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Beautiful Kate
Ned Kendall is asked to return to the remote and isolated family home by his sister, to say goodbye to his father who is dying. Ned also brings his young aspiring actress fiancee who struggles with the isolation. When home he starts having memories of his childhood many involving his beautiful twin sister and his older brother. These memories awaken long-buried secrets from the family's past.
Release : | 2009 |
Rating : | 6.6 |
Studio : | Beautiful Kate Productions, Doll Australia, New Town Films Pty. Ltd., |
Crew : | Art Department Coordinator, Art Direction, |
Cast : | Ben Mendelsohn Bryan Brown Sophie Lowe Maeve Dermody Rachel Griffiths |
Genre : | Drama |
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Reviews
You won't be disappointed!
It is a performances centric movie
Good concept, poorly executed.
It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,
I have mixed feelings about this one. It gives a real taste of the harshness of outback farm life in Australia, and it is certainly well directed and produced. The acting performances are convincing, though the character of Toni seems a little over the top, or even unnecessary to the story. Speaking of which; the story is the weakness here. What could have been a psychological drama tracing taboo desires and their roots is instead allowed to develop into a father vs son struggle that we've seen too many times before.Overall: dark, fascinating, challenging, but let down in the end by a plot without the depth to really carry it over the line. Worth watching though.
No one involved in this production has put a single foot wrong in bringing this profoundly moving and overwhelmingly beautiful film to the screen. It is as fine a film as has ever been made.Don't be put off by any comments claiming it is a dark or depressing film. It is not. Rather, it is poignant, tender and uplifting. At its heart it is illuminated by love and forgiveness. Do not miss this haunting and rewarding cinema experience.Twenty years after his sister's death and his brother's suicide, a man returns to his childhood home in the remote Australian outback. He has come to see his dying father who is being cared for by his remaining sister. He brings his much younger fiancé with him. The visit brings back memories of long ago and for the first time the man fully comprehends the key tragedy in the lives of himself and his family.After the early death of their mother, a father, who is ill equipped to show his love and affection, has raised four children in the remote and demanding outback. It is a tough life that lost its emotional anchor with the loss of the mother. Educated at home via the school of the air the children, and their father, are truly isolated from the wider world and from other human contact. Elder son Cliff has been subjected to "toughening up" treatment, younger sister Sally, though only a child, is aware of the currents within the household, while middle children, Ned and Kate have the deep and interdependent connection often observed in twins.Within this isolated, oppressive and emotionally constrained environment, the children's need for love, affection, and for models for their developing sexuality and for human relationships goes unmet. Normal adolescent confusion and uncertainty mutates with tragic consequences when Kate's fear of growing into womanhood, with its concomitant morbid fear of her mother's breast cancer, finds resonances with Ned's primary emotional connection to her and his emerging sexuality.Kate's fear of loosing her twin by them both growing up and by Ned finding a girlfriend is compounded by Ned's recognition also that the love between the twins is the single most important thing in each other's life. Love, fear, confusion and the desire for a physical manifestation of love propel their relationship into sibling incest. Ned's rejection of this results in the tragedy at the core of the film, when Kate seeks to both punish Ned for his rejection and to bind herself to her other brother Cliff in an escalation of emotional turmoil that was bound to be destructive. The effect is immediate and by night's end two of the siblings are dead.This film is about love, and by the end, it is love that triumphs for the man, his sister and their father who dies surrounded by it.The South Australian Flinders Ranges location for the film is absolutely stunning. Every frame of this film is perfect. Every performance is rich with understated nuances of character and emotional depth. Intelligence, understanding, compassion and empathy shine from this film and it is just a pity that these qualities are lost on some of the audience.
I look at movies first from the cinematography point of view, And that was what got me in the start, but as the movie went forward, as I saw acting, as I saw story telling I found out that I'm looking at a masterpiece. Somebody recommended Last Ride, I really like Last Ride but this movie is really in a different league. I didn't know who this movie director is(I do this willingly to don't have any predict) and after I finished it I looked at the director's name: Rachel Ward, yeah Rachel Ward's masterpiece. Bryan Brown's acting is the best, i didn't know Sophie Lowe but she is probably an actor(Isn't actress creepy?) to remember her name for the future. Also time dimensions is something touchable in this movie. I highly recommend it if you consider yourself an open mind person, because you should enjoy the kind of passion thats going to get injected to you.
It's easy to pick on a movie that's based on a very good book because expectations are very high, and you have an idea in your head before you even see the movie. So I'm not going to make comparisons for the sake of it. Just one criticism that I cant see anyone who read the book will argue with, and that's the change of setting from Idaho to South Australia. The big problem here is that the American wilderness is never as "dead" as the Australian wilderness. In fact just look at the title of 'Deadheart' (another Bryan Brown film by coincidence).The impact of the change of setting is that the characters are so marooned and cut off. You never get that sense in the book, where the wilderness is their natural haven. That doesn't mean the actors aren't believable. They are and first time director Rachel Ward has done something special in relating the female experience. I felt every scene that worked, and the pacing is just right. I've read some ridiculous reviews that this is a film for women. Well it's not, it's about how women relate with their world in a universal way. That makes this a universal story and a movie worth seeing.