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Simply A Masterpiece

Fresh and Exciting

By the time the dramatic fireworks start popping off, each one feels earned.

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

As a Classics major I can not recommend this movie. It holds no truth to the writings of Apollonius and is another Hollywood recreation of a magnificent Greek Poem. The writers and I call them that loosely stole a great story and changed a classic into a bad tele-novel. This is akin to taking Hamlet, keeping his father alive and Hamlet is just a joyous kid out on a fun adventure. As a Classicist this adaptation disgusts me. If anyone thinks watching this will replace reading the poem then expect a very low grade in your class!!!This is about as far away from the actual story as one could get. The original story is amazing and full of non invented plot twists and turns. The ending is Hollywood at its worst. So sad to see one of Greece's true masterpieces destroyed like this. Note to Hollywood, Why change a story so amazing it has lasted for 2,500 years. To change the story is so sad and just a slap in the face of a wonderful writer.

I am greatly tickled by some of the remarks on the IMDb about this TV miniseries version of Jason And The Argonauts.One - some people pick holes in the fact that it doesn't recount the "true facts". Guys, there are no facts in a myth - that's the nature of myths. So Atalanta wasn't an Argonaut? That may be so according to most accounts, but not all.Two - some elements of the Harryhausen version - Talos, for instance - have been left out. Well, the much-loved (especially by me) Harryhausen version played even faster and looser with the most generally accepted versions of the myth than this does, and Talos (and the Hydra, and the skeletons) were all such variations.Does this version succeed or fail? Well, the effects are a bit TV-budget-y in places (the Harpies, for instance, don't really convince). The colour is distinctly washed out, but that seems to be a style choice. And Jason London plays Jason Argonaut with a little less authority than he needs to.But apart from that, this is a nice leisurely stroll through a jollied-up version of the myth, and it brings it to a close (which the earlier version didn't) even though the conclusion is a Hollywood happy ending, and not the grim bloodbath you'll find in the myth.

For some people 'Jason and the Argonauts', one of the most representative tale of the rich Greek Mithology, is one the most intense adventure yarn of all times. For this reason, maybe, this story - with more than three thousand years - is always returning to delight children and adults. This new TV version is an accurate and well done entry of the classical adventure. The movie - starring young Jason London as Jason - has a correct cast (with an impressive Dennis Hooper as the cruel King Pelias) and extremely good special effects. Maybe the movie is a bit too overlong which causes some uneven development of the plot, with some parts less interesting than others. For example, the movie goes down when the argonauts are made prisoners in the island of the Amazon women. But there's other great moments: the fight to take the 'Velocino' and the fight against the Minotauro. Although some old guys will remember and miss the old movies about Heroic Greece - especially the movies made with the assistance of the master of the special effects, Mr. Ray Harryhausen - this new version is capable and well done.

I enjoyed the 'Jason and the Argonauts' remake. I almost bought it, until I reached the end of it and realised that Talos, the Bronze Giant, had not made an appearance in it. C'mon, this character made the first one so special, so great. Talos really comes alive in glorious special effects; I wish they'd kept him in, I really do. Then I would've bought the re-make, which in other respects is more faithful to the mythology. Admittedly, Talos was only peripherally important in the myth: he lived on the island of Crete and used to hurl large rocks at passing vessels. Only by Medea's charm can the monster be overcome. They did the same to 'The Odyessy': left out the Sirens, who lured unwary sailors to their doom on the rocks. C'mon! How can you have a film about 'The Odyessy' and not include them? Let us hope the next person to write a screenplay based on an ancient myth will include all the important bits seemingly left out of modern remakes. even though they do look good.