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By the time the dramatic fireworks start popping off, each one feels earned.

Blistering performances.

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

As I know the Danish language and society, I include, from time to time, some Danish films or series into my watching list. Particularly those dealing with events before 1990ies, before my personal experience with this great nation and country. And as Bille August is one of the best known Danish directors in the world, it is logical that Tro, håb og kærlighed would appear sooner or later... Well, I suppose "later", as I had seen hundreds of Danish creations already, including August's Pelle Erobreren, so my expectations were apparently too high. No, don't get me wrong, the film in question is skilfully directed and diversely performed (particularly all depicting Erik's family), plus provides a good overview of life in Danish cities in the 1960ies, but the story itself is not smooth, is somewhat "chopped", and some events / reactions by people are not realistic (e.g. during the wedding). The solution/ending is also adumbrative and, all in all, I am not sure that this film (with rather unfitting title in English) does bespeak the youth and families in the 21st century as well, thus not possessing durable approaches and values. But of course, the film is far above being mediocre.

I agree with Commenter Michael that the title (not to mention the Beatles-saturated first 15 minutes) are misleading. Any other youth diversion or fad would've served the movie's themes just as well. Such is not to say the plot and its issues are uninteresting or moving. The camera work and the plotting and pacing of T&S are fine, with the exception of a "daydream" sequence that, while funny, doesn't fit in the film at all. Other aspects suffer. The translation may be to blame for the dialog, though I suspect even Norwegian teens speak more effusively; i.e., not in such clipped, terse blurts. That Simonsen and Soeberg act so well unfortunately contrasts Tonsberg and Bondo's unconvincing performances; e.g., Tonsberg is unauthentic and Bondo one-dimensional. Though Simonsen's Eric has the storyline that ultimately prevail's over Bjorn's travails, such is done in a way that buries the relevance of Bjorn and Anna's romance and Eric's desire for Kirsten. What this film is supposed to be about is the bonding and loyalty between Bjorn and Eric. Such becomes lost, despite a revival attempt at the end.

Another solid film from Bille August about adolescence in Denmark the 60s - 1963 this time.This is even a little stronger than August's 'Zappa', if not quite up to Roy Andersson's somewhat similar, brilliant 'A Swedish Love Story'. The Scandinavians seem to have a knack for making emotionally complex films about adolescence. As with 'Zappa' some of this feels very familiar (first love, leading to pregnancy and to abortion that ruins the romance), and some feels a bit forced or unrealistic (would the parents of an upper-class, clearly upwardly mobile and socially conscious family really be quite so positive about their daughter marrying a boy from a humble working class home?). But the two male leads are very good, and there's a lot of specifics and idiosyncrasies that far outweigh the clichés.

I'm puzzled by the reactions I've read about this film. People call it "cute," or "curious." They think of it as a period piece, or a quirky comment on European sensibilities that they don't understand.Nonsense. I consider this film one of the top three films ever made, in company with "Paris, Texas" and "Blue Velvet." It has little to do with its translated title "Twist and Shout" -- this is merely a reference to its setting, in 1963, and the fact that the main characters try to emulate The Beatles in dress and manner, as did probably the entire generation in that era.The "Twist and Shout" business pertains to the setting only. This film gives one of the most raw, uncompromising looks at powerful human emotions -- friendship, loyalty, obsession, first love, loss, and betrayal -- that have ever been committed to celluloid. Directly translated from Danish, the title reads "Trust, Hope, and Love" -- and that, as direct and ambitious as it sounds, is EXACTLY what this film is about.As the summary indicates, the abortion scene with Bjorn and Anna is both gut- and heart-wrenching. Erik's devotion to his mentally disturbed mother, and final self-emancipation from his dictatorial father, is as poignant as any depiction of the trauma of growing into adulthood as I have seen. And the endurance of the friendship between Erik and Bjorn, despite all that should have driven them apart, gives this disturbing, troubling film a bittersweet note of redemption that will linger long after its concluding scene. Maybe it helps to be able to understand Danish, or be a little familiar with the culture (I lived for a year in Denmark when I was twelve). Still, I'm convinced that this excellent film has long been underrated, and that its themes are compelling and universal. If you can get hold of it, I strongly urge giving this film your attention. 10 out of 10.