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So much average

Good , But It Is Overrated By Some

Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

..yea.. she's a real winner... ..she teases and torments her 'friend' to his ultimate demise.. ..and with her other love interest, she feels very strongly about him, but must leave and go far, far away... for he is just too beautiful, and although he proclaims he loves her, in the end she knows he will ultimately leave her for another.. ..(and who decided to cast him in that role.. at times he looks and acts more like a student than they do).. ..all that, and a bunch of confusing side story lines, adding nothing at all to the main story.. ..the French have mastered these kinds of productions.. too bad in this one the efforts of a good number of talented young actors went to waste

I was excited to see the film as I found the premise to be quite intriguing, however the film just didn't do it for me. Maybe something got lost in translation? Although I usually do not have this problem. Or maybe it's because the quality I watched it in wasn't the best? Regardless, I did enjoy the visuals. I liked the cold and grey colours added to the picture, which fit the mood of the film quite nicely. The characters, their hair; the clothing all added to this melancholic mood and it was honestly so aesthetically pleasing to watch. It had this worn out vibe; like a picture from older pictures, which I adored. The camera work was good. Not amazing, but good. Some shots didn't quite make sense, but I guess it can be "part of the art". There was also some shaking which did not really make sense with the narrative, but regardless, I enjoyed the visuals.Alas, I could not really say the same for the story. I am aware it was based on a classic, hence the "tragedy" and dramatisation. The issue? I wasn't convinced. Problematic character number 1: Nemours. A character who exaggerates his emotions and leaves the two people he was screwing (emotionally and physically) for a girl he just laid eyes on. Love at first sight. Bullshit. Junie's feelings I do believe, but she also doesn't exaggerate them (and she's a teenager). She knows she is only attracted to Nemours, however, Nemours, a grown man sprouts out all these fancy words about how he was in love with her and they feel so careless coming out of his mouth as he was not convincing at all. Maybe there was some spark the character missed, or something visually missing. Another problematic character: Otto. He was a delight, but, his voice was too weak, drowned out by all the other plots happening on screen, so much so, that the ultimate peak of the story -- his suicide -- left no impact on me.I did enjoy the ending, which I found pleasant and fitting, and a decision which was very mature of Junie.In conclusion: Aesthetically pleasing -- yes. Was the story convincing? No.

This is a lovely, deliberate, melancholy look into the fairy-tale lives of pale, beautiful, preternaturally graceful high-school students in Paris - a dreamy, pearly, wintry Paris on which the harsh sun never, ever shines.The Beautiful Person is so hypnotically beautiful that it drew me through the somewhat jarring adjustment I had to make from my placid late-middle-aged American world into theirs, which teems with sex and longing, but - Oh, my! - it was worth it. This movie is luxurious and delightful.Some of those who do not like it may be unwilling or unable to make such a cultural adjustment, but those who do will be rewarded. Earlier reviews here encouraged me to hang in there through the rough patches in the beginning, when I could not even tell who was who and doing what with whom. Those reviews also hinted that I might be slightly disappointed after Christophe Honoré's last movie, the remarkable Love Songs (Les Chansons d'amour). I was not at all. This is a sadder movie, but it is no less deeply satisfying.Like Love Songs, seeing this once is not enough: I need my own copy so I can watch it over and over. Also like Love Songs, I expect the pleasure it gives will grow richer with each viewing.Something nice I just realized: there are no drugs in this movie, hardly any alcohol (none at all among the kids), no vomiting, no farting, no bullying, no mindless cruelty or grossness of any kind. In other words: This is not an American movie for American teenagers. It is probably not even a realistic view of Parisian teenagers (even they must have a few pimples), but realistic or not it is a joy to behold.

This film desperately tries to be deep but ends up being utterly superficial. Beautiful actors, Nick Drake soundtrack and excellent cinematography can't hide the fact that this is a confused and amateurish story without a message. The main problem is the script: we never get to know the characters, we don't understand what motivates them. There is no real "story" to follow, no beginning and no end. Time after time the filmmakers seem to forget the main characters/story line and far to much time is spent on subplots and side characters that don't interest us, since they haven't been introduced earlier in the film. The actors are OK but the script just doesn't give them anything substantial to work with.