights, shoot-outs or bombs taking out city blocks, so be forewarned, this movie with not shake your subwoofer.Although not a spy movie, it somewhat reminds me of the original "Tall Blonde Man with One Black Shoe": another wonderful French comedy.