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Great Film overall

A different way of telling a story

It's entirely possible that sending the audience out feeling lousy was intentional

There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

Denis Villeneuve's weakest movie.a movie trying to display about sin and redemption.like all other 'guilty spoiled female protagonist' movies, she transformed into a new person.and then the funniest thing.our revenge seeking hero (who realized his enemy is a woman instead of a man) fall in love with her, have sex with her and that's the end of the film.

MAELSTROM labored far too hard be unconventional, yet Denis Villeneuve(director) did demonstrate the possibility for a very interesting film. Guilt due to an abortion which is exacerbated by a hit and run incident communicates a compelling narrative, but why introduce...a talking fish??? Sure, one could make a case for a 'talking fish', but how about a 'laughing typewriter', or an 'all knowing piece of cheese'. You just can't introduce something so outré without explanation, or you cross the line into extreme pretension. Of course, the 'talking fish' might represent Fertility, yet 'a laughing typewriter' could also indicate a playful creator, or 'an all knowing piece of cheese' could represent all of the above. If you want to get weird, the weird can turn pro. MAELSTROM had a fine cast, but the script failed to blend the ham-fisted element of 'the fishy fable' with the story's inherent dramatic subject matter, and in the end, the film aborted

Maelstrom is a unique blend of happenstance, a touch of magical realism and a cautionary tale wrapped in the stunning cinematography Andre Turpin. Unfortunately when one reads a synopsis of the film the reviewers focus on a brief yet impactive scene that happens at the beginning of the film. The irony is this scene is handled deftly and tastefully by Director Denis Villeneuve. But due to the skewed American sensibilities surrounding sex and violence, a masterful portrayal of daily reality is maligned as shocking and graphic. Frankly I'm more disturbed by images I see on the nightly news and on reality TV. So if you can ignore the synopsis a brilliantly poetic piece of cinema awaits you. This is a well crafted film whose visual elements carry the tale, (a lesson M. Night Shamalyan could have used before engulfing his audience in the endless exposition of Lady In the Water) that is ultimately uplifting.

If you have read any summary for this film, either given by this site or other reviewers, then there you have it: you've seen the movie. Aside from the basic plot, nothing else happens. I bought this movie based on the rave reviews flooding these pages and I was shocked when I finally saw it. I fell asleep the first time I watched it, and then had to plod thru it a second time, in an attempt to get my money's worth. The few complaints you've read are all true! Through the entire film. Do not waste your time on this mess, you can thank me by renting a better movie like Abre Los Ojos or Magnolia.